Book Review: The Burning, James E. Gunn (1972)

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(Robert Foster’s evocative cover for the 1972 edition)

3.25/5 (collated rating: Above Average)

James E. Gunn’s The Burning (1972) is a fix-up novel containing three previously published but linked novelettes: ‘Witches Must Burn’ (1956), ‘Trial By Fire’ (1969), and ‘Witch Hunt’ (1969).  The first two are contiguous while the third section is more loosely related.  I will rate each separately as I did with the superior The Immortals (1962).

As someone who has lived in areas of the United States plagued by virulent strains of anti-intellectualism, massive higher education funding cuts (especially in the liberal arts), and an increasing emphasis on “practical” fields of study, James E. Gunn’s The Burning (1972) is a profoundly unsettling read.  Of course Gunn’s dystopic future is much more one of doom and gloom: The universities lie in smoldering ruins, the professors (“eggheads”) Continue reading

Updates: Recent Science Fiction Acquisitions No. LXIII (Simak + Tenn + Clement + Frayn)

A new bookstore in my hometown!  Great results! Dirt cheap (between 1-2 $ a book)!  Happy me!

I finally have a copy of Hal Clement’s hard science fiction masterpiece, Mission of Gravity (1953)…  And a collection of William Tenn’s short stories with a downright gorgeous Powers cover — Tenn is supposedly up there with Sheckley in the satirical pantheon of the 50s… Among others…

Has anyone read Michael Frayn’s A Very Private Live (1968)?  I’ve never heard of it before but the Lehr cover was too amazing to pass up…

1. The Human Angle, William Tenn (1956) (MY REVIEW)

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(Robert Powers’ cover for the 1956 edition)

From the inside flap: “WIT: an extra-terrestrial sells pornographic literature Continue reading

Adventures in Science Fiction Cover Art: The Power of the Atom!

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(John Richards’ cover for the 1958 edition of Crisis 2000 (1955), Charles Eric Maine)

On science fiction covers from the 40s and 50s the atom is often emblematic of atomic power and all the dangers and promises that such a scientific breakthrough could (and did) yield.  In John Richards’ cover for the 1958 edition of Charles Eric Maine’s Crisis 2000 (1955) the humanoid super beings arrive from Saturn to terrorize Earthmen — and, carefully covering the private areas of one of these denizens of Saturn is the atomic symbol surrounded by blood. The cover is made even more unnerving by the multiplicity of identical Continue reading