1980s

Exploration Log 7: Interview with Jordan S. Carroll, author of Speculative Whiteness: Science Fiction and the Alt-Right (2024)

/ Joachim Boaz / 22 Comments
  • Graphic created by my father

Over the last few years, I have attempted to incorporate a smattering of the vast range of spectacular scholarship on science fiction into my reviews and highlight works with my Exploration Log series that speak to me.1 Today I have an interview with Jordan S. Carroll about his brand-new book, Speculative Whiteness: Science Fiction and the Alt-Right (2024). In the book, he examines the ways the alt-right uses classic science fiction imagery and authors to mainstream fascism and advocate for the overthrow of the state.

You can buy an inexpensive physical copy ($10) directly from the University of Minnesota Press website or an eBook version ($3.79) on Amazon.

Thank you so much for agreeing to this interview. First, can you introduce yourself and research interests?

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My 2024 in Review (Best Science Fiction Novels and Short Fiction, Articles/Podcasts, Reading Initiatives, and Bonus Categories)

/ Joachim Boaz / 53 Comments
  • Graphic created by my father

Here’s to a happy reading in 2025! I hope you had a successful reading year. Whether you are a lurker, occasional visitor, a regular commenter, a follower on Bluesky or Mastodon, thank you for your continued support. It’s hard to express how important (and encouraging) the discussions that occur in the comments, social media, and via email are to me. This was the third year running of record-breaking numbers of viewers and views in the 13-year history of my site. What were your favorite vintage SF reads–published pre-1985–of 2024? Let me know in the comments.

Clifford D. Simak defined my 2024. Starting with a February review of his collection Worlds Without End (1964), I embarked on a fiction and non-fiction reading extravaganza that culminated in my article for Journey Planet, which I spent most of the summer writing, titled “‘We Must Start Over Again and Find Some Other Way of Life’”’: The Role of Organized Labor in the 1940s and ’50s Science Fiction of Clifford D. Simak.” Despite his Grand Master status, there’s little scholarship on Simak’s work and so much more to be done. As expected, there was little response to the article outside of my website. I also wrote two Exploration Logs on six of his interviews and his 1971 Worldcon speech and contributed to a podcast on “The Huddling Place” (1944) (the second City story). Sometimes you find a little niche that you never expected to inhabit which you feel there’s so much more to explore and say. I hope my Simak focus continues into 2025.

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Book Review: In the Drift, Michael Swanwick (1985)

/ Joachim Boaz / 17 Comments
  • Mark Salwowski’s cover for the 1989 edition

3.25/5 (Above Average)

In The Drift (1985), a fix-up novel comprised of two Nebula-nominated short works–“Mummer Kiss” (1981) and “Marrow Death” (1984), maps a new way forward in an ecologically and genetically ravaged post-apocalyptic age. The entire concoction decays with a sense of grim unease and cavorts around piles of dead that would make a triumvir from the Late Roman Republic proud. It’s a violent, erotic, and disquieting experience that can’t entirely hide its flaws behind the decadent panache.

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Short Fiction Reviews: Leigh Kennedy’s “Salamander” (1977), “Whale Song” (1978), “Detailed Silence” (1980), and “Speaking10 to Others2; Speaking3 to Others20” (1981)

/ Joachim Boaz / 24 Comments

In the past few years, I’ve put together a series on the first three published short fictions by female authors who are completely new to me or whose most famous SF novels fall mostly outside the post-WWII to mid-1980s focus of my reading adventures.

Today I’ve selected the first four stories by an author I’ve only recently started to read–Leigh Kennedy (1951-). I’d previously reviewed “Helen, Whose Face Launched Twenty-Eight Conestoga Hovercraft” (1982) and placed her on the list for this series. According to SF Encyclopedia, Kennedy’s “writing is succinct, polished, lucent, and her stories are emotionally penetrating; it is unfortunate that she has fallen from the world of novel publishing, though continuing to work as a professional indexer.” And I can’t agree more! Her first four stories show great promise and moments of refined vision. I can’t help but think the backlash to her Nebula-nominated (and best-known work) “Her Furry Face” (1983) might have had some effect on her trajectory.

So far I’ve featured Alice Eleanor Jones (1916-1981), Phyllis Gotlieb (1926-2009), Sydney J. Van Scyoc (1939-2023), Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), Betsy Curtis (1917-2002), and Eleanor Arnason (1942-). To be clear, I do not expect transformative or brilliant things from first stories. Rather, it’s a way to get a sense of subject matter and concerns that first motivated authors to put pen to paper.

Let’s get to the stories!

  • George Schelling’s interior art for Leigh Kennedy’s “Salamander” in Analog, ed. Ben Bova (June 1977)
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Updates: Recent Science Fiction Purchases No. CCCXXXVIII (Gregory Benford, Dean McLaughlin, Warren Norwood, and Aileen La Tourette)

/ Joachim Boaz / 21 Comments

Which books/covers/authors in the post intrigue you? Which have you read? Disliked? Enjoyed?

1. In Alien Flesh, Gregory Benford (1986)

  • Joe Bergeron’s cover for the 1986 edition

From the back cover: “A journey into the depts of space and time by Gregory Benford, winner of the Nebula Award.”

Contents: “In Alien Flesh” (1978), “Time Shards” (1979), “Redeemer” (1979), “Snatching the Bot” (1977), “Relativistic Effects” (1982), “Nooncoming” (1978), “To the Storming Gulf” (1985), “White Creatures” (1975), “Me/Days” (1984), “Of Space/Time and the River” (1985), “Exposures” (1981), “Time’s Rub” (1984), “Doing Lennon” (1975).

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Updates: Recent Science Fiction Purchases No. CCCXXXVII (Paul Cook, Poul Anderson, Jack Wodhams, and Penelope Gilliatt)

/ Joachim Boaz / 10 Comments

Which books/covers/authors in the post intrigue you? Which have you read? Disliked? Enjoyed?

1. The Alejandra Variations, Paul Cook (1984)

  • Jim Gurney’s cover for the 1st edition

From the back cover: “FIRST VARIATION

Nuclear Strategist Nicholas Tejada sees the end of the world.

SECOND VARIATION

One thousand years later, Nicholas wakes up in an underground civilization that lives only for drugs, sex, and thrills.

THIRD VARIATION

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Book Review: The Shadow Hunter, Pat Murphy (1982)

/ Joachim Boaz / 29 Comments
  • Keith Scaife’s cover for the 1988 edition

3.75/5 (Good)

Pat Murphy’s first novel The Shadow Hunter (1982) is an achingly beautiful tale of displacement. In the distant past, a young Neanderthal boy embarks on a hunt to claim his name and to learn the nature of the world. In the near future, a mogul named Roy Morgan wants to create a Pleistocene oasis (The Project) ensconced in a valley in an increasingly urban world. Morgan employs two damaged souls, Amanda and Cynthia, to aim his machines–that reach backward and forward into time.

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What pre-1985 science fiction are you reading? + Update No. XIV

/ Joachim Boaz / 73 Comments
  • A selection of read science fiction novels from my shelves

What pre-1985 science fiction are you reading or planning to read this month?

Here’s June’s installment of this column.

I’m periodically plagued by the virulent Esoterica virus, the relentless desire to catalogue and write about the less known, and even better, the completely unknown. While attending a Medieval English literature graduate class, I remember a conversation I had with the professor, Robert D. Fulk, during office hours about the sheer quantity of scholarship on Beowulf (here’s his edition of the iconic text). I pointed out the panic I experience if I’m unable to read ALL the scholarship on a popular text.

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Exploration Log 4: Six Interviews with Clifford D. Simak (1904-1988)

/ Joachim Boaz / 27 Comments
  • Graphic created by my father

Clifford D. Simak (1904-1988) published science fiction steadily between 1931 and his death in the late 80s. His work–from City (1952) to the Hugo-winning Way Station (1963)–often demonstrates a fascination with the rural environment and the lives of “ordinary” people confronted with the alien. As I am currently working on a mini-project related to Simak,1 I thought I’d give a rundown of six of the seven interviews I’ve found reference to. I’ll also provide quotes of interesting passages, and a scanned version of one that isn’t available online. In the interviews, Simak comes across as an author deeply suspicious of rigorous generic distinctions, passionate about all life, and open to science fiction as an ever-changing and evolving entity.

The Internet Speculative Fiction Database lists five interviews on science fiction conducted with Clifford D. Simak–all published between 1975-1980. Muriel R. Becker’s indispensable Clifford D. Simak: A Primary and Secondary Bibliography (1980) includes two more: a video interview from 1971 and another from 1976 in the Minneapolis Tribune.2 I cannot find a copy of the latter. I provide links to the others in the post.

Obviously, which interview you want to read depends on your interests or questions you have about Simak. That said, I found Paul Walker’s the most fascinating (and frequently references in the little scholarship on the grandmaster).

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