(Michael Payne’s cover for the 1978 edition of Envisaged Worlds (1978), ed. Paul Collins)
Michael Payne created a handful of covers for Australian SF presses in the 1970s. They are difficult to track down (especially in high-quality images) so I’ve provided three tantalizing covers that suggest potential if he had continued to produce SF art. They feature careful pencil work and an eye for the slightly surreal–especially the repeated human figures in Envisaged Worlds (1978) (my favorite of the bunch).
This post is also a call for any additional information you might be able to find about his career, non-SF art (if any), or even the Australian presses (Wren and Void Publications). The art for Beyond Tomorrow (1976) also appeared on the 1975 Science Fiction Monthly, July 1975 “AussieCon Special” edition. If someone has that copy of Science Fiction Monthly please let Continue reading Adventures in Science Fiction Cover Art: Three Tantalizing Australian SF Covers by Michael Payne
(Karel Thole’s cover for the 1986 edition of The Divine Invasion (1981), Philip K. Dick)
Following close on the heels of my post on European (Italy, France, and Spain) editions of Robert Silverberg’s SF I present fifteen Italian covers for Philip K. Dick’s novels and short story collections. Karel Thole, as always, puts in the best shift. But there are some other gems—for example Libero Vitali’s cover for the 1974 edition of PKD’s wonderful (and terrifying) novel A Maze of Death (1970). My favorite Thole cover of the bunch is for Urania #897 (1981), which contains contains various PKD short stories gathered by the Italian editors. Thole’s delightful ability to interject uncanny surrealist elements in his art matches perfectly PKD’s own stylistic tendencies.
Note: There’s a fantastic (but incomplete) resource that gathers thumbnail images of many of the PKD’s foreign editions. I have tried to find higher quality ones that also appealed to me for the sake of this post. But check Continue reading Adventures in Science Fiction Cover Art: Italian Covers for Philip K. Dick’s Novels and Short Story Collections
(Uncredited cover for the 1977 French edition of Tower of Glass (1970), Robert Silverberg)
Robert Silverberg (b. 1935) has long been one of my favorite SF authors. Especially between 1967-1975 (i.e. his shift away from pulp and before his momentary retirement), Silverberg produced a prodigious and thought-provoking corpus of writing. The sheer number of brilliant works crammed into those few years is only rivaled by Barry N. Malzberg (1969-1976) and Kate Wilhelm (1967-c. 1976).
As I’ve been exploring other less known authors, I’ve not read a lot of Silverberg’s novel-length works recently. Tower of Glass (1970), Nightwings (1969), A Time of Changes (1971), The Stochastic Man (1975), Son of Man (1971), and Up the Line (1969) among others remain unread on my shelf. Rather, I’ve restricted my focus to a few wonderful short stories in various collections here and there—“Passengers” (1968), a haunting masterpiece story of alien possession; “When We Went to See the End of the World” (1972), suburban banter Continue reading Adventures in Science Fiction Cover Art: A Handful of French, Italian, and Spanish Editions of Robert Silverberg’s Science Fiction
(František Muzika, Z Českého ráje V (Ležící torzo), 1944)
František Muzika (1900-1976), a key member of the Czech New Wave scene, created haunting paintings that blended human form with the surrounding landscapes. His painting that heads this post inspired me to collect various science fiction covers (from a mix of English and non-English language presses) that showcase the interlacing of human and landscape — the body (or body parts) as landscape. There are many many many more covers on this theme and perhaps I’ll gather them for a later post. I am torn over my favorite! Leigh Taylor’s cover for the 1967 edition of J.G. Ballard’s The Disaster Area (1967) Continue reading Adventures in Science Fiction Cover Art: Body as Landscape
(Cover for the 1971 edition of Fifth Planet (1963), Fred and Geoffrey Hoyle)
On twitter I occasionally post the birthdays of important figures in SF history (artists, authors, and editors). Every morning I scan The Internet Speculative Fiction Database’s birthday list on their main page and lo and behold a name immediately popped out for May 12th–the iconic 70s SF artist David Pelham (1938-present). Enough has been written about his distinctive and surreal covers for Penguin that I won’t go into detail here. Instead I’ve included a few links if you wish to learn more below.
I invite my readers to link in the comments their favorite articles and tidbits about David Pelham and I’ll include any links I receive in my list as well.
I’ve chosen to include in this post his first three SF covers, which happen to be stylistically and thematically similar. Continue reading Adventures in Science Fiction Cover Art: Three early David Pelham covers in honor of his birthday
(From Piers Anthony’s Macroscope (1969), 224)
First we must honor the book sacrificed in the making of this post: the spine of my Picador 1977 edition of Martin Bax’s The Hospital Ship (1976) needs some drastic surgery (glue) after I attempted to scan its dark interior….
As of late I’ve been fascinated by pseudo-knowledge in science fiction and speculative fiction–the scholarly afterward in The Iron Dream (1972), the real medical citations in The Hospital Ship (1976), the invented medical citations in Doctor Rat (1976), and “diagrammatic” SF covers filled with maps or anthropological diagrams.
Whatever form it takes, pseudo-knowledge—perhaps derived from our world or even “real” knowledge in our world modified and inserted into another imaginary one—adds, at the most basic level, a veneer of veracity. The most obvious category, and the one I am least interested in, is scientifically accurate Continue reading Article: Charts, Diagrams, Forms, and Tables in Science Fiction (John Brunner, Larry Niven, Christopher Priest, John Sladek, et al.)
(Cover for the 1974 edition of Histoires de robot)
While researching the French SF author Gérard Klein, I discovered that he edited a themed anthology series La grande anthologie de la Science-Fiction with Jacques Goimard and Demètre Ioakimidis. This series covered SF stories on themes such as robots, aliens, machines, the galactic, the end of the world, time travel, etc. If you’re curious about the contents of any of the volumes in my post check out the handy Internet Speculative Fiction Database listing.
The famous French typographer, graphic artist, urbanist, and architect Pierre Faucheux—who worked primarily for the publishers Club Français du Livre and Le Livre de Poche—created the covers for Klein, Goimard, and Ioakimidis’ SF anthology series. And they are a varied and fascinating bunch…
I am not convinced I like all of them — but the 1974 edition of Histoires de machines, the 1974 edition of Histoires de fins du monde, and the 1975 edition of Histoires de voyages dans le temps certainly appeal to my artistic Continue reading Adventures in Science Fiction Cover Art: Pierre Faucheux’s 1970s covers for La grande anthologie de la Science-Fiction (robots, the end of the world, aliens, etc)