book reviews

Updates: My 2022 in Review (Best SF Novels, Best SF Short Fiction, and Bonus Categories)

/ Joachim Boaz / 28 Comments

2022 was the single best year in the history of my site for visits and unique viewers!

As I mention year after year, I find reading and writing for the site—and participating in all the SF discussions generated over the year—a necessary and greatly appreciated salve. Whether you are a lurker, occasional visitor, or a regular commenter, thank you for your continued support.

Continuing a trend from 2021, I read only a handful of novels this year. Instead, I devoted my obsessive attention to various science short story review initiatives (listed below), anthologies, and histories of the science fiction genre. Without further ado, here are my favorite novels and short stories I read in 2022 with bonus categories. Descriptions are derived from my linked reviews.

Check out last year’s rundown if you haven’t already for more spectacular reads. I have archived all my annual rundowns on my article index page if you wanted to peruse earlier years.

My Top 5 Science Fiction Novels of 2022 [TITLES LINK TO FULL REVIEWS]

  • George Underwood’s cover for the 1979 edition

1. Vonda N. McIntyre’s Dreamsnake (1978), 4.75/5 (Near Masterpiece): Won the 1979 Hugo, Locus, and Nebula Award for Best Novel. Snake journeys across the post-apocalyptic wastes of a future Earth with three serpents healing the sick and caring for the dying. She is a member of the healers, who adopt orphans and rescue the oppressed and train them how to use the serpents. Mist and Sand are genetically modified vipers of terrestrial origin. But Grass comes from another alien world. Snake uses Mist and Sand’s venom to create vaccines, treat diseases, and cure tumors. Grass, the rare dreamsnake, with its alien DNA is the most important of them all–it provides therapeutic pleasure and dreams that facilitate conquering one’s fear and healing in the ill. In Snake’s voyages, she encounters prejudice and violence. A joyous sense of sexual freedom permeates the proceedings. A powerful and different take on a post-apocalyptic worldscape in every possible way.

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Short Story Reviews: Fritz Leiber’s “The Moon Is Green” (1952) and Sonya Dorman’s “Go, Go, Go, Said the Bird” (1967)

/ Joachim Boaz / 5 Comments

Today I have selected two radical post-apocalyptic visions to review. Fritz Leiber (1910-1992) writes a conscientious attempt to understand the plight of a housewife trapped in a fallout shelter with an abusive husband and a mysterious man outside who whispers her deepest fantasies. I am fascinated by subversive 50s stories–especially on sex, masculinity, colonization, suburbia–and Leiber’s tale ticks many of my favorite boxes. Sonya Dorman (1924-2005), a skilled American representative of the New Wave movement, recounts a highly metaphoric flight of a woman attempting to maintain independent thought and experience in a world hurtling towards disaster.

  • Richard Powers’ cover for Galaxy Science Fiction, ed. H. L. Gold (April 1952)

4.5/5 (Very Good)

Fritz Leiber’s “The Moon Is Green” first appeared in Galaxy Science Fiction, ed. H. L. Gold (April 1952). You can read it online here.  

On January 3rd, 1950, in response to the successful 1949 Soviet test of atomic weapons, President Truman announced a crash program to develop the hydrogen bomb. It is within this moment of escalating terror after Truman’s announcement that Leiber wrote “The Moon is Green” (1952). While Leiber references hydrogen weapons, the story was published before the “Ivy Mike” Hydrogen bomb test (November 1st, 1952)–known to the public after a media blackout on January 7th, 1953–that revealed the devastating presence of fallout. The Soviets conducted their own test of a thermonuclear device–Joe-4–on August 12, 1953 (source).

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Book Review: So Close to Home, James Blish (1961)

/ Joachim Boaz / 24 Comments
  • Richard Powers’ cover for the 1st edition

3/5 (collated rating: Average)

It’s been more than a decade since I’ve read James Blish. I’ve long been a fan of his Hugo-winning novel A Case of Conscience (1958) and individual stories in collections like The Seedling Stars (1957) and Galactic Cluster (1959). Unfortunately, So Close to Home (1961) is an uneven collection with more duds than hits. The three worthwhile stories–“The Oath” (1960), “Testament of Andros” (1953), and “The Masks” (1959)–can be found online at the links below. Almost all the stories in the collection are set in the near future and chart humanity’s fear of the end and how one might navigate the strange new worlds that emerge.

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Short Story Reviews: Harlan Ellison’s “Psycho at Mid-Point” (1956) and “The Discarded” (variant title: “The Abnormals”) (1959)

/ Joachim Boaz / 38 Comments

The following review is the 20th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. Many are far from the best. And that is okay. I relish the act of literary archaeology.

I turn now to an author, Harlan Ellison (1934-2018), whom I’ve only marginally explored considering his prodigious output. I am completely ignorant of his 50s visions. I’d previously read and reviewed his collection Approaching Oblivion (1974) and a handful of other stories including “A Boy and His Dog” (1969). The first story in this post–“Psycho at Mid-Point” (1956)–exemplifies the theme at its most brutal and nihilistic. As a bonus, I’ve paired it with one of Ellison’s better known 50s tales of mutants and prison ships–“The Discarded” (variant title: “The Abnormals”) (1959). If you know of any other Ellison stories that might fit the theme, let me know.

As always, feel free to join the conversation and read along with me on the search for the depressed astronaut.

Previously: Alfred Coppel’s “The Hunters” (1952, “The Dreamer” (1952), and “Double Standard” (1952).

Up Next: George R. R. Martin’s “The Second Kind of Loneliness” (1972) and Tom Godwin’s “The Nothing Equation” (1957)

  • Frank Kelly Freas’ cover for Super-Science Fiction, ed. W. W. Scott (December 1956)

3.25/5 (Above Average)

Harlan Ellison’s “Psycho at Mid-Point” first appeared in Super-Science Fiction, ed. W. W. Scott (December 1956). You can read it online here. It was not collected or anthologized.

Mike Ashley in Transformations: The Story of the Science Fiction Magazines from 1950 to 1970 (2005) does not have kind words for the three-year run of the magazine Super-Science Fiction (1956-1959). He describes the editor W. W. Scott as utterly out of his depth with a misguided reliance on “instant impact” without substance or cohesion or knowledge of the field. That said, Scott accidentally published a few solid short stories before the magazine’s demise in the market collapse in the late 50s even if the overall issues tended to be poor (168-169) and pandered to whatever craze filled the air (187). I’d classify Harlan Ellison’s “Psycho at Mid-Point” as a solid early work that fits the theme of this series perfectly!

“After fifteen months, Wallace went mad” (54).

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Exploration Log 2: Al Thomas’ “Sex in Space: A Brief Survey of Gay Themes in Science Fiction” (1976)

/ Joachim Boaz / 15 Comments

Today I have the second post in my new Exploration Log series. Some posts will be a brief survey of the various SF-related non-fiction I’ve read. Other posts, I hope, will be a jumping off point for my own research. In this instance, I’ll share the elements of an article that resonated with me.

Check out my previous post on publishing Ursula K. Le Guin behind the Iron Curtain here.

Al Thomas’ “Sex In Space: a Brief Survey: A Brief Survey of Gay Themes in Science Fiction” first appeared in Gay Peoples Union News, Vol. 5, N. 12 (September 1976). You can read it online here.

In 1971, inspired in part by the Stonewall Riots of 1969 that brought national attention to the gay liberation movement and Wisconsin’s earlier and lesser known LGBTQ riots, the Gay Peoples Union (GPU) was founded in Milwaukee, Wisconsin as “a social service agency dedicated to the needs of the gay community” and “concurrently dedicated to educating the community at large about gays and lesbians” (source). An offshoot of the Gay Liberation Organization at the University of Wisconsin Milwaukee, the GPU was the “‘first’ at many things” including community center, gay health clinic, and published a monthly periodical called GPU News (source). The publication soon gained national recognition for its broad coverage of topics to the gay and lesbian community. GPU News produced the “first regularly scheduled, scripted gay and lesbian [radio] program in the nation” between 1971-1972 and collaborated on multiple programs with the mainstream Milwaukee news sources. For recordings and other pieces of ephemera check out the University of Wisconsin-Madison digital collection. For a brief oral history of attending a GPU meeting, check out this fascinating interview with Don Schwamb and other early members.

The article I’ll cover today–Al Thomas’ “Sex In Space: A Brief Survey of Gay Themes in Science Fiction” (September 1976)–appeared in the publication’s heyday in the 70s before it folded due in the early 80s due to lack of volunteers (source).

Al Thomas, about whom I’ve been able to find nothing about, surveys the state of science fiction on gay (and occasionally lesbian) themes up to 1975. While the article itself is riddled with errors that impact the conclusions he reaches, “Sex In Space” is a fascinating look at how science fiction was viewed by the gay liberation movement of the day. I’ve provided each work with gay and lesbian themes covered in the article below.

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Book Review: Hothouse (variant title: The Long Afternoon of Earth), Brian W. Aldiss (1962)

/ Joachim Boaz / 32 Comments
  • Susan Collins’ cover for the 1984 edition

4.5/5 (Very Good)

Brian W. Aldiss’ Hugo-winning Hothouse (1962) imagines an oppressive, violent, and alien Earth transformed by “the long age of the vegetable” (187). The surviving humans live–“more by instinct than intelligence” (54)– in a continent-encompassing banyan tree in constant fear of killer flora and fauna. Aldiss succeeds in constructing a profoundly unsettling worldscape encyclopedic in its details with unusual rituals of survival. There’s the existential sense throughout that the humans, detached from any memory of their past, who attempt to survive are but frantic movements of an apocalyptic paroxysm. Inventive, relentless, hallucinogenic.

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Updates: Recent Science Fiction Purchases No. CCCXI (Phyllis Gotlieb, John D. MacDonald, Robert Onopa, and Peter George)

/ Joachim Boaz / 15 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Sunburst, Phyllis Gotlieb (1964)

  • Richard Powers’ cover for the 1st edition

From the back cover: “In the hideous aftermath of the atomic sunburst. The people of Sorrel Park had been written off. Now they were nothing but a kind of human garbage, festering and hopeless.

In the center of town lived the worst of the human garbage–and by far the most dangerous. They were a breed of terrible children, possessed by terrifying supernormal powers. They were a new race of monster bred out of the sunburst, and if they ever broke loose they would destroy the world…”

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Short Fiction Review: John D. MacDonald’s “Flaw” (1949)

/ Joachim Boaz / 21 Comments

The following review is the 16th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. And that is okay. I relish the act of literary archaeology.

I decided to return to this all-but-defunct series after I was inspired by a conversation in the comment section of my recent review of John D. MacDonald’s “Spectator Sport” (1950). A friend of the site listed a fascinating range of MacDonald’s short stories and multiple appeared to fit my series on subversive accounts of astronauts and space travel. MacDonald’s “Flaw” (1949) charts the end of the dream of the conquest of space.

As always, feel free to join the conversation and read along with me on the search for the depressed astronaut.

Previously: Walter M. Miller, Jr.’s “The Hoofer” (1955)

Up Next: Alfred Coppel’s “The Hunters” (1952), “The Dreamer” (1952), and “Double Standard” (1952)

  • Vincent Napoli’s interior art for John D. MacDonald’s “The Flaw” in Startling Stories, ed. Sam Merwin, Jr. (January 1949)

3.75/5 (Good)

John D. MacDonald’s “The Flaw” first appeared in the January 1949 issue of Startling Stories, ed. Sam Merwin, Jr. You can read it online here.

The Dream Sold to the Legions

Carol Adlar, a government clerk at a rocket station in Arizona, falls in love with both the young astronaut Johnny Pritchard and his dream. Johnny believes the moment that humanity can travel to the stars will be the opportunity to create a new “world with no wars, no disease, no starvation” (84). The scars of the ruined Earth offer lessons to create a better future where the sinful will be able to transcend their timeless tendencies. Carol recounts, after Johnny’s tragic death, that “within a week I had caught his fervor, his sense of dedication” (84). They share the dream. They imagine that they will become “one of the first couples to become colonists for the new world” (84). And against her better judgement, she gives her “heart to a man who soars up at the top of a comet plume” (84).

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Future Media Short Story Review: Ray Bradbury’s “Almost the End of the World” (1957)

/ Joachim Boaz / 9 Comments

Today I’ve reviewed the twenty-first story in my series on the science fictional media landscape of the future. Ray Bradbury conjures a strange new world without television.

Previously: Frederik Pohl’s “The Wizards of Pung’s Corners” (October 1958).

Up Next: Two stories by Damon Knight

“Thing of Beauty” (September 1958) and “You’re Another” (June 1955).

  • Adrian Chesterman’s cover for the 1980 edition of The Day It Rained Forever (1959)

3.5/5 (Good)

Ray Bradbury’s “Almost the End of the World” first appeared in The Reporter (December 26, 1957). It later appeared in his short story collection The Day It Rained Forever (1959). If you have an Internet Archive account, you can read it online here.

In multiple earlier reviews in this series, I’ve laid out television’s transformative and speedy infiltration of the American consciousness and daily activities over the course of the 1950s. Multiple Bradbury stories critique this new world. The lovely and crystalline “The Pedestrian” (1951) imagined a future night city in which its denizens are transfixed by their TV scenes. The city, observed by the solitary one-time writer Leonard Mead, is as silent as “a wintry, windless Arizona country” (90). “Almost the End of the World” (1957) ruminates on the effects on American society if a cosmic event severs the viewer from the succor of the screen.

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