Updates: 2016 in Review (best novels + best short stories + best anthologies + notable posts)

Dear readers, thank you all profusely for your comments, words of thanks, and emails over the year. It is my overarching goal to inspire you all to read more SF from the 50s-70s, dust off the boxes of your parents’ books in some forgotten closet, browse the shelves at your local used book store (or favorite online store), reflect on the often fascinating cover art…

2016 was not the most productive reading/reviewing year as my PhD dissertation defense date rapidly approaches. For the purposes of maintaining my sanity, reading and writing about SF remains my primary relaxation hobby—surprising perhaps as I read a lot of depressing SF that wouldn’t be “relaxing” for most people. According to Megan at From Couch to Moon I like my fiction “moody, broody, meta, and twisted.”

And other than a few satires here and there, my favorite SF reads of 2016 fit firmly within Megan’s descriptors.

Thanks again!

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Best novels

  1. The Affirmation, Christopher Priest (1981)
  2. The Infernal Desire Machines of Doctor Hoffman (variant title: The War of Dreams), Angela Carter (1972). Review forthcoming 
  3. The Dream Millennium, James White (serialized 1973, novel 1974)
  4. The Committed Men, M. John Harrison (1971)

Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXVIII (Disch + Vance + Dick + Watson)

There is no better way to celebrate the New Year than with a pile of vintage SF acquisitions!

You might notice the predominance over the coming weeks of UK publishers (Pan, Granada, Panther)—the images correspond to my editions. I acquired nine via a “secret” UK pipeline for a mere $3.50 each (with shipping) as a gift from my wife. Cue bad Chris Foss copycat (Tony Roberts and his ilk) covers. The disconnect between Thomas M. Disch’s 334 (1972) and the Tony Roberts spaceship pains me.

The books: A lesser known Ian Watson novel. Anyone know the cover artist? His short fiction inspires: A Very Slow Time Machine (1979). I found Jonah Kit (1975) worthwhile although I never reviewed it.

A Jack Vance novel that explores the nature of language…

A collection of early PKD stories. I’ve read the majority of his short fiction in my omnibus collections of his work but it might be worth the reread.

And finally, what I am most excited about, Disch’s best known collection of thematically linked short fiction….

Enjoy! As always, thoughts and comments are welcome.

1. Alien Embassy, Ian Watson (1977)

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(Uncredited cover for the 1979 edition) Continue reading

Book Review: An Alien Heat, Michael Moorcock (1972)

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(Bob Haberfield’s cover for the 1974 edition)

3.25/5 (Vaguely Good)

Decay and the end of the world. There are so many ways to write about decadence and decay. M. John Harrison spins haunting tales of crumbling bodies paralleling crumbling landscapes—The Pastel City (1971) and The Committed Men (1971). Mark S. Geston in Lords of the Starship (1967) postulates some retreat into the “medieval” where the masses can be harnessed and manipulated. Michael Moorcock’s An Alien Heat (1972)—the first in The Dancers at the End of Time sequence—unfolds with comedy and wit in a far future where an “inherited millennia of scientific and technological knowledge” allows the remaining inhabitants to “play immense Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXVII (Smith + Harrison + French SF Anthology + New Writings in SF Anthology)

Goodies!

Including a Richard Powers’ cover that might be among my favorites as it has a delightful architectural feel…. Do you have a favorite Powers?

I must fill the hole that is my lack of knowledge about Cordwainer Smith.  A source of many arguments!

Rachel S. Cordasco recently reviewed three stories by French women SF authors pre-1969 and I decided to track down the same collection.  And yes, the back cover is filled with purple prose… Plus hilarious back cover font which I will feature in a SF cover art post in the near future.

And another John Carnell anthology in his New Writings in SF series.  I featured the artist a few months ago here.

All the covers are scans of my own copies — if you click on the images you can see them in high resolution.

Enjoy!

1. Bill, The Galactic Hero, Harry Harrison (1964)harrison-bill-the-galactic-hero

(Richard Powers’ cover for the 1966 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXVI (Saxton + Harrison + Whiteley + New Worlds Anthology)

Procuring SF paperbacks never gets old! I have started scanning in the covers (two of the four below) in order to provide higher quality images (click to zoom)— especially if they are hard to find images online and/or I find them aesthetically pleasing (Powers + Lehr in this post).

Let me know if the change is worth it!

Book rundown:

Josephine Saxton: Despite reading The Hieros Gamos of Sam and An Smith (1969) years ago, my mind still traces the imprint of its strange ritualistic beauty . Her short fiction was published in a range of SF magazines and collections from 1965 to 1992.  I have tracked down a copy of her first collection. Despite its 1985 publication date, eight of the fourteen stories were published in the 60s/70s.

Harry Harrison: A “classic” author whose work I need to explore more: I’ve read Deathworld (1960), attempted to read Make Room! Make Room! (1966) and A Transatlantic Tunnel, Hurrah (1972) at least three times, and Lifeship (1976), which he co-wrote with Gordon R. Dickson. I’ve encountered his short fiction here and there and found “By The Falls” (1970) a satisfying New Wave endeavor. Time for more short fiction!

New Worlds Anthology: I want all of them, end of story.

And finally, the selection bound to surprise and confuse my regular readers…. Aliya Whiteley: Despite my various protestations, I have not stopped reading new SF entirely.  And I couldn’t resist finding a copy of Whiteley’s well-received  fungal nightmare…. If you’re curious see Jesse’s review over at Speculiction.

1. Prime Number, Harry Harrison (1970)

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(Paul Lehr’s cover for the 1970 edition) Continue reading

Guest Post: Three SF Short Stories by Soviet Women Authors Pre-1969: “The Useless Planet” (1967), Olga Larionova, “The Astronaut” (1960), Valentina Zhuravlyova, “Life Space” (1969), Marietta Chudakova

The third guest post in my series SF Short Stories by Women Writers pre-1969 (original announcement and list of earlier posts) comes via Kaggsy (you can follow her on twitter), the proprietor extraordinaire of Kaggsy’s Bookish Ramblings. A connoisseur of Russian literature (among other things) and a long-time commentator on the site, I got wind of her interest in Soviet SF reading her review of Kirill Bulychev’s collection Half a Life (1975, trans. 1977) and her acquisition posts of various Foreign Languages Publishing House, Moscow editions — Alexei Tolstoi’s Aelita (1923) and Destination: Amaltheia (1963), ed. Richard Dixon (image below).

Her post focuses on stories by three Soviet Women SF authors — Olga Larionova, Marietta Chudakova, and Valentina Zhuravlyova.  One story is from the cutoff date of 1969.

Enjoy!

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(Valentina Zhuravlyova’s “The Astronaut” can be found in Destination: Amaltheia, ed. Richard Dixon (1963), Cover: Nikolai Grishin)

Review of “The Useless Planet” (1967) by Olga Larionova, “The Astronaut” (1960) by Valentina Zhuravlyova, and “Life Space” 1969) by Marietta Chudakova

By Kaggsy

When I was approached by Joachim with a view to writing about three favourite short stories written by women writers pre-1969, I confess I did think twice. Although I’ve dipped in and out of sci fi over the years, specifically short stories and specifically written by women isn’t a demographic that necessarily fits Continue reading

Guest Post: Two Speculative Fictions from the 1890s: “The Yellow Wallpaper” (1892), Charlotte Perkins Gilman, “The Little Room”(1895), Madeline Yale Wynne

The second guest post in my series SF Short Stories by Women Writers pre-1969 (original announcement and list of earlier posts) comes via MPorcius (follow him on twitter) who runs MPorcius Fiction Log. This wonderful site is predominately focused on vintage SF.  I must confess, he has wider-ranging SF interests (and tolerance!) than myself and frequently reviews “classic” authors I’ve delegated, for good or bad, to the refuse pile — A. E. Van Vogt and his ilk for example.  This is a good thing, because if you want a more illustrative cross section of the genre (from the New Wave to pulp to sword and fantasy) then check him out!

His post focuses on two short stories by 19th century speculative fiction women writers.

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(“The Yellow Wallpaper” appeared in More Macabre (1961), ed. Donald A. Wollheim, cover: John Schoenherr)

Review of “The Yellow Wallpaper” (1892) by Charlotte Perkins Gilman and “The Little Room” by Madeline Yale Wynne (1895).

By MPorcius

First, thanks to Joachim for hosting this series of guest posts and for inviting me to participate, and, more broadly, for doing so much to promote speculative fiction that is a little off the beaten path and perhaps receives less attention Continue reading

Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969

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(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)

The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.

Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.

Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.

Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXV (Leiber + Haiblum + Scholz and Harcourt + Orbit Anthology)

Recently reminded of Fritz Leiber’s beautiful story “A Pail of Air” (1951) which I reviewed a few years ago in the eponymous collection, I was delighted to come across another one of his short story collections.  Thankfully, no Fafhrd and the Gray Mouser stories are in sight.  And of course, another Richard Powers cover…

On twitter I mentioned my ignorance regarding the work of Isidore Haiblum, the author of the “the first Yiddish SF novel” according to the blurb on The Tsaddik of the Seven Wonders (1971).  I have not come across a copy of that particular novel yet, but, another even lesser known quantity joins the books arrayed in piles across my library.

My dalliance with the 1980s continues in fits and starts: I wrote a short review of Christopher Priest’s masterpiece The Affirmation (1981) and recently reviewed Terry Carr’s edited volume Universe 10 (1980)…  As Carter Scholz’s short story “The Johann Sebastian Bach Memorial Barbecue and Nervous Breakdown” (1980) made such a positive impression on me, I decided to find a copy of his collaborative novel.

And I love Damon Knight’s Orbit series of original anthologies.  For reviews: Orbit 1 (1966), Orbit 3 (1968), and Orbit 8 (1970).

As always, thoughts/comments are welcome!

1. Fritz Leiber, The Night of the Wolf (1966)

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(Richard Powers’ cover for the 1966 edition)  Continue reading