What pre-1985 science fiction are you reading? + Update No. XXIII

What pre-1985 science fiction are you reading or planning to read next month? Here’s the May installment of this column.

In my interview with Jaroslav Olša, Jr. about his book Dreaming of Autonomous Vehicles: Miles (Miroslav) J. Breuer: Czech-American Writer and the Birth of Science Fiction (2025), an interesting methodological question jumped out to me: what is the role of more ephemeral publications outside of Hugo Gernsback in the early history of genre? A bit of context: Miles J. Breuer also wrote in Czech. He published stories in Czech-language publications aimed at the immigrant community far earlier than their re-written versions appeared in Gernsback’s Amazing. In addition, he published in various medical journals (that occasionally ran SF) and university publications. As Olša points out in the interview, it obviously depends on the questions asked by the historian — and these publications had small audiences that make it hard to ascertain “influence” or “inspiration” for later authors. Food for thought.

Before we get to the photograph above and the curated birthdays, let me know what pre-1985 SF you’re currently reading or planning to read! 

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Recent Science Fiction Purchases No. CCCXLIV (Margaret St. Clair, Edgar Pangborn, Keith Laumer, and Edmund Cooper)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

It’s the summer Joachim Boaz. Where are the reviews? I’m currently on a much needed vacation (Iceland). I will be back soon! In the meantime here are four recent purchases.

1. The Dancers of Noyo, Margaret St. Clair (1973)

From the back cover: “Like so many others before him, reluctant Sam MacGregor was sent on a pilgrimage for the Frail Vision by the Dancers: androids grown from the cells of one man, with the powers of hypnotism and illusion–androids who held the tribes of the Republic of California in thrall.

But soon Sam began to doubt his own identity, for he experienced, in close succession, extra-lives in different corridors of time and space.

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Short Book Reviews: Edgar Pangborn’s The Company of Glory (1974, novelized 1975) and Harold Mead’s Mary’s Country (1957)

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents/impressions are a way to get through the stack before my memory and will fades. My website partially serves as a record of what I have read and a memory palace for future projects. Stay tuned for more detailed and analytical reviews.

1. Edgar Pangborn’s The Company of Glory (1975)

3.5/5 (Good)

Edgar Pangborn is an unsung SF hero in my book. At his best, he’s a deeply humanistic writer interested in moments of effective metafictional play on the nature of narrative. The Company of Glory (serialized 1974, 1975) is the third novel in the Tales of Darkening World sequence. It forms a prequel to Pangborn’s masterpiece Davy (1964). As with Davy, The Company of Glory attempts to create multiple interlocking layers of narrative, stories within the stories, quotations from various diaries, and the interjections of the overarching narrator of the entire collection of texts who remains anonymous until the final pages.

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What pre-1985 science fiction are you reading? + Update No. XXII

What pre-1985 science fiction are you reading or planning to read next month? Here’s the April installment of this column.

As readers of the site know, I am obsessed with the machinations of Cold War nuclear logic—historical and science fictional. In Ira Chernus’ brilliant Apocalypse Management: Eisenhower and the Discourse of National Insecurity (2008), he dives into the Manichean ideoscape that dominated Eisenhower’s thinking. In short, he posits that Eisenhower interpreted the Soviet threat as an apocalyptic struggle in which the traditional outcome, eliminating the treat, is impossible. Instead the best hope is “to contain and manage it forever” (2)–hence “apocalypse management.” This “new linguistic paradigm” profoundly influenced their policymaking process and dominated American public discourse.

According to Chernus, Eisenhower was obsessed with Americans practicing voluntary self-control in their consumption in order shoulder the taxes needed to fund the perpetual struggle. With this paradigm, Eisenhower’s gestures towards peace–for example his “The Chance for Peace” (April 16th, 1953) speech–were acts of calibrated psychological warfare designed to put the burden of action on the Soviets and score points with the American public and American allies. The United States, on the other hand, could wage the conflict with perpetual, safe, and managed inaction in which peace is never the ultimate objective.

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Short Fiction Reviews: Cherry Wilder’s “The Ark of James Carlyle” (1974), “The Phobos Transcripts” (1975), and “Way Out West” (1975)

In the past few years, I’ve put together a series on the first three published short fictions by female authors who are completely new to me or whose most famous SF novels fall mostly outside the post-WWII to mid-1980s focus of my reading adventures. To be clear, I do not expect transformative or brilliant things from first stories. Rather, it’s a way to get a sense of subject matter and concerns that first motivated authors to put pen to paper.

Today I’ve selected the first three science fiction short stories by New Zealander author Cherry Wilder (1930-2002). Here’s her bibliography. In the past I’ve picked up her best-known novel Second Nature (1982) and gazed at the evocative Tony Roberts cover! But never managed to get past the first few pages… According to SF Encyclopedia, Wilder’s work is “notable for its narrative skill, evocative style and rounded characterization, should have long since given her a higher reputation.” My general sense from her first three stories is that they’re relatively well-told, traditional, and a bit on the slight side of things. I still look forward to reading Second Nature (1982).

So far I’ve featured Leigh Kennedy (1951-), Alice Eleanor Jones (1916-1981), Phyllis Gotlieb (1926-2009), Sydney J. Van Scyoc (1939-2023), Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), Betsy Curtis (1917-2002), and Eleanor Arnason (1942-).

Let’s get to the stories!


3.5/5 (Good)

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Recent Science Fiction Purchases No. CCCXLIII (Philip K. Dick, Roger Zelazny, Chuck Rothman, Philip José Farmer, and an anthology on Future Love)

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Deus Irae, Philip K. Dick and Roger Zelazny (1976)

From the back cover: “One their own, they have written landmarks works that have added whole new dimensions of wonder to the field of science fiction. Now, in Deus Irae, they have created what ALA Booklist calls “the most successful collaboration in years!”–set in in bizarre world where you will encounter…

A bunch of backwoods farmers who happen to be lizards…

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Exploration Log 9: Three More Interviews with Clifford D. Simak (1904-1988)

Back in July 2024, I posted six interviews with Clifford D. Simak (1904-1988). Since then I’ve tracked down three more. As in that post, I’ll provide a rundown of each interview and provide quotes of interesting passages. In the interviews, Simak comes across as an author deeply suspicious of rigorous generic distinctions, passionate about all life, and open to science fiction as an ever-changing and evolving entity.

As readers of the site know, I have a substantial interest in Simak’s SF that culminated last year in my September article “‘We Must Start Over Again and Find Some Other Way of Life’: The Role of Organized Labor in the 1940s and ’50s Science Fiction of Clifford D. Simak” (2024) in Journey Planet #84. Since then I’ve posted an Exploration Log on his 1971 Worldcon speech, reviewed Best Science Fiction Stories of Clifford D. Simak (1957), and contributed to a podcast on “The Huddling Place” (1944) (the second City story).

Enjoy! And if you know of more interviews (or are able to update the Internet Speculative Fiction Database entry as it only includes five of the nine interviews I’ve covered) let me know.


THE INTERVIEWS

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What pre-1985 science fiction are you reading? + Update No. XXI

What pre-1985 science fiction are you reading or planning to read this month? Here’s the March installment of this column.

Recently I came across John Boston and Damien Broderick’s three-volume series examining each and every story and non-fiction article in the pre-Michael Moorcock New Worlds and Science Fantasy/SF Impulse magazines in the UK. John Boston is a valued member of my site’s community — frequently stopping by in the comment sections. I thought for this mini-editorial I’d list a handful of active community members with websites, books, and worthwhile SF-related fanzine articles. I, of course, could be missing a few. Community matters more than you might think. I enjoy the discussion. I enjoy reading reviews that others write — even if it’s on science fiction that might not be within my more narrow focus (the historian in me). I always want to learn and share what’s worth reading and/or historically interesting. Thank you one and all.

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What pre-1985 science fiction are you reading? + Update No. XX

What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).

Before John W. Campbell, Jr. (1910-1971) attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).

Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1934), which featured a grim realism and character development (74).

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