C. L. Moore

Guest Post: Cyborgs and Intergalactic Freight Transport: “No Woman Born” (1944), C.L. Moore and “Lady in the Tower” (1959), Anne McCaffrey

/ Joachim Boaz / 5 Comments

The scholarly and widely published Kate Macdonald (twitter), a Professor of English Literature and currently a Visiting Fellow at the University of Reading, provides the fifth guest post in my SF Short Stories by Women Writers pre-1969 series (original announcement and list of earlier posts). I recommend browsing her eponymous blog—she recently interviewed the SF author Elizabeth Moon on her collaborations with Anne MacCaffrey and reviews literature and SF (including Iraq + 100. Stories from a Century After the Invasion (2013), ed. Hassan Blasim and the famous post-apocalyptical novel The Long Tomorrow (1955) by Leigh Brackett).

Her post focuses on two of the best known SF women authors from the pre-1969 era: C.L. Moore and Anne McCaffrey.

Cyborgs! Intergalactic Freight Spaceships!

Find copies!

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(“No Woman Born” first appeared in Astounding Science Fiction, December 1944, cover: William Timmins)

Review of “No Woman Born” (1944) by C.L. Moore and “Lady in the Tower” (1959) by Anne McCaffrey

By Kate Macdonald

I teach sf to university students, and knew from the critical literature about gender in sf that sometime in the 1940s a writer called C. L. Moore published a landmark story about the first female cyborg. I tracked down a copy of ‘No Continue reading →

Guest Post: Three SF Short Stories Pre-1969 by Women Authors: “Vintage Season” (1946), C.L. Moore and Henry Kuttner, “The Snowball Effect” (1952), Katherine Maclean, “The Painter of Dead Women” (1910), Edna Underwood

/ Joachim Boaz / 8 Comments

The erudite and prolific Jesse provides the fourth guest post in my SF Short Stories by Women Writers pre-1969 series (original announcement and list of earlier posts). I recommend investigating the archives over at his blog Speculiction, which covers both vintage and new SF ranging from Aliya Whiteley’s The Beauty (2014) to John Brunner’s The Jagged Orbit (1969).

His post focuses on three stories from different authors including one of the best known from the pre-1969 era: the writing pair of C.L. Moore and Henry Kuttner, Katherine MacLean, and Edna Underwood. As no discussion of women in pre-1969 SF would be complete without C.L. Moore, and it is often impossible to discern which stories she wrote individually and which she wrote with her husband Henry Kuttner, I gave the go ahead for Jesse to review one of their best known co-written short stories.

I hope you’ll track them down!

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(Katherine Maclean’s “The Snowball Effect” first appeared in the September 1952 issue of Galaxy, cover: Jack Coggins)

Review of “Vintage Season” (1945) by C.L. Moore and Henry Kuttner, “The Snowball Effect” (1952) by Katherine MacLean, and “The Painter of Dead Women” (1910) by Edna Underwood

By Jesse

Gender in science fiction is surely one of the top three subjects in online genre discussion these days.  The objectification of women, the roles of women in story, the lack of award recognition for female writers, the negative Continue reading →

Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969

/ Joachim Boaz / 28 Comments

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(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)

The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.

Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.

Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.

Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading →

Updates: Year in Review (Top Ten SF Novels + Top Ten Short Stories/Novelettes/Novellas + other categories)

/ Joachim Boaz / 25 Comments

Everyone likes lists!  And I do too….  This is an opportunity to collate some of my favorite (and least favorite) novels and shorter SF works I read this year.  Last year I discovered Barry N. Malzberg and this year I was seduced by…. Well, read and find out.

  

Top Ten Novels

1. We Who Are About To…, Joanna Russ (1976): A scathing, and underread, literary SF novel by one of the more important feminist SF writers of the 70s (of The Female Man fame).

2. A Funeral for the Eyes of Fire, Michael Bishop (1975): A well-written anthropological clash of cultures novel.  Slow, gorgeous, emotionally engaging….

3. Level 7, Mordecai Roshwald (1959): A strange satire of the bomb shelter…  Everyday surrealism. Continue reading →

Book Review: Doomsday Morning, C. L. Moore (1957)

/ Joachim Boaz / 19 Comments

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(Richard Powers’ cover for the 1958 edition)

4.25/5 (Good)

C. L. Moore’s Doomsday Morning (1957) — she’s best known for her revolutionary 1930s works including “Shambleau” (1934) and the “Jirel of Joiry” sequence — is perhaps her most ruminative and traditional SF novel (she tended to write more fantastical SF and fantasy).  Unfortunately, she quit writing around the time of the death of her husband and frequent collaborator Henry Kuttner (they often published under the pseudonym Lewis Padgett).  And her second husband forbid her to write altogether…

Moore creates a finely wrought dystopic vision where an oppressive future government utilizes communication networks to spread its tentacles across the United States.  Against this backdrop intriguing characters come to life.  Her descriptions of the political backdrop remain minimalistic which is surprising for SF of the 50s which often resorts to lengthy descriptive lectures.  Instead, the true extent of the government’s Continue reading →