Non-English language science fiction presses present a fascinating territory to explore. Their volumes provide not only a window into what SF was available to read but also the distinct visual language used to convey those works. Italian SF cover art remains a firm favorite–from Karel Thole’s Philip K. Dick covers to the haunting landscapes of Mariella Anderlini. And a new artist joins the ranks!
The covers for Pocket Books and Popular Library tend not to scream “visual zeitgeist of the 70s” like the catalogs of DAW, Ace, and Del Rey/Ballantine Books (note 1). But amongst the former’s primarily forgettable stable of artists who are often uncredited (2), a few gems emerge–notably the work of Carlos Ochagavia (1913-2006) (3).
(Tony Roberts’ (?) cover for the 1975 edition of Ten Thousand Light-Years From Home (1973), James Tiptree, Jr.)
Here’s a lighthearted themed science fiction art post on elephants, elephantine aliens, and prehistoric mammoths that I’ve cobbled together over the last few weeks. Elephants have always made me happy–especially baby elephants…. and yes, I have been known to watch Youtube videos of baby elephant antics. I digress.
Burt Shonberg (1933-1977) produced only one SF cover for the Fantastic Science Fiction Stories (June 1960), ed. Cele Goldsmith. I adore the etched helmet, the lack of a distinct face, the looking backward at a similar form emerging…. I wish more magazines commissioned covers from him–he could have added a nice visual wrinkle to the fair of the day. Here’s the isfdb.org listing for the issue–do you know which story he’s illustrating?
(Fantastic Science Fiction Stories (June 1960), ed. Cele Goldsmith)
(Interior art for the 1975 French OPTA edition of The Death of Grass (1956) and The Long Winter (1962), John Christopher)
I cannot ascertain the identity of Cathy Millet. There is a well known Catherine Millet—a French writer, art critic, curator, etc. However, I do not think they are the same. If you know more information about who she might be, please please please let me know! (French articles are fine — I can read them easily).
(The 1967 edition of Mindswap (1966), Robert Sheckley)
A few weeks ago I reviewed Clifford D. Simak’s The Werewolf Principle(1967) and came across Terry James’ cover (below) for the 1969 Science Fiction Book Club (UK) edition. The spectral shedding/transforming of the human figure matched the uncanny vibe of the novel. And I headed immediately to isfdb.org to browse his ouvre (note: a few volumes in the pub. series are clearly his but remain uncredited)! And I decided to put together a series of posts showcasing his work.
Today’s installment of Monday Maps and Diagrams returns to a recent acquisition of mine—a signed copy of Greg Bear’s first published novel Hegira (1979), which seems to be a Riverworld and Ringworld inspired read involving the discovery of the nature of an unusual world…
I’m impressed with the simple effectiveness of Greg Bear’s map—created by his own hand (citation bottom right corner). The ocean is nicely indicated as are the rivers and regions (and of course, the unusual wall in the far north–one of the story’s many mysteries).
Enjoy! And, as always, comments are welcome and appreciated!
For my recent acquisition post which included novel’s plot blurb and discussion in comment section about the Greg Bear’s early works, click here.
(Steve Crisp’s cover for the 1985 edition of The World in Winter (variant title: The Long Winter) (1962), John Christopher)
Hello fellow vintage SF fans!
I have for you Part II of my Ice-Covered Cities SF art post series–check out Part I (posted way back in 2012). In Part I, I discussed the allure of the apocalyptic scenario of a coming Ice Age, inspired by my read through of John Carpenter’s odd black comedy The Long Winter (variant title: The Winter of the World) (1962). SF artists love destroying famous landmarks and a coming ice disaster is yet another exciting visual strategy for destroying urban symbology. Unsurprisingly, New York City (Twin Towers) and London Continue reading Adventures in Science Fiction Cover Art: Ice-Covered Cities, Part II→