Exploration Log 11: Interview with Chukwunonso Ezeiyoke, author of Nigerian Speculative Fiction: The Evolution (2025)

Over the last few years, I have highlighted a smattering of the vast range of spectacular scholarship on science fiction in my reviews and Exploration Log series that intrigue me.1 Today I have an interview with Chukwunonso Ezeiyoke about his brand new book Nigerian Speculative Fiction: The Evolution (2025), the first ever monograph on Nigerian speculative fiction (science fiction, fantasy, and horror) (SF). Due to the focus of my site and research interests, I focused my questions primarily on the historical portions of his book.

You can buy a copy directly from Routledge here or on Amazon. As academic works aren’t the cheapest, can also request your library procure a copy.

Let’s get to the interview and the fascinating world of Nigerian SF!

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Adventures in Science Fiction Cover Art: The Flowering Bodies of Attilio Uzzo

If you’ve ever browsed through an Italian SF catalogue, the name that springs out immediately is the fantastic Dutch painter Karel Thole (1914-2000). Thole’s surreal (and often stunning) covers dominated the Italian visual SF landscape for years and even appeared on a handful of American editions. However, the main Italian SF press Casa Editrice La Tribuna (with its Galassia series) frequently commissioned new artists, often fresh out of art school, for short runs of covers.

Galassia played an instrumental role in introducing Italian audiences to the New Wave movement. Issues often contained both translations of English-language authors and original Italian short stories and novels. Italian covers were often on the experimental side of the SF art spectrum. The styles changed on a dime. Cover art produced in Italy might be my second favorite after the United States for the 60s/70s.

Milan-based Italian artist, sculptor, and jeweler, Attilio Uzzo (unknown dates) created five covers for the Italian SF magazine Galassia (issues between -#176) in 1972. According to The Internet Speculative Fiction Database‘s (potentially incomplete) credits, Uzzo created two additional covers for Casa Editrice La Tribuna‘s Science Fiction Book Club series and one for Dall’Oglio’s SF Andromeda imprint. I’ve included all eight in this post. I could find little about him online. He has an old, and not very helpful, website with a few low-resolution examples of his art and jewelry. And here is a short video about a 1964 gallery exhibit in Milan with Uzzo’s work. In 1992, a book of his art title Attilio Uzzo: Pittore della Lealtà hit print. If anyone can find more information about him, let me know!

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What pre-1985 science fiction are you reading? + Update No. XXIII

What pre-1985 science fiction are you reading or planning to read next month? Here’s the May installment of this column.

In my interview with Jaroslav Olša, Jr. about his book Dreaming of Autonomous Vehicles: Miles (Miroslav) J. Breuer: Czech-American Writer and the Birth of Science Fiction (2025), an interesting methodological question jumped out to me: what is the role of more ephemeral publications outside of Hugo Gernsback in the early history of genre? A bit of context: Miles J. Breuer also wrote in Czech. He published stories in Czech-language publications aimed at the immigrant community far earlier than their re-written versions appeared in Gernsback’s Amazing. In addition, he published in various medical journals (that occasionally ran SF) and university publications. As Olša points out in the interview, it obviously depends on the questions asked by the historian — and these publications had small audiences that make it hard to ascertain “influence” or “inspiration” for later authors. Food for thought.

Before we get to the photograph above and the curated birthdays, let me know what pre-1985 SF you’re currently reading or planning to read! 

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Recent Science Fiction Purchases No. CCCXLIV (Margaret St. Clair, Edgar Pangborn, Keith Laumer, and Edmund Cooper)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

It’s the summer Joachim Boaz. Where are the reviews? I’m currently on a much needed vacation (Iceland). I will be back soon! In the meantime here are four recent purchases.

1. The Dancers of Noyo, Margaret St. Clair (1973)

From the back cover: “Like so many others before him, reluctant Sam MacGregor was sent on a pilgrimage for the Frail Vision by the Dancers: androids grown from the cells of one man, with the powers of hypnotism and illusion–androids who held the tribes of the Republic of California in thrall.

But soon Sam began to doubt his own identity, for he experienced, in close succession, extra-lives in different corridors of time and space.

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Short Book Reviews: Edgar Pangborn’s The Company of Glory (1974, novelized 1975) and Harold Mead’s Mary’s Country (1957)

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents/impressions are a way to get through the stack before my memory and will fades. My website partially serves as a record of what I have read and a memory palace for future projects. Stay tuned for more detailed and analytical reviews.

1. Edgar Pangborn’s The Company of Glory (1975)

3.5/5 (Good)

Edgar Pangborn is an unsung SF hero in my book. At his best, he’s a deeply humanistic writer interested in moments of effective metafictional play on the nature of narrative. The Company of Glory (serialized 1974, 1975) is the third novel in the Tales of Darkening World sequence. It forms a prequel to Pangborn’s masterpiece Davy (1964). As with Davy, The Company of Glory attempts to create multiple interlocking layers of narrative, stories within the stories, quotations from various diaries, and the interjections of the overarching narrator of the entire collection of texts who remains anonymous until the final pages.

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What pre-1985 science fiction are you reading? + Update No. XXII

What pre-1985 science fiction are you reading or planning to read next month? Here’s the April installment of this column.

As readers of the site know, I am obsessed with the machinations of Cold War nuclear logic—historical and science fictional. In Ira Chernus’ brilliant Apocalypse Management: Eisenhower and the Discourse of National Insecurity (2008), he dives into the Manichean ideoscape that dominated Eisenhower’s thinking. In short, he posits that Eisenhower interpreted the Soviet threat as an apocalyptic struggle in which the traditional outcome, eliminating the treat, is impossible. Instead the best hope is “to contain and manage it forever” (2)–hence “apocalypse management.” This “new linguistic paradigm” profoundly influenced their policymaking process and dominated American public discourse.

According to Chernus, Eisenhower was obsessed with Americans practicing voluntary self-control in their consumption in order shoulder the taxes needed to fund the perpetual struggle. With this paradigm, Eisenhower’s gestures towards peace–for example his “The Chance for Peace” (April 16th, 1953) speech–were acts of calibrated psychological warfare designed to put the burden of action on the Soviets and score points with the American public and American allies. The United States, on the other hand, could wage the conflict with perpetual, safe, and managed inaction in which peace is never the ultimate objective.

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Short Fiction Reviews: Cherry Wilder’s “The Ark of James Carlyle” (1974), “The Phobos Transcripts” (1975), and “Way Out West” (1975)

In the past few years, I’ve put together a series on the first three published short fictions by female authors who are completely new to me or whose most famous SF novels fall mostly outside the post-WWII to mid-1980s focus of my reading adventures. To be clear, I do not expect transformative or brilliant things from first stories. Rather, it’s a way to get a sense of subject matter and concerns that first motivated authors to put pen to paper.

Today I’ve selected the first three science fiction short stories by New Zealander author Cherry Wilder (1930-2002). Here’s her bibliography. In the past I’ve picked up her best-known novel Second Nature (1982) and gazed at the evocative Tony Roberts cover! But never managed to get past the first few pages… According to SF Encyclopedia, Wilder’s work is “notable for its narrative skill, evocative style and rounded characterization, should have long since given her a higher reputation.” My general sense from her first three stories is that they’re relatively well-told, traditional, and a bit on the slight side of things. I still look forward to reading Second Nature (1982).

So far I’ve featured Leigh Kennedy (1951-), Alice Eleanor Jones (1916-1981), Phyllis Gotlieb (1926-2009), Sydney J. Van Scyoc (1939-2023), Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), Betsy Curtis (1917-2002), and Eleanor Arnason (1942-).

Let’s get to the stories!


3.5/5 (Good)

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Recent Science Fiction Purchases No. CCCXLIII (Philip K. Dick, Roger Zelazny, Chuck Rothman, Philip José Farmer, and an anthology on Future Love)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Deus Irae, Philip K. Dick and Roger Zelazny (1976)

From the back cover: “One their own, they have written landmarks works that have added whole new dimensions of wonder to the field of science fiction. Now, in Deus Irae, they have created what ALA Booklist calls “the most successful collaboration in years!”–set in in bizarre world where you will encounter…

A bunch of backwoods farmers who happen to be lizards…

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Exploration Log 9: Three More Interviews with Clifford D. Simak (1904-1988)

Back in July 2024, I posted six interviews with Clifford D. Simak (1904-1988). Since then I’ve tracked down three more. As in that post, I’ll provide a rundown of each interview and provide quotes of interesting passages. In the interviews, Simak comes across as an author deeply suspicious of rigorous generic distinctions, passionate about all life, and open to science fiction as an ever-changing and evolving entity.

As readers of the site know, I have a substantial interest in Simak’s SF that culminated last year in my September article “‘We Must Start Over Again and Find Some Other Way of Life’: The Role of Organized Labor in the 1940s and ’50s Science Fiction of Clifford D. Simak” (2024) in Journey Planet . Since then I’ve posted an Exploration Log on his 1971 Worldcon speech, reviewed Best Science Fiction Stories of Clifford D. Simak (1957), and contributed to a podcast on “The Huddling Place” (1944) (the second City story).

Enjoy! And if you know of more interviews (or are able to update the Internet Speculative Fiction Database entry as it only includes five of the nine interviews I’ve covered) let me know.


THE INTERVIEWS

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