Tag Archives: Colin Greenland

Updates: Recent Science Fiction Acquisitions No. CCXXIV (John Varley + Marta Randall + Jean Mark Gawron + Colin Greenland)

1. John Varley’s fantastic mind trapped in a computer after an accident while a lion in an underground Mars safari park short story “Overdrawn at the Memory Bank” (1977) inspired me to pick a collection of his late 70s and early 80s short stories—including the Nebula and Hugo-nominated “Beatnik Bayou” (1980) and the Hugo-nominated “The Barbie Murders” (1979).

2. Colin Greenland’s oblique Daybreak on a Different Mountain (1984) is my type of fantasy—sculpted landscapes, a Ballard-inspired entropy-filled world, surreal sequences…. I picked up volume two in the loose Daybreak sequence.

3. I am slowly working through Marta Randall’s novels–see my favorable reviews of Islands (1976) and A City in the North (1976)–and, despite the awful cover, snagged the first volume in her Kennerin Saga sequence.

4. An finally, a complete unknown quantity…. My friend 2theD (who, unfortunately, has long retired his blog) described it as impossible to paraphrase, nebulous, linguistically inspired….

Let me know what books/covers intrigue you. Which have you read? Disliked? Enjoyed?

~

1. The Barbie Murders, John Varley (1980)

(David Plourde’s cover for the 1980 edition) Continue reading Updates: Recent Science Fiction Acquisitions No. CCXXIV (John Varley + Marta Randall + Jean Mark Gawron + Colin Greenland)

Book Review: Daybreak on a Different Mountain, Colin Greenland (1984)

(Steve Weston’s cover for the 1st edition)

4/5 (Good)

Fantasy and science fiction that deploys geographical and urban allegory—Italo Calvino-esque cities balanced over chasms, the skeletons of urban human interactions measured out in string, etc.*—relentlessly intrigues. In John Crowley’s The Deep (1975), the world as chessboard is perched on top of a pillar with endlessness on all sides. In Garry Kilworth’s Cloudrock (1988), two tribes eek out their existence on a levitating rock surrounded by poisonous gasses. Terry Carr’s Cirque (1977) posits a city next to an abyss out of which crawls a tentacled beast…. Sculpted urban and geographic artifice can, in the hands of an adept author, create meaning-rich texts as characters inscribe new patterns on the landscapes they traverse. Continue reading Book Review: Daybreak on a Different Mountain, Colin Greenland (1984)