Adventures in Science Fiction Cover Art: Yves Tanguy and Penguin SF Cover Art


(Yves Tanguy’s cover for the 1963 edition of Mission of Gravity (1954), Hal Clement)

On the birthday of French-American surrealist Yves Tanguy (1900-1955) (January 5th), I always take a minute to browse his art online. I faintly recalled seeing his art on various 1960s Penguin edition covers…. And lo and behold, J. G. Ballard’s  New Wave masterpiece The Drowned World (1962) and Hal Clement’s pioneering work of hard SF, Mission of Gravity (1954) were both graced with Tanguy’s canvases. Penguin regularly used the work of famous mainstream artists–for example, Max Ernst (I identified ten covers). China Miéville’s novella “The Last Days of New Paris” (2018) also uses a Tanguy/Lamba/Breton exquisite corpse collage (I’m focusing primarily on earlier covers in this post).   Continue reading

Updates: Recent Science Fiction Acquisitions No. CXCIX (Ursula K. Le Guin + Cordwainer Smith + M. P. Shiel + John Varley)

1. Ursula K. Le Guin’s novella, The Word for World is Forest, first appeared in Harlan Ellison’s Again, Dangerous Visions (1972) anthology before a stand-alone publication. I seem to remember reading it as a kid…. But…. the memories are vague.

2. Cordwainer Smith and I have never really seen eye to eye (I wanted to rhyme). I’m all for acquiring more of his collections just in case!

3. From Wikipedia:  “H. G. Wells lauded [M. P. Shiel’s] The Purple Cloud as ‘brilliant’ and H. P. Lovecraft later praised the novel as exemplary weird fiction, ‘delivered with a skill and artistry falling little short of actual majesty.'”

The Richard Powers cover is one of his best of the 60s.

4. John Varley, another author whom I’ve yet to read despite owning numerous of his collections and novels…. Millennium (1983) seems, well, suspicious? Time travel, airplanes, dystopic futures, love affairs across time. We shall see!

…and it was turned into a film in 1989.

Note: the images are hi-res scans. Click to enlarge.

As always, comments and tangents are welcome!

Enjoy.

1. The Word for World is Forest, Ursula K. Le Guin (anthology publication 1972) (MY REVIEW)

(Richard Powers’ cover for the 1976 edition) Continue reading

Updates: My 2018 in Review (Best SF Novels, Best SF Short Fiction, and Bonus Catagories)

Post-academia depression hits hard…. While completing my PhD (defended in the summer of 2017), reading SF and writing about SF was the way I kept sane. After multiple mostly unsuccessful years on the academic market, I have changed gears career-wise (although I’m still affiliated with a university and teaching college-level history courses but without the research component) and it has been a liberating experience. My history obsessions remain, even stronger in many ways, and academic monographs on all the topics that I wanted to read about but never could—Hellenistic successor states to Alexander, Early Islam, Late Antique and Medieval Persia, etc.–have dominated my time and pocketbook 2018 (don’t ask how much I’ve spent). I have included a “Best Academic History Reads of 2018” section for the curious.

At the beginning of November, I was moments from announcing that I was on hiatus for the foreseeable future. However, I have fallen back in love with SF and writing about SF and the new year beckons!

All of this is to say, I read little SF this year–until last month. However, there were a handful of stand-out SF novels and short stories that I managed to squeeze in.

And please list your favorite vintage (or non-vintage) SF reads of the year. I look forward to reading your comments.

Enjoy!

…and read lots of good books in 2019. I will.

Best SF Novels Continue reading

Adventures in Science Fiction Interior Art: The Power of a Good Introduction (Judith Merril’s 1968 New Wave Anthology England Swings SF)


(Ron Walotsky’s cover for the 1970 Ace edition)

I must confess, I generally skip the introductions to anthologies—even if they are written by my favorite authors who happen to be notable anthologists (Judith Merril, Robert Silverberg, Barry N. Malzberg, etc.). While paging through various collections hunting for stories, I encountered Judith  Merril’s micro-introduction to her famous New Wave anthology England Swings SF (1968). Here’s a list of the contents.

Although it is spread across three pages, it is only a few lines of text–a poetic beckoning, itself a condensed version of what the New Wave embodied. Merril’s intro as poem demonstrates literary invention, the blend of old (“scout ship”) and new (“heading out of sight into the multiplex mystery of inner/outer space”) images, and references to both high (“surrealism) and pop culture (“Beatles”). Continue reading

Book Review: New Dimensions 3, ed. Robert Silverberg (1973) (Le Guin + Tiptree, Jr. + Lafferty + Malzberg + Effinger + et al.)


(Dennis Anderson’s cover for the 1973 edition)

4/5 (Collated rating: Good)

For an anthology, bound to contain a filler story or two, this one is spectacular. Robert Silverberg’s New Dimensions 3 (1973) lives up to his claim to contain “stories that demonstrate vigorous and original ways [often experimental] of approaching the body of ideas, images, and concepts that is science fiction” yet do not sacrifice “emotional vitality, or clarity of insight.” Ursula K. Le Guin, with her rumination on utopias, and James T. Tipree, Jr.’s proto-cyberpunk tale of commercialism and performing gender, deliver some of their best work.

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Adventures in Science Fiction Cover Art: The Dark Depths and Haunting Layers of Michel Jakubowski


(Fiction 114, May 1963)

Whenever it is Philippe Curval’s birthday I am pulled back into the fascinating world of French SF cover art–in particular the magazine Fiction, which, during its early years, had an utterly different aesthetic than anything found on American magazines. As I desperately want to read his novels (the vast majority remain untranslated), I can only enjoy the magazine covers he created in the 50s (Part I and Part I of my series on his photocollages).

This is all to say, I have chosen another lesser known artist for Fiction to showcase, Michel Jakubowski. This post which continues a loose series I’ve cobbled together on Adventures in French Science Fiction Cover Art (list below). I cannot find any information on him online. Perhaps he’s related to the more famous French SF author and editor Maxim Continue reading

Updates: Recent Science Fiction Acquisitions No. CXCVIII “Christmas Edition” (An Atlas of Fantasy + Sturgeon + Jeter + Berriault)

1. One of two SF/F gifts (not specifically for Christmas — but let’s pretend!) I’ve included in this post…. Due to my recent series on Maps and Diagrams in Science Fiction, a reader and fan of the site sent me his extra copy of J.B. Post’s An Atlas of Fantasy (1973)–which includes some SF maps as well. Thank you!

2. The second gift—I’ve been spacing a giant pile of vintage SF I received from a family friend out over many months! Sturgeon sometimes intrigues, and sometimes infuriates—hopefully there will be more of the former in this collection. No stories in the vein of “The Hurkle Is a Happy Beast” (1949) please.

3. Dr. Adder, K. W. Jeter’s infamous “couldn’t be published when it was written” novel that might have defined “cyberpunk” long before Gibson’s Neuromancer (1984). I have the Bluejay Books 1st edition with lots of evocative (and disturbing) interior art.

4. And finally, a completely unknown quantity from an author I’d never heard of–Gina Berriault. Promises to be a Cold War satire of impending nuclear destruction. And it has a History professor as a main character! (i.e. maybe a 1960s version of me? we shall see).

Enjoy!

Happy Holidays!

And let me know in the comments if you receive any SF/fantasy Christmas gifts.

~

1. An Atlas of Fantasy, J. B. Post (1973)

(Uncredited cover for the 1979 edition) Continue reading

Adventures in Science Fiction Interior Art: Monday Maps and Diagrams (Science Fiction) 12/24/18 — C. J. Cherryh’s Forty Thousand in Gehenna (1983)

Monday Maps and Diagrams 12/24/18

Sometimes a map tells a story…. Sometimes a series of maps reveal the evolution of a story. C. J. Cherryh’s sequence of six maps of the same location in Forty Thousand in Gehenna (1983) tracks the evolving relationship between settlers, azi clones, and native caliban lizard creatures.

A careful eye might be able to discern the general trajectory of the novel’s plot — if you haven’t read it yet, than perhaps (if you can tear your eyes off of MAPS) proceed no further….

Enjoy!

The Maps:

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Book Review: Mindship, Gerard F. Conway (1974)

mindship conway(Kelly Freas’ cover for the 1974 edition)

3/5 (Average)

“The only truth is what happens, in plain and simple reality. I’ve seen the inside of too many minds to think any man’s intentions can be good. We’re evil inside ourselves Kilgarin. We’re sick and foul and filthy. The only ones who come close to being pure are those too stupid to be anything else” (72).

Back in 2016 I read Universe 1, ed. Terry Carr (1971) and was pleasantly surprised by Gerard F. Conway’s short story “Mindship” (1971) about telepathic (“sensitive”) “corks” who calm the minds of the spaceship crews whose psychic powers run interstellar “engines.” This story forms the prologue of Conway’s novel continuation. In an odd way, the novel reinterprets the original short story and adds an additional level of mystery (it wasn’t an accidental death, it was a murder!) to its straightforward plot.

Continue reading