Book Review: Clash by Night and Other Stories, Henry Kuttner and C. L. Moore (1980)

3.5/5 (collated rating: Good)

From 1937 to 1958, the dynamic writing duo of Henry Kuttner (1915-1958) and his wife C. L. Moore (1911-1987) wrote countless stories together. As SF Encyclopedia puts it, “much of [Kuttner’s] later work is inextricably entwined” with that of Moore–often to the point of being unable to entangle who wrote what. While the cover of Clash by Night and Other Stories (1980) does not mention Moore, all the stories in the collection were co-written with her.1

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Short Story Reviews: Chan Davis’ “The Nightmare” (1946), “To Still the Drums” (1946), and “The Aristocrat” (1949)

Chan Davis (1926-2022) was a fascinating figure. He was a communist activist, fanzine editor, mathematician, and political prisoner. He was fired from the University of Michigan in 1954 and imprisoned for six months in 1960 on charges of contempt of Congress leveled by HUAC. The Hugo Book Club recently posted a fantastic interview, from which I derived the bibliographic blurb above, with Steve Batterson, the author of The Prosecution of Professor Chandler Davis: McCarthyism, Communism, and the Myth of Academic Freedom (2023) that I plan on purchasing soon.

Today I have selected three of Chan Davis’ thirteen published SF short stories. The connecting theme? 1940s speculations on nuclear war in the immediate post-Hiroshima world. All three appeared in Astounding Science Fiction under the tutelage of John W. Campbell, Jr.


3/5 (Average)

“The Nightmare” first appeared in Astounding Science Fiction, ed. John W. Campbell, Jr. (May 1946). You can read it online here.

A few months before the atomic bomb attack on Hiroshima (August 6th, 1945), a group of scientists at the University of Chicago published The Franck Report (June 11th, 1945). James Franck and his colleagues argued that “within ten years other countries may have nuclear bombs, each of which, weighing less than a ton, could destroy an urban area of more than ten square miles.” They point out the great disadvantage of the United States with its “agglomeration of population and industry in comparatively few metropolitan districts” in comparison to countries with a population and “industry […] scattered over large areas.” In the months after Hiroshima, Chan Davis published his first SF story “The Nightmare” with The Franck Report warning firmly in mind [1].

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Updates: Recent Science Fiction Purchases No. CCCXXII (John Brunner, Leigh Kennedy, Poul Anderson, Salman Rushdie)

I’ve returned from my expedition abroad. It’s time to get back to writing about science fiction! But first, there are always new books that have accumulated at my doorstep…

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Productions of Time, John Brunner (serialized 1966)

From the back cover: “Murray Douglas had been a theatrical star until he’d hit the bottle once too often. But now he had broken the habit, and, handsome and fit, was ready for a comeback. The most challenging opening available was an avant-garde play where the actors themselves would make up the drama as they went along.

But out at an isolated country estate where the rehearsals were going on, Murray found himself trapped on a real-life day-and-night stage in which nothing was as it seemed, in which inexplicable devices monitored everything and eerie lures attracted each actor’s psychological weakness.

Who then was the real sponsor of this terrifying play–and to what alien audience was it to be presented?

By the Hugo-winning author of STAND ON ZANZIBAR, this is the first unabridged American edition of this John Brunner classic.”

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Updates: Recent Science Fiction Purchases No. CCCXVIII (Eric Frank Russell, Christine Brooke-Rose, Colin Kapp, and a Mars-themed anthology)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Somewhere A Voice, Eric Frank Russell (1965)

From the back cover: “A band of shipwrecked spacemen making their way across a world so fierce that all Earth’s jungles tame by comparison…

A future euthanasia agency with a double-barreled scientific secret…

The unexpected problem of a lone astronaut with an entire ocean world to himself…

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Updates: My 2022 in Review (Best SF Novels, Best SF Short Fiction, and Bonus Categories)

2022 was the single best year in the history of my site for visits and unique viewers!

As I mention year after year, I find reading and writing for the site—and participating in all the SF discussions generated over the year—a necessary and greatly appreciated salve. Whether you are a lurker, occasional visitor, or a regular commenter, thank you for your continued support.

Continuing a trend from 2021, I read only a handful of novels this year. Instead, I devoted my obsessive attention to various science short story review initiatives (listed below), anthologies, and histories of the science fiction genre. Without further ado, here are my favorite novels and short stories I read in 2022 with bonus categories. Descriptions are derived from my linked reviews.

Check out last year’s rundown if you haven’t already for more spectacular reads. I have archived all my annual rundowns on my article index page if you wanted to peruse earlier years.


My Top 5 Science Fiction Novels of 2022 [TITLES LINK TO FULL REVIEWS]

1. Vonda N. McIntyre’s Dreamsnake (1978), 4.75/5 (Near Masterpiece): Won the 1979 Hugo, Locus, and Nebula Award for Best Novel. Snake journeys across the post-apocalyptic wastes of a future Earth with three serpents healing the sick and caring for the dying. She is a member of the healers, who adopt orphans and rescue the oppressed and train them how to use the serpents. Mist and Sand are genetically modified vipers of terrestrial origin. But Grass comes from another alien world. Snake uses Mist and Sand’s venom to create vaccines, treat diseases, and cure tumors. Grass, the rare dreamsnake, with its alien DNA is the most important of them all–it provides therapeutic pleasure and dreams that facilitate conquering one’s fear and healing in the ill. In Snake’s voyages, she encounters prejudice and violence. A joyous sense of sexual freedom permeates the proceedings. A powerful and different take on a post-apocalyptic worldscape in every possible way.

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Updates: Recent Science Fiction Acquisitions No. CCCXIII (John Wyndham, Keith Roberts, Fredric Brown, Naomi Mitchison)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Day of the Triffids, John Wyndham (1951)

From the back cover: “WHAT WERE THEY–

THESE HIDEOUS TRIFFIDS ROAMING THE RUINS OF THE EARTH?

Until a few short hours ago–before the sky exploded into a shower of flaming green hell–triffids had been regarded as merely a curious and profitable form of plant life. Now these shadowy vegetable creatures became crawling, killing nightmare of pain and horror.

Madness hung in the air, fear lurked in every side street, death hovered in every doorway. Stripped of civilized veneer by terror and desperation, the handful of surviving humans began to turn on each other.

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Updates: Recent Science Fiction Purchases No. CCCXI (Phyllis Gotlieb, John D. MacDonald, Robert Onopa, and Peter George)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Sunburst, Phyllis Gotlieb (1964)

From the back cover: “In the hideous aftermath of the atomic sunburst. The people of Sorrel Park had been written off. Now they were nothing but a kind of human garbage, festering and hopeless.

In the center of town lived the worst of the human garbage–and by far the most dangerous. They were a breed of terrible children, possessed by terrifying supernormal powers. They were a new race of monster bred out of the sunburst, and if they ever broke loose they would destroy the world…”

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Short Fiction Review: John D. MacDonald’s “Flaw” (1949)

The following review is the 16th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. And that is okay. I relish the act of literary archaeology.

I decided to return to this all-but-defunct series after I was inspired by a conversation in the comment section of my recent review of John D. MacDonald’s “Spectator Sport” (1950). A friend of the site listed a fascinating range of MacDonald’s short stories and multiple appeared to fit my series on subversive accounts of astronauts and space travel. MacDonald’s “Flaw” (1949) charts the end of the dream of the conquest of space.

As always, feel free to join the conversation and read along with me on the search for the depressed astronaut.

Previously: Walter M. Miller, Jr.’s “The Hoofer” (1955)

Up Next: Alfred Coppel’s “The Hunters” (1952), “The Dreamer” (1952), and “Double Standard” (1952)

3.75/5 (Good)

John D. MacDonald’s “The Flaw” first appeared in the January 1949 issue of Startling Stories, ed. Sam Merwin, Jr. You can read it online here.

The Dream Sold to the Legions

Carol Adlar, a government clerk at a rocket station in Arizona, falls in love with both the young astronaut Johnny Pritchard and his dream. Johnny believes the moment that humanity can travel to the stars will be the opportunity to create a new “world with no wars, no disease, no starvation” (84). The scars of the ruined Earth offer lessons to create a better future where the sinful will be able to transcend their timeless tendencies. Carol recounts, after Johnny’s tragic death, that “within a week I had caught his fervor, his sense of dedication” (84). They share the dream. They imagine that they will become “one of the first couples to become colonists for the new world” (84). And against her better judgement, she gives her “heart to a man who soars up at the top of a comet plume” (84).

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Updates: Recent SFF Purchases No. CCXCIV (Theodore Sturgeon, Edgar Pangborn, Patricia A. McKillip, Ludovic Peters)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Not Without Sorcery, Theodore Sturgeon (1961)

Back cover blurb: “In 1948, Theodore Sturgeon published his first collection of short stories, titled, either from modesty or irony, WITHOUT SORCERY. Mr. Sturgeon’s firm conviction that, in his own world at least, absolutely anything is possible (and therefore whatever happens does so ‘without sorcery’) is an obviously specious argument and certainly no excuse. The fact is that anything which Theodore Sturgeon writes is the result of an extraordinary alchemy–the sorcery of his own talent, a talent that is peculiar to himself, unidentifiable but unmistakable, elusive yet always there. This is sorcery, and there is no point boggling it.

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