(Steve Weston’s cover for the 1st edition)
Fantasy and science fiction that deploys geographical and urban allegory—Italo Calvino-esque cities balanced over chasms, the skeletons of urban human interactions measured out in string, etc.*—relentlessly intrigues. In John Crowley’s The Deep (1975), the world as chessboard is perched on top of a pillar with endlessness on all sides. In Garry Kilworth’s Cloudrock (1988), two tribes eek out their existence on a levitating rock surrounded by poisonous gasses. Terry Carr’s Cirque (1977) posits a city next to an abyss out of which crawls a tentacled beast…. Sculpted urban and geographic artifice can, in the hands of an adept author, create meaning-rich texts as characters inscribe new patterns on the landscapes they traverse. Continue reading Book Review: Daybreak on a Different Mountain, Colin Greenland (1984)
(Uncredited cover for the 1963 1st edition)
You’ve got what almost every middle-aged man in American would like to have. Freedom. Real freedom. You can do any damned thing you want to. You’ve got financial security, you’ve got no responsibilities, and you’ve got no reason at all to feel guilty about what you’ve done. The company’s taken care of everything. Right?” (91)
David Ely’s Seconds (1962), a disquieting and sparse thriller, posits a near future where a shadow organization can grant the wealthy new identities via plastic surgery and staged deaths. Wielding deceptively simple prose, Ely ruminates on the existential dread of the male mid-life crisis–an undefined desire to escape, to redo, to break free from the expectations and constraints of the suburban existence. It is a careful novel. A well-crafted nightmare Continue reading Book Review: Seconds, David Ely (1962)
Note: My “to review” pile is growing. Short reviews are a way to get through the stack. Stay tuned for more detailed and analytical reviews.
But first…. three completely different volumes.
1. The World Menders, Lloyd Biggle, Jr. (1971)
(David Bergen’s cover for the 1975 edition)
Despite the idiotic moments in Star Trek: Insurrection (1998), as a kid I adored the first sequence–the undercover team observing the Ba’Ku community from a hidden observation station (before Data’s malfunction). Of course, Star Fleet assumed the Ba’Ku were pre-warp drive (and thus first contact shouldn’t be initiated). The mechanics of going undercover to initiate or prepare a society for contact is a fascinating and endlessly replayable SF premise. Continue reading Short Book Reviews: Lloyd Biggle, Jr.’s The World Menders (1971), Pamela Sargent’s The Sudden Star (variant title: The White Death) (1979), Josef Nesvadba’s In the Footsteps of the Abominable Snowman (variant title: The Lost Face)(1964, trans. 1970)
(Robert Andrew Parker’s cover art for the 1968 edition)
2.75/5 (Vaguely Average)
E. G. Valens’ Cybernaut (1968), a narrative SF poem, translocates earth exploration metaphors into the endless emptiness of space with varying degrees of success.
The narrator’s deep space exploration–“Operation C / Exploratory / A first incision in the skin of time. / Objective: / Lay back the superficial tissue / Lay bare the cortex of / The galaxy” (13)–is not all triumph. Continue reading Book Review: Cybernaut, E. G. Valens (1968)
(Paul Alexander’s cover for the 1978 edition)
After finishing John Morressy’s Frostworld and Dreamfire (1977), I tracked down another volume of his Del Whitby sequence. Although far from as engaging and emotionally affective as the former, Under a Calculating Star (1975) provides the historical background to the Morressy’s weirdly primitive far future world: the origins of the Sternverein (the dominant business polity), the explanation of why swords and knives are the weapons of choice while high-tech spaceships roam the interstellar expanses, and the role of Old Earth in the colonization of the far flung reaches. Historical content aside, Under a Calculating Star‘s plot and characters fail to engage and the worlds and societies are one-dimensional in comparison to Frostworld and Dreamfire‘s metamorphic Onhla and the planet Hraggellon, locked in its unusual orbit. Continue reading Book Review: Under a Calculating Star, John Morressy (1975)
1. Frederik Pohl short stories? I’ve collected volumes and volumes and volumes for years—I suspect I should get around to reading one!
An effective Dean Ellis cover….
2. I acquired the second volume in Michael Moorcock’s Dancers at the End of Time sequence at my local used bookstore down the street. I read An Alien Heat (1972) in 2016.
3. A few days ago I reviewed John Morressy’s wonderful Frostworld and Dreamfire (1977) — I was intrigued enough that I tracked down another volume in the Del Whitby sequence—Under a Calculating Star (1975). I’ll have a review up in the next few days.
4. The second Murray Leinster Med Service collection I’ve acquired–as a huge fan of medical-themed SF…. I should put together a list.
Other lists: Immortality in SF, Generation Ships, and Overpopulation in SF.
Do you have a favorite cover?
As always, I look forward to your comments!
1. Alternating Currents, Frederik Pohl (1956)
(Dean Ellis’ cover for the 1969 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CCVII (Moorcock + Pohl + Leinster + Morressy)
(David Wilhelmsen’s cover for the 1977 edition)
4.25/5 (Very Good)
John Morressy’s moving SF epic Frostworld and Dreamfire (1977) is set in the Del Whitby sequence (1972-1983) of novels which explore conflict and colonialism (humans and humanoid aliens) within the loose human Sternverein polity. Conceptually the sequence, which does not have to be read in order, fascinates: the first three novels–Starbrat (1972), Nail Down the Stars (1973), and Under a Calculating Star (1975)–analyze the same conflict from three different perspectives (SF Encyclopedia entry). Continue reading Book Review: Frostworld and Dreamfire, John Morressy (1977)