The Introduction to Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, ed. Andrew Nette and Iain McIntyre (2021)

I’ve recently conducted a binge read of my ARC of Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, ed. Andrew Nette and Iain McIntyre (2021). It is a must buy for any SF fan of the era interested in exploring the larger world behind the texts. Considering the focus of my website and most of my reading adventures over the last decade, I can unabashedly proclaim myself a fan of the New Wave SF movement–and this edited volume is the perfect compliment to my collection and interests.

The editors and PM Press have graciously provided me with the introduction to the volume. Perhaps it’ll convince you to purchase your own copy!

Relevant links: Amazon USA, Amazon UK, and the publisher website.


Dangerous Visions and New Worlds

An Introduction

The “long sixties,” an era which began in the late 1950s and extended into the 1970s, has become shorthand for a period of trenchant social change, most explicitly demonstrated through a host of liberatory and resistance movements focused on class, racial, gender, sexual, and other inequalities. These were as much about cultural expression and social recognition as economic redistribution and formal politics. While the degree to which often youthful insurgents achieved their goals varied greatly, the global challenge they presented was a major shock to the status quo.

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Updates: Recent Science Fiction Purchases No. CCLXXXII  (Isaac Asimov, Mary Vigliante, Algis Budrys, and Vladimir Voinovich)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Earth Is Room Enough, Isaac Asimov (1957)

From the back cover: “ANYTHING CAN HAPPEN and probably will RIGHT HERE ON EARTH.

You don’t have to rent a spaceship or sign up for a singles cruise to Saturn or spend your weekends star-hopping along the Milky Way because EARTH IS ROOM ENOUGH.

Earth is where the action is and each tomorrow unleashes new discoveries.

Here are brilliant, witty, frightening, and fascinating stories of the future by the greatest science fiction master of them all. Just hitch your mind to these weird and wonderful tales for a spin around the world of tomorrow that will take you right to the center of your wildest dreams.”

Contents: “The Dead Past” (1956), “Franchise” (1955), “Gimmicks Three” (1956), “Kid Stuff” (1953), “The Watery Place” (1956), “Living Space” (1956), “The Message” (1956), “Satisfaction Guaranteed” (1951), “Hell-Fire” (1956), “The Last Trump” (1955), “The Fun They Had” (1951), “Jokester” (1956), “The Immortal Bard” (1954), “Someday” (1956), “The Author’s Ordeal” (1957), “Dreaming Is a Private Thing” (1955)

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Updates: Recent Science Fiction Purchases No. CCLXXXI (Brian W. Aldiss, Michael Swanwick, Anita Mason, Robert C. O’Brien)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. In the Drift, Michael Swanwick (1985)

From the back cover: “The meltdown at Three Mile Island created the death zone known as the Drift, where the sky burned dark blue and pink and where boneseekers destroyed bodies within.

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Updates: Recent Purchases No. CCLXXIX (James Tiptree, Jr., George Zebrowski, Murray Leinster, International Science Fiction Magazine)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Macrolife, George Zebrowski (1979)

From the inside flap: “A novel of epic scope, Macrolife opens in the year 2021. The Bulero family owns one of Earth’s richest corporations. As the Buleros gather for a reunion at the family mansion, an industrial accident plunges the corporation into a crisis, which eventually brings the world around them to the brink of disaster. Vilified, the Buleros flee to a space colony where the young Richard Bulero gradually realizes that the only hope for humanity lies in macrolife—mobile, self-reproducing space habitats.

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Updates: Recent Science Fiction Purchases No. CCLXXVIII (Tanith Lee, Michael Bishop, Ian Watson, Greg Bear, Ferenc Karinthy)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Strength of Stones, Greg Bear (1981)

From the back cover: “Ages ago this world was named God-Does-Battle. No one remembers wh. It was colonized in the most up-to-date way possible, supplied with the best Cities ever built by Robert Kahn. Huge laboratories labored for decades to produce the right combinations of plant, animal, and machine, and to fit them into the right design. The result was magnificent; living Cities, able to regenerate broken parts, to produce food on demand, and medicine, and clothing. so careful, so advanced was Robert Kahn that he even built into his Cities the ability to protect their inhabitants; to sense the presence of the occasional person whose potential for violence or cruelty made him a threat to society, to remove him from the City, and to erect walls of needle-sharp crystal to be sure he did not return.

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Updates: Recent Science Fiction Purchases No. CCLXXVI (Philip José Farmer, Barbara Paul, Knut Faldbakken, and Ward Moore)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Father to the Stars, Philip José Farmer (1981)

From the back cover: “John Carmody has no ethics, no morals and no conscience. Until he takes the Chance on Dante’s Joy, living through seven nights of wildest fantasies come true, he can’t even imagine why anyone would want a conscience. But Dante’s Joy is a truly strange place–and the phone calls from his murdered wife are only the beginning of his strange experiences.

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Recent Science Fiction Purchases No. CCLXXV (Tanith Lee, Anthony Boucher, Jack Womack, and Alexander Cordell)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Ambient, Jack Womack (1987)

From the back cover: “Twenty-first century New York. It’s a nightmare. Reaganomics has gone mad: there’s murder and mutilation on the bombed-out streets, and in the corporate conference rooms. Manhattan is a zoo. There’s guerilla war on Long Island. You’ll need to be rich to survive at all, and it’s easier to be dead than poor.

Seamus O’Malley is a bodyguard and assassin in the outrageously powerful Dryco organization, and he’s in deep trouble. Taking the job sounded like a good idea at the time.

Falling in love with his employer’s mistress Avalon, probably wasn’t so bright. Getting caught up in the Dryden family’s crazy, lethal rivalries didn’t help. Agreeing to murder the Old man was plain stupid. And being involved with the Ambient only complicated matters further. Before long O’Malley’s on the run, and there’s nowhere safe to hide. ‘Ready to kill, Shameless?’ Avalon said. ‘Ready to die.’

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Updates: Recent Science Fiction Purchases No. CCLXXIV (Suzette Haden Elgin, Paul Cook, Herbert W. Franke, Charles Eric Maine)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Furthest, Suzette Haden Elgin (1971) (MY REVIEW)

From the back cover: “Coyote Jones, agent for the Tri-Galactic Intelligence Service, had been sent to a planet so unimaginably distant from the rest of the Federation that it bore the descriptive name Furthest. His mission: to find out why the total body of data about Furthest showed the world’s inhabitants to be absolutely average down to the last decimal place. That data had to be false.

Jones was permitted to live on the planet, but the natives were so wary of him that he could uncover nothing—until he chanced into a personal crisis faced by his young Furthest assistant. The boy’s sister had been sentenced to Erasure, and he wanted Coyote Jones to take the fugitive girl in and hide her.

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Updates: Recent SFF Purchases No. CCLXXIII (Avram Davidson, Joan D. Vinge, William Tenn, and Michael Kurland)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Island Under the Earth, Avram Davidson (1969)

From the inside page: “In THE ISLAND UNDER THE EARTH, a master fantasist has created his most fabulous land of imagination, peopled with humans and not-humans who speak with characteristically different voices and pursue goals and philosophies that set them inevitably against one another.

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