Uncollected short story reviews: Joe Haldeman’s “Two Men and a Rock” (1973), A. G. Moran’s “Close Your Eyes and Stare at Your Memories” (1973)

March 30, 2014July 9, 2020 / Joachim Boaz / 3 Comments

My first in a new series of reviews that aim to bring to your attention short stories that appeared in magazines (I have substantially more due to Chris’ generosity—go visit him at Battered, Tattered, Yellowed & Creased) but where never collected in later English language volumes. I’ve decided to pair a known author (in this case Joe Haldeman) with a lesser known author (in this case A. G. Moran) published in Amazing Science Fiction.

(Mike Hinge’s cover for the March 1973 issue of Amazing Science Fiction, ed. Ted White)

“Two Men and a Rock” by Joe Haldeman (1973) 3/5 (Vaguely Average): Joe Haldeman, of The Forever War (1975) fame, tells a straight-laced Hard SF tale of two “fools who would rather die breathing space then never see the stars” (87). The place in space is a station in an asteroid rich region. Four prospectors, sixteen sappers, seven pilots, and a variety of secretaries live on the station—the job, ride out to an asteroid on a rickety sled, carrying a pile of nukes, without its own Continue reading →

Book Review: Stolen Faces, Michael Bishop (1977)

March 26, 2014August 10, 2019 / Joachim Boaz / 15 Comments

(Steve Hickman’s cover for the 1978 edition)

4.75/5 (Near Masterpiece)

“The growths beside her mouth moved like living tumors when she spoke.” (19)

There is nothing superfluous in Michael Bishop’s Stolen Faces (1977). Like some nightmarish condensate that gathers into waiting cups, it induces hellish visions. Metaphors and images of bodily decay, societal decadence, and strange rituals abound. I suspect that Bishop’s profoundly uncomfortable themes, deliberate plotting, and metaphorical/literary way of telling have prevented the novel from gaining a wider audience.

Continue reading →

Book Review: Ancient, My Enemy, Gordon R. Dickson (1974)

March 15, 2014March 15, 2014 / Joachim Boaz / 14 Comments

(Peter Rauch’s cover for the 1974 edition)

2.75/5 (collated rating: Vaguely Average)

Between 1974 and 1990 Gordon R. Dickson’s collection Ancient, My Enemy (1974) was reprinted eleven times. The reason for this “popularity” is beyond me considering I found that a grand total of three of the nine stories were solid while the rest were poorly written cliché-ridden magazine filler… Dickson had the ability to write some great short SF—for example, Mike at Potpourri of SF Literature adores his collection In the Bone (1987). But Ancient, My Enemy gives little indication of his talent and generally lacks the insight that his novels such as The Alien Way (1965) possess.

Recommended only for Gordon R. Dickson completists. I suggest acquiring later more discerning collections of his 50s/60s SF such as Continue reading →

Book Review: Billenium, J. G. Ballard (1962)

March 10, 2014June 20, 2019 / Joachim Boaz / 36 Comments

(Richard Powers’ cover for the 1962 edition)

4.25/5 (collated rating: Very Good)

Billenium (1962), J. G. Ballard’s first collection of short stories, contains three masterpieces of the 50s/60s: “Billenium” (1961), “Build-Up” (variant title: The Concentration City) (1957), and “Chronopolis” (1960). The first is a deadpan satire on overpopulation, the second a fantastic Borgesian depiction of an endless city that stretches (literally) in all directions, and the third a vision of a city that had enough and revolted against time. I preferred these three ruminations, that unfolded in evocative and decaying urban spaces, to the three decadent and baroque stories—“Studio 5, The Stars” (1961), “Mobile” (variant title: “Venus Smiles”) (1957), and “Prima Belladonna” (1956)—from his famous Vermillion Sands sequence. The remaining four are all readable.

As with J. G. Ballard’s first novel masterpiece, The Drowned World (1962), the sense of decay and malaise that permeate majority of the stories in Billenium is gorgeously Continue reading →

Book Review: Margaret and I, Kate Wilhelm (1971)

March 2, 2014June 20, 2019 / Joachim Boaz / 24 Comments

(Uncredited cover for the 1978 edition)

3.5/5 (Good)

Nominated for the 1972 Nebula Award for Best Novel

The grayness swirled and became solid, a plain that was featureless at first, then with grotesque shapes emerging from it, obviously things growing, but things that shouldn’t have been. They looked like monstrous scabs, like leprous fingers curled obscenely in an attitude of prayer, like parts of bodies covered with a fungus or mold, misshapen and horrible” (73).

Margaret and I (1971) is a profoundly unsettling and hallucinatory exploration of a woman’s sexual and emotional self-realization. Or, to use the Jungian terms deployed by Wilhelm in her preliminary quotation, the novel charts the process of individuation where the conscious and unconscious “learn to know, respect and accommodate Continue reading →

Book Review: Citizen in Space, Robert Sheckley (1955)

February 22, 2014June 20, 2019 / Joachim Boaz / 17 Comments

(Richard Powers’ cover for the 1955 edition

4/5 (collated rating: Good)

Robert Sheckley’s easily one of the best SF satirists in the short story form. The collection Citizen in Space (1955), although not as uniformly brilliant as the collection Store of Infinity (1960), is chock full of gems including “The Luckiest Man in the World” (1955), “Something for Nothing” (1954), “Ask a Foolish Question” (1953), and “Skulking Permit” (1954). Sheckley exposes in all their glory the vast variety of humankind’s follies and utopic delusions.

Later in the 50s and in the span of 6os his visions would become increasingly searing and metafictional. This early collection Continue reading →

Book Review: Islands, Marta Randall (1976)

February 15, 2014February 16, 2014 / Joachim Boaz / 13 Comments

(Vincent Di Fate’s cover for the 1976 edition)

3.5/5 (Good)

Nominated for the 1977 Nebula Award for Best Novel

*Note: I read the 1980 Pocket edition which, according to Locus, was modified (to what extent I do not know) from the original 1976 first edition.

Marta Randall, the first female president of SFWA, is one of numerous female science fiction writers from the 70s that are seldom read today. A while back Ian Sales alerted me to Randall’s work in his very positive review of A City in the North (1976) on SF Mistressworks. Recently, while looking for unread works on my immortality-themed SF list (here), I came across the Nebula-nominated Islands (1976).

One of the more effective ways to write about the ennui Continue reading →

Book Review: Double, Double, John Brunner (1969)

February 8, 2014April 16, 2017 / Joachim Boaz / 20 Comments

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(Murray Tinkleman’s cover for the 1979 edition)

2/5 (Bad)

John Brunner has long been one of my favorite SF authors and it almost pains me to review dismal disasters like Double, Double (1969). I find it mind-boggling that an author who produced the otherworldly Stand on Zanzibar (1968) can turn around and release Double, Double the very next year. Yes, yes I know, even brilliant SF authors such as Robert Silverberg churned out a vast and bizarre variety of sex/smut books to make ends meet (and buy a mansion) under such names as L.T. Woodward MD (Virgin Wives, Sex in our Schools, etc) and Don Elliot (Cousin Lover, Gang Girl, Gay Girl, The Instructor, etc) so I really should not complain….

Double, Double contains the most rudimentary clichéd premise and a plot used in countless 50s B-movies. At moments it feels like Brunner wanted to transform the plot into a vehicle for social commentary. However, at these crucial junctures where Brunner could have used his profusion of strange disparate characters gathered together in the English countryside to comment on the state of English society Continue reading →

Book Review: Strange Relations, Philip José Farmer (1960)

January 26, 2014August 7, 2022 / Joachim Boaz / 13 Comments

(Blanchard’s cover for the 1960 edition)

4/5 (collated rating: Good)

Blanchard’s abstract vaginal cover for the 1960 first edition of Philip José Farmer’s Strange Relations (1960) hints, just obliquely enough to avoid being explicit, at the collection’s radical and groundbreaking contents. Nothing else existed like this from the 50s! Having exploded onto the scene with the “transgressive” (SF encyclopedia) novella “The Lovers” (1952) (later expanded to novel length), Strange Relations (1960) collects a further five short works from the mid-50s and later on similar themes — theology, sex, xenobiology, Freud, and social satire.

Each work revolves around a particular Freudian scenario, a Freudian fantasy. One can imagine that authors such as Barry N. Malzberg Continue reading →