1970s

Adventures in Science Fiction Cover Art: Imprisoned in Glass Vials (of the metaphoric + medical + experimental variety)

/ Joachim Boaz / 32 Comments

(Uncredited cover for the 1969 edition of The Fortec Conspiracy (1968), Richard M. Garvin and Edmond G. Addeo)

Humans and aliens in glass vials of all shapes and sizes waiting to be measured, matured, tested, analyzed, exposed to a variety of chemicals and emulsions.  The artists often combine the iconic laboratory scene filled with the tools of the trade with sci-fi speculation on human experimentation (queue babies grown in containers in Brave New World).  The result, humans in tubes.  The effect is downright terrifying and one suspects, evokes a certain moribund fascination.  As with the famous introductory sequence in Brave New World, the reader is horrified by birth entirety regulated by machines.  Or, we are simultaneously titillated Continue reading →

Book Review: Space Skimmer, David Gerrold (1972)

/ Joachim Boaz / 9 Comments

(Dean Ellis’ cover for the 1972 edition)

3/5 (Average)

I’ve found that the science fiction trope reconstructing a fallen empire/meandering in the wreckage of an empire one of the most seductive of the genre.  The idea of a disconnected landscape filled with the ruins of empire — giant edifice ever more consumed by vegetation, technology unable to be used, spaceships empty in space — is so transfixing that I pick up every example published before 1980 that I find.  Unfortunately, works like David Gerrold’s Space Skimmer (1972) and John Brunner’s collection Interstellar Empire  (1976) are evidence that seductive trope or not, the delivery is often less than delectable.

I must confess that I picked up the novel because of the cover blurb: “The ultimate spaceship in the hands of a barbarian…”  And the intriguing Dean Ellis cover…  Little did I know the blurb should read “the ultimate spaceship in the hands of a barbarian who spouts endless streams of bad poetry, an annoying little prince, Continue reading →

Updates: Recent Science Fiction Acquisitions XXXIII (Delany + Wyndham + Sturgeon + Knight + Ellison)

/ Joachim Boaz / 13 Comments

My last batch of the summer from Austin, TX — as always a nice haul.  Unfortunately, I’m back home in a rather lackluster state for acquiring sci-fi.  Henceforth, amazon/abebooks it shall be!

Still haven’t tackled a Sturgeon collection yet — now I have three unread ones sitting in my to read stack.  I also added Delany’s first published novel, The Jewels of Aptor (1962), to my collection.  And some Ellison stories…  And three short novels (in one collection) by Damon Knight of whom I have a rather dubious opinion (see Beyond the Barrier).

Most importantly, another Wyndham novel (still haven’t read The Day of the Triffids which I’ve had for years and years and years).

1.  A Way Home, Theodore Sturgeon (1956) (MY REVIEW)

(Mel Hunter’s cover for the 1956 edition)

Continue reading →

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds

/ Joachim Boaz / 13 Comments

(Ed Valigursky’s cover for the 1957 edition of Doomsday Eve (1957). Robert Moore Williams)

The nuclear scare produced some of the best dystopic visions ever put to paper — the devastation would be utter, complete, and the radiation, oh what fun science fiction authors and filmakers had with the effects of radiation.  A red spectrum! Mutations! Hybrid bug people!  Godzilla!  Women with two heads!  An endless assortments of monsters…  I’ve selected a wide range of covers depicting the actual nuclear explosion — not the after effects.  Families gaze from caves in dispair, watching the bomb incinerate their world.  People run helter-skelter away from the explosion.  Or, artists take a more stylized approach to the explosion — figures are cast upward amongst the wreckage of buildings. Continue reading →

Book Review: Planet of the Voles, Charles Platt (1971)

/ Joachim Boaz / 4 Comments

(Paul Lehr’s cover for the 1972 edition)

1/5 (Terrible)

Charles Platt’s Planet of the Voles (1971) has a similar feel to one of the more atrocious episodes of Stargate SG-1.  In place of all the horridly butchered Egyptian mythology is a weird pseudo-mythology about the inevitability of a battle between the sexes uneasily pasted on an archetypal military sci-fi plot.  The work is filled with alien landscapes which look like Earth, soldier/scientists who can do anything and everything with anything anywhere, random bits of hokey technology appear as if by magic to facilitate the pedestrian plot (this black box will make alien birds carry us into the fortress!) etc.

Platt’s prose is lacking all ability to convey human emotions.  After our Continue reading →

Book Review: Marune: Alastor 933, Jack Vance (1975)

/ Joachim Boaz / 6 Comments

(Darrell Sweet’s cover for the 1975 edition)

3.75/5 (Good)

Even though I’ve previously read only three of Jack Vance’s lesser known works, The Showboat World (1975), The Blue World (1966) and City of the Chasch (1968) I’ve come to appreciate his world building and solid story telling abilities.  Marune: Alastor 933 (1975), although not the best of his Alastor trilogy, is no exception.  I recommend the work for all fans of space opera, “fantasy in space,” and fans of Vance’s more famous works who haven’t yet tracked down other works of his substantial catalogue.

Brief Plot Summary (limited spoilers)

This work of space opera takes place in the Alastor Cluster, a node Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXXII (Cowper + Vance + Williamson + MacTyre)

/ Joachim Boaz / 16 Comments

As always Half Price Bookstore in Northern Austin, TX yielded a wonderful collection of sci-fi paperbacks…  I bought Doomsday, 1999 (1962) solely on the cover art — cool looking city exploding…  Richard Cowper’s Profundis (1979) on recommendation of my friend 2theD at Potpourri of Science Fiction Literature who waxed prophetic (hopefully)/intellectually about to joys of this seldom read author (well, his fantasy at least).  I personally, do not have high hopes considering the questionable nature of the back flap blurb.  My previous Williamson experiment, Trial of Terra (1962), had promise so I picked up one of his supposedly best works, Bright New Universe (1967).  And well, Vance is Vance and thus almost always worth reading….

1. Doomsday, 1999 (variant title: Midge),  Paul MacTyre (1962)

(Uncredited cover for the 1963 Continue reading →

Book Review: Guernica Night, Barry N. Malzberg (1975)

/ Joachim Boaz / 7 Comments

(Tim White’s cover for the 1979 edition)

4.25/5 (Good)

Nominated for the 1976 Nebula Award for Best Novel

“Here we are in Disney Land/Disney World; clutching the strange hands of those with whom we came, we move slowly through the ropes under the chanting of the attendants, swatting insects of habitation, toward the exhibit of the martyred President.  The martyred President has become a manikin activated by machinery, tubes and wiring; he delivers selected portions of his famous addresses, stumbling back and forth […] (1)”

Guernica Night (1975) is the third of Barry N. Malzberg’s books I’ve read after Conversations (1975) and In the Enclosure (1973).  Although lacking the Continue reading →

Adventures in Science Fiction Cover Art: My Top 15 Science Fiction Covers

/ Joachim Boaz / 28 Comments

1. Harold Bruder’s cover for the 1967 edition of Pyschogeist (1966), L. P. Davies.

Because everyone loves lists…

…I’ve selected from my collection of cover art, placed in no particular order, my fifteen favorite science fiction covers of all time.  Of course, lists being lists, and the fact that I’ve only seen a portion of all the covers ever made, it is incomplete and maleable.  Although many of the most famous sci-fi artists (Powers, Lehr, and pulp masters such as Wesso) feature, some of my favorites are by lesser known artists whose visual contributions to the field should not be forgotten (Bruder, Podwil, Foster, Schongut, etc).

A few points to consider: 1) The artist rarely had control over the font.  If the graphic designer responsible for putting together the final cover wasn’t up to snuff, the text often doesn’t Continue reading →