Book Review: The Bridge, D. Keith Mano (1973)

(Uncredited — but looks like Jerome Podwil’s work — cover for the 1974 edition)

3.25/5 (Good)

The Bridge (1973) is D. Keith Mano’s only “full-fledged” SF work (Clute on SF encyclopedia).  Mano’s profoundly unsettling dystopic New York circa 2035 is characterized by an unusual mix of radical environmentalism gone amok and Christianity misinterpreted beyond recognition.  In our current day of overwhelming evidence of Global warming and other types of environmental devastation caused by mankind, Mano’s near future will come off as unnecessarily alarmist.

Clearly Mano means his work to be a satire of the most draconian rhetorical flourishes of the environmentalist Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXIV (Malzberg + Geston + Anthony + Barjavel)

Part 5 of 5 acquisitions posts covering my haul from Dawn Treader Books in Ann Arbor, Michigan.  I’ve saved some good ones for the end — namely, Mark S. Geston’s Out of the Mouth of the Dragon (1969).  I’ve previously reviewed his first novel — Lords of the Starship (1967) — which was a relentlessly dark vision that showed great promise.  Besides the work of Stanislaw Lem, I know very little about non-English language SF so I snatched up a copy of Rene Barjavel’s Future Times Three (1944).  According to some critics, his treatment of time travel proved profoundly influential.

The other two novels are somewhat bigger risks.  Brian N. Malzberg’s The Empty People (1969), written under his pseudonym K. M. O’Donnell, is one of his first SF novels and supposedly quite average.  And, Piers Anthony’s Macroscope (1969) strikes me as a rather bloated, pseudo-spiritual, New Wave extravaganza (but not in a good way) — we’ll just have to see.

Thoughts?

1. Out of the Mouth of the Dragon, Mark S. Geston (1969)

(John Schoenherr’s cover for the 1969 edition) Continue reading

Book Review: The View from the Stars, Walter M. Miller, Jr. (1965)

(Richard Powers’ cover for the 1965 edition)

3.75/5 (Collated rating: Good)

Almost all SF fans have read Walter M. Miller, Jr.’s masterpiece A Canticle for Leibowitz (1959) but few indulge in his shorter works.  By 1957 Miller had virtually quit publishing new SF (A Canticle is comprised of novellas published between 1955-1957).  His only work published later was Saint Leibowitz and the Wild Horse Woman (1997) completed by Terry Bisson and released posthumously.

The View From the Stars (1965) — containing five short stories, two novelettes, and one novella — is a cross section of his most productive decade.  Although I found that none of the works included should be considered masterpieces, “I, Dreamer” (1953), “Dumb Waiter” (1952),  “Big Joe and the Nth Generation” (1952), and “The Big Hunger” (1952) were wonderful.  All the others are readable Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXI (Malzberg, Bishop, Mano, Runyon)

Part 2 of 5 acquisition posts covering my massive haul from Dawn Treader Books in Ann Arbor Michigan….  I suspect that if I lived nearby I’d slowly migrate their entire SF collection to my shelves.  Two books below are by unknown authors (or at least to me) — Charles Runyon and D. Keith Mano.  Runyon is supposedly average to bad (one of my risk buys) while Mano polarizes readers — he tends to be rather right wing in his views so it’ll be intriguing to see what he does with the dystopic future in The Bridge (1973).  But, as with Runyon my expectations are low.

On the other hand, Malzberg’s The Men Inside (1971) seems to be one of his stranger works — I look forward to it.  And despite how well-known Michael Bishop is I’ve yet to read any of his works so I’ll be reading Beneath the Shattered Moons (1976) soon.

Thoughts?

1. The Men Inside, Barry N. Malzberg (1971)

(Ron Walotsky’s cover for the 1971 edition) Continue reading

Book Review: A Pail of Air, Fritz Leiber (1964)

(Richard Powers’ cover for the 1964 edition)

4/5 (Collated rating: Good)

My only previous exposure to Fritz Leiber was his enjoyable and highly experimental Hugo-winning novel The Big Time (1958) — an unusual story (evoking a one-act play) whose characters are soldiers recruited from all eras of history relaxing in between missions during a vast temporal war.  The same sort of invention and incisive wit abounds in the collection A Pail of Air (1964).  Against a post-apocalyptical backdrop that runs throughout most of the stories, Leiber’s stories are chimeric (and satirical) parables on a vast spectrum of themes — the mechanization of the future, gender relations, endless war, media saturation…  The stories shift between whimsical delight and gut-wrenching despair.

This collection of eleven stories from the early 50s to the early 60s is highly recommended for all SF fans — especially the title story  “A Pail of Air” (1951),  “The Foxholes of Mars” (1952), Continue reading

Updates: Recent Science Fiction Acquisitions No. LXX (Lafferty, Sheckley, Lightner, Ball)

There is no better book store for used SF in the US (that I have been to) than Dawn Treader Books in Ann Arbor, Michigan….  Thankfully, I made the pilgrimage for an altogether different purpose — I delivered a paper at a conference at the University of Michigan — but couldn’t help but spend a while amongst the heavenly stacks (well for a SF fanatic).  This is part 1 of 5 acquisition posts which will showcase the bounty I procured.  And there were probably close to 80 other books I wanted.  Alas.

So, what have we here?  One of Lafferty’s most famous novels — nebula nominated Fourth Mansions (1969).  I’ve only read his shorter work so I’ll be devouring this one soon. More Sheckley for one can never have enough of his biting, wonderful, and hilariously satirical short stories.  A straight-forward space opera by Brian N. Ball (yes, I know, not normally my cup of tea) on recommendation from Mike at Potpourri of Science Fiction Literature… And a somewhat more risky purchase, A. M. Lightner’s The Day of the Drones (1969) — this work of social SF is supposedly her most mature work (she tended to write for the young adult audience) but it was still edited for publication to be suitable for younger readers.  Despite the socially relevant theme, I suspect it will come off as rather corny/undeveloped.

1. Fourth Mansions, R. A. Lafferty (1969)

(Diane and Leo Dillon’s cover for the 1969 edition) Continue reading

Book Review: Of Men and Monsters, William Tenn (1968)

MNNDMN1968

(Stephen Miller’s cover for the 1968 edition)

4/5 (Good)

There’s a small pile of novels on my shelf that wait ever so patiently to be reviewed months and months after I’ve read them — J.G. Ballard’s The Drowned World (1962), Robert Silverberg’s The Masks of Time (1968) and Dying Inside (1972), David R. Bunch’s Moderan (1972) (among others), and, until now, William Tenn’s Of Men and Monsters (1968).  Perhaps I was put off by the three mysterious pages filled with small chicken scratch composed by some earlier reader– “224 PKNY, 248 MINCED, 219 M in OKST” — that hinted at some arcane undercurrents or masonic messages that had alluded me.  Perhaps it was my confusion over Tenn’s Heinlein-esque female character, who, in a work of satire, could indicate something so much more progressive than Continue reading

Book Review: Armed Camps, Kit Reed (1969)

Screen shot 2013-08-29 at 9.24.15 AM(Bob Haberfield’s cover for the 1969 edition)

4.5/5 (Very Good)

“[…] and the men were on the way to the bar, they were talking about the performance, they had to compare it to every other performance, they had to link them all and form them into something continuous, something to keep away the dark” (19).

Kit Reed’s first SF novel Armed Camps (1969) is all about characters constructing narratives and conjuring visions in order to keep the aphotic tides of societal disintegration at bay.  The two paralleled narratives — a woman (Anne) running from her past and a man (Danny March) slowly recounting what led to his own downfall — are two different ways of fighting off what is bound to come.  An oppressive melancholy that never lifts soaks the passages, presaging the motions of the characters as if they are trapped in some Thucydidean manifestation of the cyclicality Continue reading

Book Review: There Will Be Time, Poul Anderson (1972)

(Fernando Fernandez’s cover for the 1973 edition)

4/5 (Good)

Nominated for the 1973 Hugo Award for Best Novel

(Hugo Award related tangent: how Silverberg’s Dying Inside lost to Asimov’s The Gods Themselves is beyond me.  There Will Be Time is the lesser of the three)

Frequent readers of my reviews will have noticed my general dislike of time travel themed SF.  I have two central qualms: Firstly, I am frustrated by the tendency of authors to expound endlessly on the nuances of the particular temporal theory they have chosen to deploy;  secondly, the common obsession with “understanding how the past really was” strikes me as an incredibly superficial/fallacious analysis of the nature of history and historical thinking — individuals today cannot understand “the true nature of the present” simply by existing in it yet alone a different historical period.  Rather, perspective taking, Continue reading