Author: Joachim Boaz

Short Story Reviews: Philip K. Dick’s “The Infinites” (1953) and James Causey’s “Competition” (1955)

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The following reviews are the 23rd and 24th installments of my series searching for SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. Some stories I’ll review in this series might not fit. Many are far from the best. And that is okay. I relish the act of literary archaeology.

I’ve paired two 1950s stories, by Philip K. Dick and the far lesser-known James Causey, that explore the inability to understand the universe outside our Earth. Explorers find themselves at each others throats caught up in paranoid delusions of grandeur.

Previously: George R. R. Martin’s “The Second Kind of Loneliness” (1972) and Tom Godwin’s “The Nothing Equation” (1957)

Up Next: Philip K. Dick’s “Precious Artifact” (1964) and Henry Slesar’s “Mr. Loneliness” (1957)

  • Allen Andersons’ cover for Planet Stories, ed. Jack O’Sullivan (May 1953)

3.5/5 (Good)

Philip K. Dick’s “The Infinites” first appeared in Planet Stories, ed. Jack O’Sullivan (May 1953). You can read it online here.

A preliminary note: I dislike writing about Philip K. Dick. As I mentioned in my 2021 review of “A Little Something for Us Tempunauts” (1974) for this series, “I find it far more enjoyable and liberating to write about lesser-known authors.” Or at least those whose works and lives are less encyclopedically covered by fans and academics alike. There are and will be far superior takes on this story. I don’t have the will or focus. And that’s okay. I rather focus my obsessive eye on others. To be clear, I love Philip K. Dick. Along with C. J. Cherryh, Frank Herbert, and Stanislaw Lem, he was one of the authors of my early twenties–right before I started this website.

A few observations on “The Infinites” (1953)….

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Book Review: Fireflood and Other Stories, Vonda N. McIntyre (1979)

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  • Charles Shields’ cover for the 1st edition

4.25/5 (Collated Rating: Very Good)

After Vonda N. McIntyre’s passing in 2019, I made a promise to finally tackle her spectacular array of 70s fictions, including her Hugo and Nebula-winning Dreamsnake (1978). Her stories appeal to so many of my sensibilities. Her perceptive eye resides in interior spaces, the moody psychological landscapes of society’s pariahs and traumatized. Her work reflects the best of the New Wave. The prose rarely flashes with excessive experimental exuberance but relies on the poetic moment hinting at internal sadness, decay, and the inability to truly escape.

Despite her often depressed narrators, the stories are not all without hope. In “Of Mist, and Grass, and Sand” (1973), horrific misunderstanding reinforces a healer’s calling. In “Wings” (1973) and “The Mountains of Sunset, the Mountains of Dawn” (1974), the transformed find meaning in interpersonal connection as the unknown spins closer.

There’s a running theme in the collection of technology prematurely and cruelly unleashed. In “Spectra” (1972), a girl is enslaved to a machine that causes others pleasure. In “Aztecs” (1977), the choice–the physical reworking of the body–to become a Pilot servers all possibilities of love. And in “The Genius Freaks” (1973), the mental workings of genetically modified are harvested by cruel overlords unable to confront the lives they have ruined.

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Updates: Recent Science Fiction Purchases No. CCCXIX (Kim Stanley Robinson, Pamela Sargent, Greg Bear, and René Barjavel)

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Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Wild Shore, Kim Stanley Robinson (1984)

  • Andrea Baruffi’s cover for the 1st edition

From the back cover: “Seventeen-year-old Henry wanted to help make America great again, like it had been sixty years ago, before all the bombs went off. But for the people of Onofre Valley, just surviving was challenge enough. Then one day the world came to Henry, in the shape of two men who said they represented the American Resistance…”

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Book Review: Dimension Thirteen, Robert Silverberg (1969)

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  • Ron Walotsky’s cover for the 1st edition

3.25/5 (Collated rating: Above Average)

Robert Silverberg (1935-) was one of the authors of the first decade of my site. I’ve reviewed twelve of his novels and thirty-two of his short stories. I also consumed with relish Tower of Glass (1970) and A Time of Changes (1971) as audiobooks and thus couldn’t review them. While an occasional story crops up here and there in an anthology, it’s about time I return to a Silverberg-specific volume. Dimension Thirteen (1969) collects six 50s stories and five from the 60s. The collection charts the moment when Silverberg’s career profoundly shifted from workman adventure to exemplary texts of the New Wave. They range from humorous commentaries on peccadillos and lusts to sinister ruminations on egotism and power.

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Short Fiction Reviews: George R. R. Martin’s “The Second Kind of Loneliness” (1972) and Tom Godwin’s “The Nothing Equation” (1957)

/ Joachim Boaz / 8 Comments

The following reviews are the 21st and 22nd installments of my series searching for SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them. Some stories I’ll review in this series might not fit. Many are far from the best. And that is okay. I relish the act of literary archaeology.

I’ve paired a take by Tom Godwin (1915-1980) and George R. R. Martin (1948-) on the psychiatric impact of isolation in the bleak emptiness of space. Both explore the interior landscape of the mind alone with itself and all its memories, and delusions, and terrors. There are no heroes in these pages.

Previously: Harlan Ellison’s “Psycho at Mid-Point” (1956) and “The Discarded” (variant title: “The Abnormals”) (1959)

Up Next: Philip K. Dick’s “The Infinites” (1953) and James Causey’s “Competition” (1955)

  • Kelly Freas’ cover for Analog Science Fiction/Science Fact, ed. Ben Bova (December 1972)

4/5 (Good)

George R. R. Martin’s “The Second Kind of Loneliness” first appeared in Analog Science Fiction/Science Fact, ed. Ben Bova (December 1972). You can read it online here.

At the Edge of the Vortex We Tell So Many Lies

The location: the Cerberus Star Ring, six million miles beyond Pluto (10). The manmade station, “a circle whose diameter is more than a hundred miles” (12), surrounds a nullspace vortex (think wormhole) to an unknown location across the universe. Humanity sends ships through the brightly colored swirling eddies of the portal to establish colonies somewhere beyond. A single man operates the machinery on the ring from a featureless white control room via a holograph helmet (11). The story follows the journal entries of an unreliable narrator ostensibly counting down the days until his relief arrives from Earth: “It will be at least three months before he gets here, of course. But he’s on his way” (10). It’s a mantra he tells himself. Relief is on its way. Relief is on its way. But does he want relief?

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Updates: Recent Science Fiction Purchases No. CCCXVIII (Eric Frank Russell, Christine Brooke-Rose, Colin Kapp, and a Mars-themed anthology)

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Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

  • Kelly Freas’ cover for the 1966 edition

1. Somewhere A Voice, Eric Frank Russell (1965)

From the back cover: “A band of shipwrecked spacemen making their way across a world so fierce that all Earth’s jungles tame by comparison…

A future euthanasia agency with a double-barreled scientific secret…

The unexpected problem of a lone astronaut with an entire ocean world to himself…

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Short Story Reviews: Richard Matheson’s “Through Channels” (1951) and Robert F. Young’s “Audience Reaction” (1954)

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Today I’ve reviewed the twenty-fourth and twenty-fifth story in my series on the science fictional media landscape of the future. In Richard Matheson’s horror short “Through Channels” (1951), a terrifying entity comes through the TV! Robert F. Young, in “Audience Reaction” (1954), speculates on a new form of virtual reality immersion in which desires become enmeshed in the narrative.

Both stories I cover engage with the newly popular entertainment medium of television. According to Gary R. Edgerton’s magisterial monograph The Columbia History of American Television (2007), no “technology before TV every integrated faster into American life” (xi). As I’ve discussed TV’s impact on the American and British family, entertainment and free time, and its intersection with brainwashing and fears of Communism at length, I won’t belabor the point here. Check out my reviews of Ray Bradbury’s “The Pedestrian” (1951), Brian W. Aldiss’ “Panel Game” (1955), Ann Warren Griffith’s “Captive Audience” (1953), if you want additional 1950s historical context.

Previously: Two stories by Damon Knight: “Thing of Beauty” (1958) and “You’re Another” (1955).

Up Next: Kate Wilhelm’s “Ladies and Gentlemen, This Is Your Crisis” (1976) and Langdon Jones’ “The Empathy Machine” (1965)

  • Ed Emshwiller’s cover for the 1st edition of Science Fiction Terror Tales, ed. Groff Conklin (1955)

4/5 (Good)

Richard Matheson’s “Through Channels” first appeared in The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher and J. Francis McComas (April 1951). You can read it online here.

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Short Story Reviews: Robert Silverberg’s “The Seed of Earth” (1958) and Doris Piserchia’s “Pale Hands” (1974)

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I’ve decided to reframe my series on 50s sex and sexuality to include my entire area of SF interest (1945-1985). Thus, I’ve paired Robert Silverberg’s “The Seed of Earth” (1958), a rumination on colonization and human/alien sex, with Doris Piserchia’s “Pale Hands” (1974), a distressing dissection of a future society designed to fixate all sexual desire on masturbation stalls.

Here are the earlier installments in the series:

  1. Philip José Farmer’s “The Lovers” (1952)
  2. Sherwood Springer’s “No Land of Nod” (1952)
  3. Wallace West’s “Eddie For Short” (1953)
  4. Fritz Leiber’s “The Ship Sails at Midnight” (1950)
  5. Theodore Sturgeon’s “The Sex Opposite” (1952)
  6. Ward Moore’s “Lot” (1953)
  7. Langdon Jones’ “I Remember, Anita…” (1964)
  8. Damon Knight’s “Not With a Bang” (1950)

If any short stories published between 1945-1985 on sex and sexuality come to mind that I haven’t reviewed yet, let me know in the comments. I have a substantial list waiting to be covered but it’s far from comprehensive.

  • Ed Emshwiller’s cover for Super-Science Fiction, ed. W. W. Scott (April 1958)

3.5/5 (Good)

Robert Silverberg’s “The Seed of Earth” (variant title: “Journey’s End”) first appeared in Super-Science Fiction, ed. W. W. Scott (April 1958). You can read it online here. It is also available in his collection Dimension Thirteen (1969) that I plan on reviewing in the near future.

A preliminary note about publication: Silverberg reused the title “The Seed of Earth”–chosen by W. W. Scott over “Journey’s End”–for a later unrelated novella and a novel.

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Updates: Recent Science Fiction Purchases No. CCCXVII (Roger Zelazny, Philip José Farmer, Steve Wilson, and an anthology with Ursula K. Le Guin)

/ Joachim Boaz / 21 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. My Name is Legion, Roger Zelazny (1976)

  • Ralph Brillhart’s cover for the 1981 edition

From the back cover: “HE DID NOT EXIST… OR DID HE? He had destroyed his punch cards and changed his face. There was no credit card, birth record, or passport for him in the International Data Bank.

His names were many… any he chose.

His occupation was taking megarisks in the service of a vast global detective agency.

His interworld assignments were highly lucrative, incalculably vital, and terrifyingly deadly.

And more often than not, his life was a living hell!”

Contents: “The Eve of RUMOKO” (1969),” “‘Kjwalll’kje’k’koothaïlll’kje’k” (1973), “Home Is the Hangman” (1975)

Initial Thoughts: In the early days of my site read I reviewed the first in the Nemo sequence–“The Eve of RUMOKO” (1969). At the time I did not care for it. However, I recently read F. Brett Cox’s monography Roger Zelazny (2021) and retrospectively I’m not sure that I understood the character or what Zelazny was trying to accomplish with the story sequence. Often after I read a monograph, I end up making a few impulsive purchases and this is one of them! I hope, at the very least, it gives me a deeper understanding of Zelazny’s SF project. And “Home Is the Hangman” (1975) is a Hugo and Nebula-winning novella that I have not read.

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