(Jack Gaughan’s cover for the 1969 edition)
As I read Roger Zelazny’s post-apocalyptical adventure Damnation Alley (1969), the relentless throbbing of Hawkwind’s 1977 song inspired by the novel along with cringeworthy lines of dialogue from the 1977 film version kept interjecting themselves into my reading experience.
First, a snippet from the song….
I’ve got the serum and I’m going to take it
All the way to Boston, oh I’ve got to get through
The going won’t be easy, but I’m going to make it
It’s the only thing that I’m cut out to do
Ride the post-atomic radioactive trash
The sky’s on fire from the nuclear flash
Driving through the burning hoop of doom,
In an eight wheeled anti-radiation tomb
Thank you Dr. Strangelove for going doolally,
and leaving me the heritage of Damnation Alley […].
Absent from Hawkwind’s interpretation that Continue reading Book Review: Damnation Alley, Roger Zelazny (1969)
(Uncredited cover for the 1976 edition)
4.5/5 (Very Good)
The Lure. A nuclear powered hospital ship with a giant morgue. “THEY ARE CRUCIFYING US.” Love therapy. Will you move from your fetal position?
“1. Are you in love? [with Bax’s The Hospital Ship] (a) Yes (b) No.” (170)
Joachim Boaz scrawls…
First, musical equivalencies. Francis Dhomont, a French composer of electroacoustic / acousmatic music, stitched together the compositions of his students and friends to form the Frankenstein Symphony (1997). This act of creative compilation, compiling previously gathered and arranged found sounds, brought forth, in his words, “[a] little acousmatic monster which I hold particularly close to my heart.”
For the composer, each musical fragment indicates a personal connection, the weaving together creates a tapestry of his intellectual Continue reading Book Review: The Hospital Ship, Martin Bax (1976)
(Lena Fong Lueg’s cover for the 1967 edition)
Dino Buzzati (1906-1972), best known for his masterpiece of Italian literature The Tartar Steppe (1940), was a central figure of the Italian avant-garde. He was a journalist, author, unabashed utilizer of genre tropes (graphic novels, SF, children’s fiction), and artist. Buzzati’s Larger Than Life (1960) is considered by some scholars to be the “first serious novel of Italian science fiction” (see 335-336 in the Encyclopedia of Italian Literary Studies).
Translated by the British poet Henry Reed in 1962, Larger Than Life applies Buzzati’s technique of direct, almost journalistic clarity, to a Kafka-esque scenario that is laid out in the first few paragraphs. In the prologue to the collection Restless Nights – Selected Stories of Dino Buzzati (1983) he describes his technique: “It seems to me, fantasy should be as close as possible to Continue reading Book Review: Larger Than Life, Dino Buzzati (1960, trans. 1962)
(Jack Gaughan’s cover for the 1970 edition)
3.75/5 (collated rating: Good)
Philip K. Dick. Roger Zelazny. Bob Shaw. Michael Moorcock. R. A. Lafferty. Seldom do I say that a “best of” anthology includes a large number of the best stories of the year. From PKD’s artificial memories to Bob Shaw’s slow glass, World’s Best Science Fiction: 1967 (1967) contains both fascinating technological marvels and serious character-centered storytelling. While not all the stories are successful, I highly recommend this collection for fans of 60s SF.
Note: I reviewed both Roger Zelazny stories elsewhere—I have linked and quoted my original reviews.
Brief Analysis/Plot Summary
“We Can Remember It for You Wholesale” (1966) Continue reading Book Review: World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series), ed. Donald A. Wollheim and Terry Carr (1967)
(Uncredited cover for the 1968 edition)
3/5 (collated rating: Average)
Between 1959 and 1981 Rick Raphael produced one fix-up novel—Code Three (1967), expanded from two previously published novellas—and ten other short fictions. The Thirst Quenchers (1965) gathers together three novelettes that appeared in Analog and one new novelette.
In my review of Code Three I wrote that it “charms with its realism.” The first two stories of this collection, although lacking the emotional heft of the novel, manage to present Continue reading Book Review: The Thirst Quenchers, Rick Raphael (1965)
(Hannah Firmin’s cover for the 1983 edition)
4.25/5 (Very Good)
“Ladies and Gentleman: The age of the machine” (11).
I continue my loose sequence of reviews on medical science fiction with Elizabeth Baines’ evocative fable The Birth Machine (1983) (see notes). Pushing against notions that pregnancy is “medical: illness” (51), the narrative follows a nightmarish tact as an unsuspecting woman is linked up to a nebulously described machine and drugged. Beset by dehumanizing (and often patriarchal) forces, Zelda, without the help of others, comes to terms Continue reading Book Review: The Birth Machine, Elizabeth Baines (1983)
(Jeff Jones’ cover for the 1968 edition)
3.25/5 (Vaguely Good)
To move past my variegated obsessions regarding William Kotzwinkle’s Doctor Rat (1976) (review + list of imaginary scientific articles), I decided to reread a lesser known John Brunner novel. I cannot pinpoint exactly when I first read Bedlam Plant (1968), other than before I started my site, but it holds up as a moody biological mystery with mythological undertones as colonists confront their deceptive new world.
This isn’t Stand on Zanzibar (1968), Shockwave Rider (1975), The Sheep Look Up (1972), or The Jagged Orbit (1969), but it left me wishing that Brunner applied his Continue reading Book Review: Bedlam Planet, John Brunner (1968)