Monday Maps and Diagrams 2/18/19
Today’s diagram comes from David Brin’s first novel in the Uplift sequence, Sundiver (1980). I remember virtually nothing from the novel (I must have been 15 when I read it), although, I was intrigued enough to read ALL the sequels. The years have sequestered them to the “I enjoyed them as a kid but probably wouldn’t enjoy them now” category. This series on maps and diagrams was a nostalgic journey…. leafing through the pages of tomes I had long forgotten.
The diagram in Sundiver is a vehicle to descend below the surface of the sun. As with so many diagrams and maps, I’m unsure if it is needed or adds to the reading experience. But like a gorgeous cover, the image draws you in…. and suggests grand adventures and fascinating worlds.
The artist is David Perry.
The Diagram (click to enlarge)
Citation: Hi-res scan of my personal copy of the diagram from the 1983 Bantam edition of David Brin’s Sundiver (1980) [click for larger image]. Continue reading Adventures in Science Fiction Interior Art: Monday Maps and Diagrams (Science Fiction) 2/18/19 — David Brin’s Sundiver (1980)
Monday Maps and Diagrams 1/21/19
Larry Niven’s output often revolves around “hard” (and often scientifically impossible–*cough* Ringworld) SF premises. The Integral Trees (serialized 1983) is no different. The action in this Nebula and Hugo Award-nominated novel takes place within a “gas torus, a ring of air around a neutron star.” In my Larry Niven period (late teens) I’m convinced I read this one — and possibly its sequel The Smoke Ring (1987), but I remember little. Same thing goes for Ringworld, which, other than its basic premise, was incredibly bland….
As with last week’s installment, Shelly Shapiro created the interior diagram.
The Diagram (click to enlarge):
Continue reading Adventures in Science Fiction Interior Art: Monday Maps and Diagrams (Science Fiction) 1/21/19 — Larry Niven’s The Integral Trees (1984)
Monday Maps and Diagrams 1/14/19
A tantalizing title—Voyage to the City of the Dead (1984)–made all the more mysterious by two wonderful maps by Shelly Shapiro. The first charts a lengthy winding river stretching from the north pole past the equator. The second, a cross section illustrating the elevation of the river’s vast canyon….
I’m almost compelled to pick up the book! Although I’ve had little luck with Alan Dean Foster’s SF in the past. Thoughts?
The Maps (click to enlarge):
Continue reading Adventures in Science Fiction Interior Art: Monday Maps and Diagrams (Science Fiction) 1/14/19 — Alan Dean Foster’s Voyage to the City of the Dead (1984)
(Yves Tanguy’s cover for the 1963 edition of Mission of Gravity (1954), Hal Clement)
On the birthday of French-American surrealist Yves Tanguy (1900-1955) (January 5th), I always take a minute to browse his art online. I faintly recalled seeing his art on various 1960s Penguin edition covers…. And lo and behold, J. G. Ballard’s New Wave masterpiece The Drowned World (1962) and Hal Clement’s pioneering work of hard SF, Mission of Gravity (1954) were both graced with Tanguy’s canvases. Penguin regularly used the work of famous mainstream artists–for example, Max Ernst (I identified ten covers). China Miéville’s novella “The Last Days of New Paris” (2018) also uses a Tanguy/Lamba/Breton exquisite corpse collage (I’m focusing primarily on earlier covers in this post). Continue reading Adventures in Science Fiction Cover Art: Yves Tanguy and Penguin SF Cover Art
(Ron Walotsky’s cover for the 1970 Ace edition)
I must confess, I generally skip the introductions to anthologies—even if they are written by my favorite authors who happen to be notable anthologists (Judith Merril, Robert Silverberg, Barry N. Malzberg, etc.). While paging through various collections hunting for stories, I encountered Judith Merril’s micro-introduction to her famous New Wave anthology England Swings SF (1968). Here’s a list of the contents.
Although it is spread across three pages, it is only a few lines of text–a poetic beckoning, itself a condensed version of what the New Wave embodied. Merril’s intro as poem demonstrates literary invention, the blend of old (“scout ship”) and new (“heading out of sight into the multiplex mystery of inner/outer space”) images, and references to both high (“surrealism) and pop culture (“Beatles”). Continue reading Adventures in Science Fiction Interior Art: The Power of a Good Introduction (Judith Merril’s 1968 New Wave Anthology England Swings SF)
(Fiction 114, May 1963)
Whenever it is Philippe Curval’s birthday I am pulled back into the fascinating world of French SF cover art–in particular the magazine Fiction, which, during its early years, had an utterly different aesthetic than anything found on American magazines. As I desperately want to read his novels (the vast majority remain untranslated), I can only enjoy the magazine covers he created in the 50s (Part I and Part I of my series on his photocollages).
This is all to say, I have chosen another lesser known artist for Fiction to showcase, Michel Jakubowski. This post which continues a loose series I’ve cobbled together on Adventures in French Science Fiction Cover Art (list below). I cannot find any information on him online. Perhaps he’s related to the more famous French SF author and editor Maxim Continue reading Adventures in Science Fiction Cover Art: The Dark Depths and Haunting Layers of Michel Jakubowski
Monday Maps and Diagrams 12/24/18
Sometimes a map tells a story…. Sometimes a series of maps reveal the evolution of a story. C. J. Cherryh’s sequence of six maps of the same location in Forty Thousand in Gehenna (1983) tracks the evolving relationship between settlers, azi clones, and native caliban lizard creatures.
A careful eye might be able to discern the general trajectory of the novel’s plot — if you haven’t read it yet, than perhaps (if you can tear your eyes off of MAPS) proceed no further….
Continue reading Adventures in Science Fiction Interior Art: Monday Maps and Diagrams (Science Fiction) 12/24/18 — C. J. Cherryh’s Forty Thousand in Gehenna (1983)
Monday Maps and Diagrams 12/17/18
A map from one of the better known dystopias by one of my favorite authors… Russell Hoban’s Riddley Walker (1980). I have not read it, yet. I know, I know, I should. I have opened its pages and savored a passage or two–“Eusa sed, This is a dream. He opent up his iys but that ben open aul redde (34).”
Citation: Map from the 1998 Indiana University Press Expanded edition of Russell Hoban’s Riddley Walker (1980). [click to enlarge] Continue reading Adventures in Science Fiction Interior Art: Monday Maps and Diagrams (Science Fiction) 12/17/18 — Russell Hoban’s Riddley Walker (1980)
Monday Maps and Diagrams 12/10/18
A map from one of my absolute favorite SF novels… Suzy McKee Charnas’ Walk to the End of the World (1974).
Citation: Map from the Ballantine Books 1st edition of Suzy McKee Charnas’ Walk to the End of the World (1974)
Continue reading Adventures in Science Fiction Interior Art: Monday Maps and Diagrams (Science Fiction) 12/10/18 — Suzy McKee Charnas’ Walk to the End of the World (1974)