Today I’ve reviewed the 29th story in my series on the science fictional media landscape of the future. In Sydney J. Van Scyoc’s debut “Shatter the Wall” (1962), a bedraggled wife attempts to prevent her daughter and husband from taking on the personas of a television family.
Previously: Henry Kuttner’s “Year Day” (1953)
Up Next: Edmond Hamilton’s “Requiem” (1962) and John Anthony West’s “George” (1961)
As I’d only previously read one of Van Scyoc’s novels more than a decade ago, I added her next two published short fictions to fit the parameters of my series on the first three published short fictions by female authors who are new(ish) to me. So far I’ve featured Phyllis Gotlieb (1926-2009), Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), Betsy Curtis (1917-2002), and Eleanor Arnason (1942-).
Sydney J. Van Scyoc (1939-2023) published eleven novels and around thirty short stories across her writing career (primarily 1962-1991). Her visions were rarely republished or anthologized. “A Visit to Cleveland General” (1968) might be her best-known short story as it appeared in Carr and Wollheim’s best of 1969 anthology. I have a positive impression of her work so far.
Have you read any of her work? If so, what were your thoughts?

Jack Gaughan’s cover for Galaxy, ed. Frederik Pohl (February 1962)
3/5 (Average)
“Shatter the Wall” first appeared in Galaxy, ed. Frederik Pohl (February 1962). You can read it online here.
According to Gary R. Edgerton in The Columbia History of American Television (2007), a debate emerged in the late 1950s about American materialism and its glorification on television. John Kenneth Galbraith’s The Affluent Society (1958) suggested that advertising created synthetic needs and damaging desires in American citizens. “Shatter the Wall” is all about synthetic needs and damaging desires.
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