Updates: Recent Science Fiction Acquisitions N. XLVI (Reed + Pratt + Brown + anthology)

Finally getting near the end of the pile of science fiction novels procured during my latest journey to Texas (a few were in clearance dollar bins) + gifts from 2theD.  I know very little about any of the authors (any info would be read with relish) — and I even bought a book from the early 1980s!  I know, shocker, but it has to do with drowned cities…. one of my favorite themes…. although it’ll never equal the uterine joys of Ballard’s magisterial The Drowned World (1962).

1. Under the City of Angels, Jerry Earl Brown (1981)

(Lou Feck’s cover for the 1981 edition) Continue reading

Adventures in Science Fiction Cover Art: Cosmic Fetuses + Other Uterine Spaces (+ levitating baby parts)

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(Paul Lehr’s cover for the 1970 edition of The Eyes of Heisenberg (1966), Frank Herbert)

Stanley Kubrick’s iconic baby in a balloon image at the end of his film 2001: A Space Odyssey (1968) spawned a handful of intriguing cosmic fetus science fiction covers.  Even the famous artist Paul Lehr crafted perhaps the most artistically interesting version for Frank Herbert’s novel, The Eyes of Heisenberg.  Other artists, for example the uncredited creator of The Adam Experiment‘s cover, render incredibly hokey + spooky rip-offs.  Because I’ve found only a few on this particular theme I’ve included a variety of other baby related covers — hovering baby heads in space, mini-holograms of babies, adult men Continue reading

Adventures in Science Fiction Cover Art: Easter Island Heads

(Ray Kalfus’ cover for the May 1963 issue of Amazing Stories)

The Easter Island heads have long been explained away by conspiracy theorists as the work of aliens!  Apparently there are a few short stories and novels that derive not only their cover art but entire stories from such hilariously awful material…. Regardless, the covers are giggle inducing, and in the case of the uncredited cover for William Tenn’s Of All Possible Worlds (1955) rather striking.  I’ve included one cover from the 40s, an Arkham house novel that might be more “horror” than “sci-fi.”  Regardless, the idea that the Easter Island heads evoke dread, is well, laughable.

If you know of any others please let me know — I could only round up these five Continue reading

Adventures in Science Fiction Cover Art: Underwater Expeditions (futuristic submarines + underwater labs + sea monsters + cities), Part II

(Roger Stine’s cover for the 1979 edition of On The Run (variant title: Mankind on the Run) (1955), Gordon R. Dickson)

Part II of my Underwater Expeditions Series (Part I) is a veritable deluge of undersea wonders.  Unusual monsters/aliens proliferate the seascapes — snapping at our aquatic heroes.  A vast array of submersibles and submarines — including a mechanical whale equipped with a harpoon (Jack Coggins’ cover for the April 1957 issue of Galaxy Science Fiction) — trek across the oceanic expanses.  Cities, ruins, hidden scientific facilities are all to be discovered amongst the seaweed and deep water trenches…

There is something so mysterious about the ocean depths — almost as alienating and frightening as space.  Although due to our recent deep sea explorations increasingly less Continue reading

Adventures in Science Fiction Cover Art: Chess/Checkers (with people + planets)

(Ed Valigursky’s cover for the 1962 edition of Cosmic Checkmate (1962), Charles V. DeVet and Katherine MacLean)

Queue Ed Valigursky’s cover for the Cosmic Checkmate (1962): a chessboard arrayed against a background of stars, men stand on different colored squares, as much pawns of some distant player as the pieces nearby.  Spaceships flash across the vast expanse of space — remember, the game has galactic ramifications — with our characters arrayed, the game opens, and the battle (of wits and secret weapons) begins.  Although I have not (yet) read Charles V. DeVet and Katherine MacLean (whose later novel Missing Man (1975) I highly recommend) is explicitly about Chess, or more precisely, a similar alien game, and the ramifications are indeed, galactic in scope.  Other covers are more metaphoric Continue reading

Updates: Recent Science Fiction Acquisitions No. XXXIV (Brunner + Tucker + Brackett + et al.)

A mixture of a few clearance section novels from Austin bookstores (Chandler and Siodmak) and three recent purchases from a nice used bookstore (for science fiction) in my current town…  I can’t wait to read another Leigh Brackett novel (one of the most renowned pulp sci-fi writers of the 50s) — I’ve only read her novels, The Big Jump (1955) and was pleasantly surprised.

One can never have too many Brunner novels (I have 21 at the moment and I’ve read a majority of them) — even average works from the early 80s….

And Wilson Tucker’s The Year of the Quiet Sun (1970) — yes, I generally dislike time travel, but I’ve yet to read one of his works so I might as well start with what is generally considered his best novel.

(*note: I include images of what I consider the best cover for the novel if it has multiple editions because I enjoy good examples of sci-fi art.  I own perhaps half of the exact editions shown.  A few readers have expressed confusion.)

1. The Long Tomorrow, Leigh Brackett (1955)

(Ed Emshwiller’s cover for Continue reading

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds

(Ed Valigursky’s cover for the 1957 edition of Doomsday Eve (1957). Robert Moore Williams)

The nuclear scare produced some of the best dystopic visions ever put to paper — the devastation would be utter, complete, and the radiation, oh what fun science fiction authors and filmakers had with the effects of radiation.  A red spectrum! Mutations! Hybrid bug people!  Godzilla!  Women with two heads!  An endless assortments of monsters…  I’ve selected a wide range of covers depicting the actual nuclear explosion — not the after effects.  Families gaze from caves in dispair, watching the bomb incinerate their world.  People run helter-skelter away from the explosion.  Or, artists take a more stylized approach to the explosion — figures are cast upward amongst the wreckage of buildings. Continue reading

Updates: Recent Science Fiction Acquisitions No. XXXII (Cowper + Vance + Williamson + MacTyre)

As always Half Price Bookstore in Northern Austin, TX yielded a wonderful collection of sci-fi paperbacks…  I bought Doomsday, 1999 (1962) solely on the cover art — cool looking city exploding…  Richard Cowper’s Profundis (1979) on recommendation of my friend 2theD at Potpourri of Science Fiction Literature who waxed prophetic (hopefully)/intellectually about to joys of this seldom read author (well, his fantasy at least).  I personally, do not have high hopes considering the questionable nature of the back flap blurb.  My previous Williamson experiment, Trial of Terra (1962), had promise so I picked up one of his supposedly best works, Bright New Universe (1967).  And well, Vance is Vance and thus almost always worth reading….

1. Doomsday, 1999 (variant title: Midge),  Paul MacTyre (1962)

(Uncredited cover for the 1963 Continue reading

Adventures in Science Fiction Cover Art: Ice-Covered Cities

(Uncredited cover for the 1959 edition of We Who Survived (1959), Sterling Noel)

One of many ways science fiction authors speculate about the end (or beginning of the end/or an apocalyptic hurdle) of the human race is the coming of an Ice Age.  Such an occurrence (induced by us or the arrival of a natural cycle) would cover our cities with layers of ice — conjure the disturbing images from Gilliam’s film 12 Monkeys (1985) or Roland Emmerich’s egregious The Day After Tomorrow (2004) — forcing us to evacuate to the more inhabitable zones.  Those left behind might eek out an existence, revert to a primitive state, or die out completely…

I have a review for John Christopher’s The Long Winter (1962) in the works — Continue reading