This is the second post in a potential series of posts showcasing the science fiction cover art by Richard Powers (1921-1996). My first post discussed a few surrealist cityscape covers from the 1950s. Here I’ve selected a variety of surrealistic, composite, conglomerated, and masked faces from his 1970s covers.
A delightful green human shape — mouthless — replete with translucent hollows? emerging occupants or surfacing memories?
(Cover for the 1973 edition of All Flesh is Grass (1965), Clifford D. Simak)
The Eternal Frontiers utilizes another Continue reading Adventures in Science Fiction Cover Art: Assorted 1970s Surrealistic Faces by Richard Powers
Richard Powers (1921-1996) is one of my favorite science fiction cover artists. Heavily influenced by the likes of Yves Tanguey and Picasso, his delightful vein of surrealism graced the covers of multiple classics of the genre (for example, Simak’s City, Clarke’s Earthlight and The City and the Stars, Norton’s Sky Gate, Vonnegut’s The Sirens of Titan, Sturgeon’s More Than Human). His covers are unmistakable and extremely easy to identify. I’ve decided to showcase a few of his surrealist cityscapes.
(cover for 1956 edition of Reach for Tomorrow (1956), Arthur C. Clarke)
The cover for Reach for Tomorrow achieves a wonderful Continue reading Adventures in Science Fiction Cover Art: The 1950s Surrealist Cityscapes of Richard Powers
While browsing through the spectacular collection of DAW sci-fi/fantasy covers between the 60s-80s on the Internet Speculative Fiction Database I came across Ian Wallace’s The Lucifer Comet (1980). I know nothing about the work itself (or the author) but something about the shoddy cover immediately rung a bell. I had seen a similar small greenish man (but without wings) hoisting an unprotesting much heavier scantily clad reddish Continue reading Adventures in Science Fiction Cover Art: Gino D’Achille and small greenish men stealing large reddish women
I nominate the cover of Michael G. Coney’s The Jaws That Bite, The Claws That Catch (1975) as the worst I’ve ever seen. I’ve submitted it to Good Show Sir so hopefully it gets posted on that hilarious website soon. Kelly Freas is considered one of the best sci-fi artists Continue reading Egregious Science Fiction Cover Art: The Jaws That Bite, The Claws That Catch (1975), Michael G. Coney