Book Review: The Centauri Device, M. John Harrison (1974)

June 21, 2014June 20, 2019 / Joachim Boaz / 68 Comments

(Paul Lehr’s cover for the 1980 edition)

4/5 (Good)

I can only imagine the shock that readers received and still receive (according to amazon reviews) after diving into M. John Harrison’s The Centauri Device (1974) expecting a standard space opera. This is a subgenre where the anti-hero still has not found a firm place to roost… You know the rubric: Empathizing with the hero. Positivism. Saving the world. The good guys win.

I suspect the shock to the system that Stephen R. Donaldson’s leprous and bitter (and reluctant) savior Thomas Covenant in Lord Foul’s Bane (1977) and subsequent novels had on high fantasy was something akin to impact The Centauri Device‘s drug-addled, inarticulate, and passive spacer Continue reading →

Book Review: The Very Slow Time Machine, Ian Watson (1979)

June 6, 2014June 28, 2023 / Joachim Boaz / 23 Comments

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(Paul Alexander’s cover for the 1979 edition)

4.5/5 (Very Good)

My first exposure to Ian Watson’s extensive SF catalog could not have been more impressive. The Very Slow Time Machine (1979) is up there with Robert Sheckley’s Store of Infinity (1960) and J. G. Ballard’s Billenium (1962) as the best overall collection of stories that I have encountered in the history of this site.

The collection is filled with narrative experimentation (“Programmed Loved Story,” “Agoraphobia, A.D. 2000,” etc), some awe inspiring ideas (“The Very Slow Time Machine,” “The Girl Who Was Art” etc.), a few delightful allegories (“Our Loves So Truly Meridional,” “My Soul Swims in a Goldfish Bowl”), and a handful of more traditional SF stories that hint at anthropological Continue reading →

Guest Post: “Allegiances,” Michael Bishop (1975)

May 24, 2014May 24, 2014 / Joachim Boaz / 8 Comments

(Jack Guaghan’s cover for the February 1975 issue of Galaxy, where “Allegiances” was first published)

The tenth and final (at least for now) installment in my guest post series on the science fiction of Michael Bishop comes via Peter S. a longtime commentator on my site. He should start his own SF review site…. His comments (and this review) are greatly appreciated!

He selected the novella “Allegiances” (1975) from the anthology The 1976 Annual World’s Best SF (1976), ed. Donald A. Wollheim he owned (image below)–DOMED CITIES!

The novella was included in Catacomb Years (1979) reviewed by 2thD recently.

Thanks everyone for a successful series. All the comments and contributions are greatly appreciated. I have more plans along these lines for the future!

“Allegiances” (1975) — Michael Bishop

Jack Gaughan’s cover for the 1976 edition of The 1976 Annual World’s Best SF (1976), ed. Donald A. Wollheim

When I come across a Science Fiction anthology, I first check the contents to see if there is anything unusual such as a story by a favorite author that I have not seen before, or maybe a lost gem from an author I was not previously aware of. I also check to see who the editor is, since each editor has their own distinctive way of putting together a collection.

My impression of the many anthologies that Donald Wollheim (1914 – 1990) worked on is that they are always of interest. I expect the majority of the stories in any given collection to be very good, most will be mainstream Hard Science Fiction Continue reading →

Guest Post: “The Quickening,” Michael Bishop (1981)

May 22, 2014May 24, 2014 / Joachim Boaz / 3 Comments

(Roger Zimmerman’s cover for Universe 11 (1981), first place of publication for “The Quickening”)

My ninth installment of my guest post series on The Science Fiction of Michael Bishop comes via Max (twitter: @MaxCarnduff) at the fiction (and occasionally SF/F) review site Pechorin’s Journal. His incredibly erudite review of Anna Kavan’s Ice (1967) is the reason I have not tried to review the work myself…. Follow him on twitter and check out his site!

For this series he selected the novelette “The Quickening” (1981) which won the Nebula for Best Novelette (1982) (one of the two Nebula wins Bishop has under his belt) and was nominated for the Hugo for best novelette that same year. The novelette appears in Bishop’s most recent retrospective collection put out by Subterranean Press, The Door Gunner and Other Flights of Fancy (2012) that desperately needs an eBook/Kindle version!

Enjoy!

“The Quickening” (1981)

When Joachim approached me about participating in his series of guest reviews of works by Michael Bishop I was delighted, but worried I wouldn’t be able to get a review to him on time (work, life, that sort of thing).

Well, I was right on both counts. I was right to be delighted because Michael Bishop’s a writer with real talent Continue reading →

Book Review: Sign of the Labrys, Margaret St. Clair (1963)

May 17, 2014May 17, 2014 / Joachim Boaz / 11 Comments

(William George’s cover for the 1963 edition)

2.75/5 (Vaguely Average)

Margaret St. Clair was one of a handful of prolific women SF authors who started publishing short fiction in the late 40s—her first SF story was “Rocket to Limbo” for the November 1946 issue of Fantastic Adventures. From the late 50s to the early 70s she published eight slim novels, mostly Ace Doubles (paired with authors such as Philip K. Dick and Kenneth Blulmer). Regardless of her earlier publishing prowess—by the publication date of Sign of the Labrys (1963) she had four novels in print and somewhere around 125 short stories—Bantam Books felt the need to include the following back cover:

“WOMEN ARE WRITING SCIENCE-FICTION!

ORIGINAL! BRILLIANT!! DAZZLING!!!

Women are closer to the primitive than men. They are conscious of the moon-pulls, the earth-tides. They possess a buried memory of humankind’s obscure and ancient past which can emerge to uniquely color and flavor a novel. Such a woman is Margaret St. Clair, author of this novel. Such a novel is this, SIGN OF THE LABRYS, the story of a doomed world of the future, saved by recourse to ageless, immemorial rites…

FRESH! IMAGINATIVE!! INVENTIVE!!!”

Unfortunately, Sign of the Labrys is a disappointing read. The post-plague world is dark and creepy and for the first half an uncanny (palpable) tension permeates. But, ultimately the fantastic setting, revisionist stance on the normal pulp gender dynamics, are weakened by a disjointed (verging on amateur) narrative filled with Wiccan “craft” practices and references. As other reviewers have pointed out, one could easily substitute the Wicca magic with the pulp SF staple “psi-power” and I agree Continue reading →

Guest Post: Catacomb Years, Michael Bishop (1979)

May 12, 2014January 1, 2016 / Joachim Boaz / 3 Comments

(Ron Walotsky’s cover for the 1979 edition)

The eighth (!) installment in my Michael Bishop Guest post series comes via my longtime fellow SF blogger/friend (well, multiple years) 2theD (twitter:@SFPotPourri) at PotPourri of Science Fiction Literature. And this is a darn good linked collection of Bishop stories.

I highly recommend you check out 2theD’s blog, follow him on twitter, peruse his large collection of reviews…

All cities are built on voiceless narratives

Collated rating: 5/5

Buying Michael Bishop’s Catacomb Years was a wise investment, albeit an impulse buy at the second-hand bookstore. This is the only Bishop novel, or collection, I own. Originally, it was going to stay stacked in my to-be-read pile for 3-4 years in the future (hey, I have a lot of catching up to do in my library) but the alluring cover proved too much… that and Joachim Boaz manhandled me from 8,700 miles away into reading it for his collection of guest posts on the work of Michael Bishop.

You’d be a dullard if you weren’t initially struck by either the premise or the cover art: As history barrels forward in a the manner of a drunkard, American cities like Atlanta eventually cap themselves in domes under the idea of Preemptive Isolation, only to suffer the pangs of dying from its onset Continue reading →

Guest Post: Blooded on Arachne (selections), Michael Bishop (1982)

May 8, 2014May 24, 2014 / Joachim Boaz / 5 Comments

(Ron Walotsky’s cover for the 1982 edition)

The seventh installment of my guest post series on the SF of Michael Bishop comes via Carl V. Anderson (twitter: @SteelDroppings) over at the SF/F site Stainless Steel Droppings. Although he does not often review older SF he was excited to participate in my project. We decided to split Bishop’s first collection of short stories, Blooded on Arachne (1982). Although he found a few of the stories rather hit or miss, he was blown away by “In Chinistrex Fortronza the People are Machines” 5/5 among others. Check out Carl’s worthwhile site (for example, posts on the new Hugo art nominees, Andre Norton reviews etc. etc. etc.)

Blooded on Arachne (1982)–Michael Bishop

When Joachim Boaz asked me to join a group to guest post about author Michael Bishop, I jumped at the opportunity despite my overwhelming schedule. I had not been doing much short story reading, and the proposition of exploring work from an author I had not read…admittedly don’t recall ever having heard of…excited me. Of course there was more to it than that. Having followed Joachim’s site for several years and knowing his passion Continue reading →

Book Review: The Empty People, Barry N. Malzberg (as K. M. O’Donnell) (1969)

May 4, 2014May 4, 2014 / Joachim Boaz / 5 Comments

(Howard Winters’ cover for the 1969 edition)

3.5/5 (Good)

“Inspecting a few she found that they were about what she had expected: the science-fiction books seemed to be full of nonsense about extraterrestrials or flights into space, the damnedest silliest stuff imaginable, and the sex part was sheer filth. There was no question about it; there was no other way to describe those books” (12).

Science fiction as delusion. More specifically, chapters replete with SF plots with evil aliens with interchangeable names and megalomaniacal claims to power culled straight from the pulps are delusions. Imagined (perhaps?) by an average American man with “metastases” (14) growing in his brain while a concerned, albeit cheating, normal American housewife waits at his bedside. The Empty People (1969) is considered Barry N. Malzberg’s (writing at K. M. O’Donnell) first SF novel. However in the vein of his more famous Herovit’s World (1973), the most convincing interpretation of the novel suggests that the SF elements (purposefully clichéd and vaguely explained) are mere manifestations and torments of a diseased mind.

Originally Malzberg had aspirations to become a playwright and was even awarded multiple university playwright fellowships but was unable to break into the literary market. Thus, he tried his hand at science fiction in the late 60s with some success (his most famous work would be published in the early 70s). I would suggest that Malzberg’s palpable frustration writing SF can be found throughout the novel. In The Empty People pulp science fiction plots, in their most general formulations, serve as instruments of repression Continue reading →

Guest Post: A Little Knowledge, Michael Bishop (1977)

May 2, 2014May 24, 2014 / Joachim Boaz / 9 Comments

(Dean Ellis’ cover for the 1978 edition)

The sixth installment of my The Science Fiction of Michael Bishop guest post series was graciously provided by Heloise over at Heloise Merlin’s Weblog. She is a long time fan of Michael Bishop’s work and we have engaged in numerous (fruitful) discussions of his work—including whether or not the first version of A Funeral for the Eyes of Fire (1975) is superior to his complete rewrite Eyes of Fire (1980).

Heloise purposefully chose one of Bishop’s lesser known novels. But, from the review, A Little Knowledge (1977) has been wrongly ignored: “even though [A Little Knowledge] never leaves this single place on Earth, in the end Bishop’s novel manages to give more of a sense of what it means for humans to live in a vast, largely unexplored universe than most novels that are filled with large spaceships and far-future technologies.”

I plan acquiring a copy ASAP.

Visit Heloise’s site! Enjoy! Comment!

A Little Knowledge (1977)—Michael Bishop

Michael Bishop’s Urban Nucleus sequence (consisting of the novel A Little Knowledge and the stories collected in Catacomb Years) is unusual among his early works in that it is not an anthropological Science Fiction novel; unlike books like A Funeral for the Eyes of Fire or And Strange at Ecteban the Trees, while reading A Little Knowledge, one is not so much reminded of Ursula K. LeGuin but it rather seems influenced by Philip K. Dick – and not by his largely consensual novels like Ubik or The Man in the High Castle, but his Continue reading →