Updates: Recent Science Fiction Purchases No. CCLXI (Algis Budrys, Gwyneth Jones, Russell M. Griffin, Dino Buzzati)

As always, which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Some Will Not Die, Algis Budrys (1961, rev. 1978)

Frank Kelly Freas’ cover for the 1978 edition

My 1978 revised edition contains no inside flap or back cover blurb. Instead, here’s the brief description of the novel and its complex publication history from SF Encyclopedia: “Budrys’ first novel has a complex history. As False Night (March 1954 Galaxy as “Ironclad”; much exp. 1954) it was published in a form abridged from the manuscript version; this manuscript served as the basis for a reinstated text which, with additional new material, was published as Some Will Not Die (1961; rev 1978). In both versions a Post-Holocaust story is set in a plague-decimated Continue reading

Updates: Recent Book Acquisitions No. CLXXXVII (Burgess + Strugatsky + Fernández + Buzzati)

1. More Strugatsky? Of course. One can never have enough.

2. Anthony Burgess’ overpopulation novel… color me intrigued. Huge fan of overpopulation SF — > I’ve compiled a list here. And as diligent readers of my site might know, John Brunner’s Stand on Zanzibar (1968) is my favorite SF novel.

3. I recently read Dino Buzzati’s SF novel Larger than Life (1960) and decided to pick up his graphic novel… An enjoyable visual and textual experience. Not sure I’ll write a review but worth picking up!

4. I’d heard of Macedonio Fernández (1874 – 1952) only due to his relationship with Borges…. The Museum of Eterna’s Novel (The First Good Novel) (1967) is a fascinating experience (and experiment). Need a while to collect my thoughts….

1. Hard To Be a God, Arkady & Boris Strugatsky (1964)

(Eamon O’Donoghue’s cover for the 2015 edition) Continue reading

Book Review: Larger Than Life, Dino Buzzati (1960, trans. 1962)

(Lena Fong Lueg’s cover for the 1967 edition)

3.75/5 (Good)

Dino Buzzati (1906-1972), best known for his masterpiece of Italian literature The Tartar Steppe (1940), was a central figure of the Italian avant-garde. He was a journalist, author, unabashed utilizer of genre tropes (graphic novels, SF, children’s fiction), and artist. Buzzati’s Larger Than Life (1960) is considered by some scholars to be the “first serious novel of Italian science fiction” (see 335-336 in the Encyclopedia of Italian Literary Studies).

Translated by the British poet Henry Reed in 1962, Larger Than Life applies Buzzati’s technique of direct, almost journalistic clarity, to a Kafka-esque scenario that is laid out in the first few paragraphs. In the prologue to the collection Restless Nights – Selected Stories of Dino Buzzati (1983) he describes his technique: “It seems to me, fantasy should be as close as possible to Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXXXI (Harrison + Sturgeon + Moorcock + Buzzati)

1) Early Elric stories from Michael Moorcock’s pen. Confession: I bought it in Scotland due to the disquieting cover rather than any love of heroic fantasy—albeit M. John Harrison’s The Pastel City (1971) was pretty darn good.

The fantastic cover is uncredited: thoughts regarding the artist?

2) I adored Dino Buzzati’s magical realist novel The Tartar Steppe (1940). And the movie adaptation The Desert of the Tartars, dir. Valerio Zurlini (1976) inspired by the aesthetics of Giorgio de Chirico —I even wrote a half-baked and cursory review of the movie many years ago. While browsing I discovered that Buzzati wrote what is considered the first serious Italian SF novel—Larger than Life (1960). I can’t wait to read it!

3) More Theodore Sturgeon short stories….

Relevant reviews: A Way Home (1956), The Cosmic Rape (1958) and Venus Plus X (1960).

4) A while back I watched, and struggled to enjoy, the 1975 film adaptation of William Harrison’s short story “Roller Ball Murder” (1973). Time to read the source material. Copy snagged in Edinburgh, Scotland.

As always, I look forward to your thoughts.

1. The Stealer of Souls, Michael Moorcock (1963)

(Uncredited cover for the 1968 edition) Continue reading