Book Review: Total Eclipse, John Brunner (1974)

(John Cayea’s cover for the 1974 edition)

3/5 (Average)

Over the years I’ve deluded myself into becoming a John Brunner completest — around twenty-five of his novels line my shelves and I’ve read most of them over the years.  At his best he’s without question one of the great masters of the genre — Stand on Zanzibar (1968), The Sheep Look Up (1972), etc. are evidence of this.  However, in-between his social science fiction masterpieces are a plethora of unsatisfying attempts at traditionalist space opera.  In these works Brunner never fully leaves his pulp roots although he occasionally tries to inject a dose of hard science, (pseudo) intellectualism, and social commentary.

Total Eclipse (1974) fits this mold.  A group of scientists attempt to figure out the mystery of a highly advanced race which has apparently, died out. Character interactions are painfully silly along the “Oh heroic main character, you’re a genius let me jump into your bed” sort of Continue reading

Updates: Recent Science Fiction Acquisitions N. XXXIX (Priest + Brunner + Crowley + Wallace + Duncan)

Ah, what a delightful group! A few from my father, a few from Marx books which I hadn’t posted yet….  Priest and Crowley’s novels involve fascinating worldscapes — a world winched across the horizon, a world at the top of a pillar…  Both are considered among the better stylists in science fiction and fantasy.

And, my 22nd (?) Brunner novel!  The Stone That Never Came Down (1973) — from his glory period of the late 60s-early 70s (this period produced Stand on Zanzibar, The Sheep Look Up, Shockwave Rider, The Jagged Orbit).

And two more impulsive finds — Ian Wallace’s Croyd (1967) — a reader claimed it was one of the best sci-fi novels of the 60s, and thus due to my intense curiosity, I had to find a copy.  And Dark Dominion (1954), I know little about David Duncan — he wrote only three sci-fi novels in the 50s.  His work is described by SF encyclopedia as “quietly eloquent, inherently memorable, worth remarking upon.”

And the covers!

1. The Inverted World, Christopher Priest (1974)

(Jack Fargasso’s cover for the 1975 edition) Continue reading

Book Review: The Eden Cycle, Raymond Z. Gallun (1974)

(Kelly Freas’ cover for the 1974 edition)

4/5 (Good)

Raymond Z. Gallun is best known for his pulp sci-fi from the 1930s-50s.  From the 50s onward he wrote a handful of novels of varying quality.  The Eden Cycle (1974), probably his single best science fiction work, is a successful integration of pulp ideas and lush environments with a poignant and often haunting depiction of the social ramifications of a future world where everyone, “blessed” with immortality, can “live” in any virtual reality of their choice, shift  from simulation to simulation at will, and spontaneously conjure new ones.

Brief Plot Summary/Analysis

In the near future mankind receives mysterious signals from space.  Gallun is careful to slowly reveal the main backstory over the course of the first third of the novel.  After Continue reading

Updates: Recent Science Fiction Acquisitions N. XXXVIII (Spinrad + Harrison + Kavan + Effinger)

Ah, when I have access to a massive inexpensive catalogue (Marx Books) the quality of my finds goes up and up…..  Finally a copy of Norman Spinrad’s metafictional The Iron Dream (1972) (if Hitler lived in America and wrote a sci-fi novel AND a commentary on said piece of science fiction).  Unfortunately, I own a later edition (with a hideous cover) than the one below.  Geo. Alec Effinger’s bizarre What Entropy Means to Me (1972) — again, about writing, and interpreting writing, and inventing interpretation…  Anna Kavan’s drug inspired underrated and underread sci-fi parable Ice (1976).  AND, a futuristic fantasy of the highest caliber, M. John Harrison’s The Pastel City (1971) — yes, I could have purchased the multi-novel sequence (and related short stories) in one volume but I like having the original paperbacks.

1. The Iron Dream, Norman Spinrad (1972)

(Uncredited cover for the 1972 edition) Continue reading

Adventures in Science Fiction Cover Art: Spacewomen of the Future (fixing spaceships + fighting aliens + charging across barren landscapes)

(Don Sibley’s cover for the November 1950 issue of Galaxy)

When we conjure the image of a 40s/50s science fiction pulp heroine we often imagine a character who has to be rescued by men from aliens, shrieks and clings to any man nearby, and is always in a state of undress.  I’ve included one cover, for the sake of comparison, that I find to be an exemplar of this type of sexist (and racist) depiction below (Alex Schomburg’s cover for the January 1954 issue of Future Science Fiction): white woman wrapped in only a towel stalked by an evil alien obviously painted with African-American facial characteristics (heavy on the sexual predation vibe) — the reader is supposed to buy into the racial stereotypes and thus be titillated by the fear she must feel.

I’ve selected a wide range of mostly pulp magazine covers depicting spacewomen of the future (I’ve loosely decided that this means women in space, in spacesuits) that tend to buck the trend Continue reading

Updates: Recent Acquisitions XXXVI (Malzberg + Gallun + Harrison + Silverberg)

More Marx Book purchases along with some random 99 cent thrift store finds (Raymond Z. Gallun + M. John Harrison)  that seemed intriguing enough.  I will eventually get to M. John Harrison’s magnum opus series of novels, Virconium– beginning with The Pastel City (1971) — but, as always, I approach an author’s masterpieces through an often circuitous manner.  I suspect my Malzberg find will be of a lesser quality than either Beyond Apollo (1972) or Revelations (1972).

I reviews I’ve found online of Gallun’s The Eden Cycle (1974) proclaim it an underrated masterpiece — with layers of virtual reality, etc.  I’ll read it soon…

As always, have you read any of these?  If so, what did you think?

1. The Day of the Burning, Barry N. Malzberg (1974)

(Don Ivan Punchatz’s cover Continue reading

Adventures in Science Fiction Cover Art: Inside the Skull (rats + women + sword fights + robotic circuits + space)

(Ebel’s cover for the 1953 issue of Space Science Fiction)

Previous art explorations which looked at disembodied brains and visualizations of the ultra-intelligent set the stage for this post.  Imagine skulls without brains: sometimes metaphorically, but often, literally hollow skull cavities that hold a vast array of mechanical devies and living captives.  Or, the reader is gifted a voyeuristic peek into the skulls of bodies masquerading as humans but in reality, a mesh of circuits or a metal sheen operates those beautiful limbs and terrifying weapons….

My favorite is by far the pulp goodness of Ebel’s cover (if anyone knows the full name of this artist please let me know) for the 1953 issue of Space Science Fiction.  The gorgeous heroine is held captive in gigantic stone heads with partially glass skulls — a robot that fails to conjure any menace stomps Continue reading

Book Review: Revelations, Barry N. Malzberg (1972)

(Michael Presley’s cover for the 1977 edition)

5/5 (Masterpiece)

Revelations (1972) is the second in a thematically linked group of Malzberg’s novels — published in-between its siblings, The Falling Astronauts (1971) and Beyond Apollo (1972) (from now on BA).  Each deals with insane astronauts, and in Malzberg’s own words, “sexual dysfunction as representing the necessary loss of energy of the machine age,” and each contains a character desperately attempting to speak out.  But, as with most of Malzberg’s novels, it is unclear whether there is truth in these cries.

Revelations is less rigorously structured than BA, which was characterized by 67 short tellings/retellings/scenes/dream moments all from the perspective of a single insane character.  As with BA, our anti-hero is an unreliable narrator, but due to the variety of diaristic, epistolary, and interrogatory fragments that comprise  Continue reading

Updates: Recent Science Fiction Acquisitions XXXV (Malzberg + Compton + Silverberg)

Books and short story collections from three of my favorite science fiction authors — Barry N. Malzberg, D. G. Compton, and Robert Silverberg…  A review of Malzberg’s masterpiece Revelations (1972) — almost as good as Beyond Apollo (1972) — is forthcoming.

I’ve recently discovered Marx Books — an online bookstore run by a retired professor (at Texas Tech University) and avid science fiction collector.  His collection is substantial and most importantly, he only bills you for the exact shipping (not sure if he ships internationally).  So, no $3.99 a book as Amazon does!  Instead, $3 shipping total for seven books!  Because Malzberg novels, and his short story collections, are so hard to find in used book stores it’s always nice to know I can pick up a copy quite cheaply online.

Another Richard Powers cover for my collection….

1. Revelations, Barry N. Malzberg (1972) (MY REVIEW)

(Uncredited cover for the 1972 edition)

From the back cover of the 1977 edition: “REVELATIONS is Continue reading