Short Story Reviews: Harlan Ellison’s “Night Vigil” (variant title: “Yellow Streak Hero”) (1955) and “Life Hutch” (1956)

July 21, 2026July 22, 2026 / Joachim Boaz / 34 Comments

The following reviews serve as the 38th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit or are poor quality. And that is okay. I relish the act of literary archaeology. I’ve previously covered two Harlan Ellison short stories for this series: “Psycho at Mid-Point” (1956) and “The Discarded” (variant title: “The Abnormals”) (1959). As always, if you know of any others that might fit, let me know. I’ve compiled an extensive list but like all lists it’s incomplete.

Thank you Richard, “Friend of the Site,” for these recommendations all the way back in 2022. I didn’t forget.

Previously: Clifford D. Simak’s “Madness from Mars” (1939)

Up Next: TBD

Let’s get to the stories!

Ed Valigursky’s cover for the Amazing Stories, ed. Paul W. Fairman (May 1957)

3/5 (Average)

Harlan Ellison’s “Night Vigil” (variant title: “Yellow Streak Hero”) first appeared in the fanzine Peon, ed. Charles Lee Riddle (May 1955). It was reprinted in Amazing Stories, ed. Paul W. Fairman (May 1957). You can read it online here in Peon and here in Amazing Stories.

Futuristic Press Gangs

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Short Story Reviews: David Ely’s “Court of Judgment” (1961), “The Last Friday in August” (1961), and “The Wizard of Light” (1962)

July 13, 2026July 13, 2026 / Joachim Boaz / Leave a comment

In 2019, I reviewed and adored David Ely’s science fiction thriller Seconds (1963), the source material for John Frankenheimer’s similarly brilliant 1966 film. I did not know that Ely got his start in genre magazines under the editorship of Cele Goldsmith Lalli (1933-2002), known for “discovering” SF luminaries like Ursula K. Le Guin, Thomas M. Disch, Keith Laumer, Sonya Dorman, and Roger Zelazny (among others).¹ Before his writing career, Ely served in the Navy (1945-1946) and Army (1950-1952) and as a reporter in St. Louis (until 1956) before entering the corporate world as an “administrative assistant” for the nebulously named Cold War organization Development and Resources Corporation in New York (1956-1959).²

After a handful of short stories in genre magazines, Ely moved to far more lucrative venues like Playboy and Cosmopolitan. I’ve had my eyes on his collection–containing additional SF tales–Time Out (1968) for years. Unfortunately, prices rarely drop below $70 with shipping. Science fiction seems to have been close to his heart as he returned to the genre with his novel Journal of the Flood Year (1992).

Let’s get to the stories!

Alex Schomburg’s cover for Fantastic Stories of Imagination, ed. Cele Goldsmith (October 1961)

3/5 (Average)

“Court of Judgment” (1961) first appeared in Fantastic Stories of Imagination, ed. Cele Goldsmith (October 1961). You can read it online here. Received an Honorable Mention at the 1962 Hugo Award for Best Short Fiction.

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Short Fiction Review: Clifford D. Simak’s “Madness from Mars” (1939) and “Hermit of Mars” (1939)

June 14, 2026July 21, 2026 / Joachim Boaz / 8 Comments

The following review is the 37th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit or are poor quality. And that is okay. I relish the act of literary archaeology. I’ve added an extra Simak story to round out the post.

I’m on another Clifford D. Simak binge!

Previously: John Wyndham’s “The Man From Beyond” (variant title: “The Man from Earth”) (1934)

Up Next: Harlan Ellison’s “Night Vigil” (variant title: “Yellow Streak Hero”) (1955) and “Life Hutch” (1956)

Howard V. Brown’s cover for Thrilling Wonder Stories, ed. Mort Weisinger (April 1939)

3/5 (Average)

Clifford D. Simak’s “Madness from Mars” first appeared in Thrilling Wonder Stories, ed. Mort Weisinger (April 1939). You can read it online here.

In the 1941 article “The Future of Science Fiction,” Clifford D. Simak described the transformative effect of Stanley G. Weinbaum’s “A Martian Odyssey” (1934) (and a handful of other stories) on the development of science fiction.¹ He uses the story to explain how SF has achieved “realism” by moving beyond “wooden plots” plot by incorporating a “scientific basis of the story.” I’d suggest “Madness from Mars” is Simak’s attempt to craft a scientifically-grounded and truly alien alien in the Weinbaum mold. I will feature Simak’s early commentary on the genre in a future Exploration Log post. ²

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Book Review: Clifford D. Simak’s The Worlds of Clifford Simak (1960)

June 8, 2026June 8, 2026 / Joachim Boaz / 10 Comments

Richard Powers’ cover for the 1961 paperback edition

3.25/5 (collated rating: Above Average)

At this point in my reading adventure, I approach Clifford D. Simak’s science fiction with a clear intention to expand my understanding of his economic, political, and technological critiques of American society. This culminated in 2024 with my article “’We Must Start Over Again and Find Some Other Way of Life’: The Role of Organized Labor in the 1940s and ’50s Science Fiction of Clifford D. Simak.” Since then, albeit at a slower pace, I’ve continued to cover his science fiction, speeches, and additional interviews I’ve been able to track down. I find him a deeply fascinating author who’s often pigeonholed as “bucolic” or “pastoral” with no real attempt to read beyond his tendency to set a few of his narratives in a rural simulacrum of his childhood corner of America.

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Short Book Reviews: Polly Toynbee’s Leftovers (1966) and Lewis Gibbs’ Late Final (1951)

May 25, 2026May 26, 2026 / Joachim Boaz / 4 Comments

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents/impressions are a way to get through the stack before my memory and will fades. My website partially serves as a record of what I have read and a memory palace for future projects. Stay tuned for more detailed and analytical reviews.

1. Polly Toynbee’s Leftovers (1966)

Paul May’s cover for the 1969 edition

2.5/5 (Bad)

After reading a monograph on the history of science fiction I inevitably find a handful of works that I must track down (more as an act of data collection than a quest for literary genius). Andrew Hammond’s Cold War Stories: British Dystopian Fiction, 1945-1990 (2017) contained a wealth of lesser-known works that immediately dented my pocketbook.¹

Polly Toynbee’s Leftovers (1966) fits into Hammond’s analysis of a British Empire irrevocably weakened by WWII and growing US supremacy in the Cold War. Toynbee’s novel, and in even more severe terms Lewis Gibbs’ Late Final (1951) discussed below, with its focus on a handful of self-absorbed survivors of an apocalyptic event depicts a nation “irrelevant to the geopolitical present and as unrecognizable to its own past.”² Intriguing ideas aside, debilitating flaws sink Leftovers. I found it interesting only as a lens for the moment — youth culture and rebellion in the mid-60s. As a literary and reading experience, Leftovers leaves a lot to be desired. Toynbee would soon abandon her literary career for a famous career in journalism from a leftist perspective.

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Book Review: Knut Faldbakken’s Sweetwater (1976, trans. Joan Tate, 1994)

May 18, 2026May 25, 2026 / Joachim Boaz / 10 Comments

Preliminary note: This review originally appeared in the inaugural issue of Rachel S. Cordasco’s new magazine Small Planet: The SF in Translation Magazine. You can read the entire issue for free here! I plan on contributing one review of pre-1985 SFF in translation for each issue. In addition to my review, there’s a fantastic range of other articles and interviews.

Iain Stuart’s cover for the 1994 edition

4.5/5 (Very Good)

Knut Faldbakken (1941-), a prolific Norwegian novelist, wrote a science-fictional duology titled Sweetwater early in his career. The first volume, Twilight Country (1974, trans. Joan Tate, 1993), followed an odd collection of refugees from a disintegrating urban metropolis, the titular Sweetwater, as they cast off the entangling membranes of lost paths and the weight of melancholy souls and attempt to chart a new beginning in the city Dump.

In volume two, Sweetwater (1976, trans. Joan Tate, 1994), a deathly equilibrium is reached. In an obliquely hinted at dystopia, the city slowly withers and depopulates due to the effects of global warming, industrialization, and malignant societal decay. As the city dies, less and less refuse enters the Dump. The community of outcasts, who inhabit a collection of huts around a camper and crumbling home with small garden plots surrounded by refuse, can no longer scavenge for supplies and food. They must abandon the uncertain topography of the Dump and return to the city.

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Short Story Review: Richard Wilson’s “Strike” (1953)

April 17, 2026April 18, 2026 / Joachim Boaz / 8 Comments

Milton Luros’ cover for Future Science Fiction, ed. Robert W. Lowndes (July 1953)

3.25/5 (Above Average)

“One by one the cargo-liners blew up, most conveniently for I.C. in its squabble with the union. In fact, these accidents were too convenient…”

Richard Wilson’s “Strike” (1953) first appeared in Future Science Fiction, ed. Robert W. Lowndes (July 1953). You can read it online here.

“Strike” is the third story in the “Dateline Mars” sequence by Richard Wilson (1920-1987). To the best of my knowledge, this sequence follows the investigative career of Reporter Scott Warren, chief of the Iopa bureau of the Galactic News Service on Mars.¹ I am unsure how many stories appeared in this sequence as they have not yet been grouped as a unit on The Internet Speculative Fiction Database.² Regardless, there’s an appealing simplicity to the general framework of the series — how news agencies attempt to provide objective reporting in a future in which humanity has settled Mars. “Strike” also clocks in as an unabashedly pro-labor union tale. From the stories I’ve gathered so far, this is somewhat rare for the 1950s.

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Short Fiction Review: Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951)

March 26, 2026March 29, 2026 / Joachim Boaz / 6 Comments

Today I’ve selected two lesser-known short stories from the early 1950s that explore issues of race in America. The Civil Rights mass movement gathered steam in the post-WWII world as soldiers returned to segregated hometowns. The federal government took a few tentative steps. In 1948, President Truman issued Executive Oder 9981, which abolished discrimination “on the basis of race, color, religion or national origin” in the United States Armed Forces.¹ Both stories I chose for this post appeared in print before the famous Supreme Court case Brown vs. Board of Education (1954) that ruled segregation was inherently unequal. In Edward W. Ludwig’s “The Rocket Man” (1951), a young white child yearns to lead an expedition to Mars. He finds fellowship with other outcasts, including an African American boy who also dreams of space. In Alan E. Nourse’s “Marley’s Chain” (1951), a man must confront his own problematic past in a new America rebuilding from the wreckage of the old.

If you know of any other 1940s/50s short stories that attempt to tackle the topics of race and racism, let me know. As I’m afflicted with a serious strain of listomania, I’ve collated an incomplete catalog on the topic that I will return to periodically in coming months.

Let’s get to the stories!

Ted Speicher’s interior art for Alan E. Nourse’s “Marley’s Chain” in If, ed. Paul W. Fairman (September 1952)

4/5 (Good)

Alan E. Nourse’s “Marley’s Chain” first appeared in If, ed. Paul W. Fairman (September 1952). You can read it online here.

Alan E. Nourse (1928-1992) re-entered my shortlist of authors I need to read as a result of my hunt for science fiction on the labor movement. Nourse might be best known for his many medical-themed stories (he was a practicing physician and wrote popular columns on medicine). He deviates from that interest with a classic illustration of 1950s anti-union sentiment in “Meeting of the Board” (1955), which I’ll cover eventually. While searching for further labor-related short stories, I came across a far different (and more perceptive) account of race and labor in America: “Marley’s Chain” (1952).²

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Short Book Reviews: Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965)

March 7, 2026March 7, 2026 / Joachim Boaz / 21 Comments

1. Fritz Leiber’s Gather, Darkness! (1943, novelized 1950)

Uncredited cover for the 1950 1st hardback edition

3.25/5 (Above Average)

Frtiz Leiber’s Gather, Darkness! first appeared across the May, June, and July 1943 issues of Astounding Science-Fiction, ed. John W. Campbell, Jr. It was novelized in 1950. Written in the midst of WWII, Gather, Darkness! is a product of an important moment in Leiber’s life. The previous year he abandoned his profession as a speech and drama instructor at Occidental College (1941-1942) and decided that “the struggle against fascism mattered more than his long-held pacifist convictions.” He joined Douglas Aircraft as a quality inspector and continued to publish science fiction.¹

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