Two themed anthologies—one in “honor” of the election [*cough* I mean, well, I won’t go all political] year cycle… Another on one of my favorite SF themes, television of the future!
That said, both Asimov edited collections (from the 80s but with stories from only earlier decades) have a serious fault: out of the combined 35 stories there is not a single story by a woman author. I’ve read a vast number of 60s/70s collections which do not fall into this trap…. Orbit 1 (1966) almost manages gender parity! I can think of numerous stories by women authors that fit both themes. For example, Kit Reed’s wonderful “At Central” (1967) fits the TV anthology!
A hard to find for cheap early M. John Harrison novel…. Unfortunately I only found a much uglier edition that the one I show below as the rest were out of my price range….
And, a complete shot in the dark—a SF novel by the mainstream French/Lithuanian novelist/screenwriter Romain Gary, the author of White Dog (1970)..
As always, I’d love to hear your thoughts + comments.
1. The Committed Men, M. John Harrison (1971)
(Chris Yates’ cover for the 1971 edition) Continue reading
M. John Harrison’s collection The Machine in Shaft Tent (1975) contains one of the more humorous inside flap advertisements I have encountered:
Don’t worry, I certainly intend to “see tomorrow today!” I’ll be disappointed if I can’t!
The others are a strange blend… From Edmund Cooper’s apparently anti-Free Love/60s culture Kronk (1970) to a delightful collection of another one of my favorite years of SF.
Also, I seldom accept advanced reader copies due to my limited time/limited interest in newer SF/and incredible mental block when it comes to, how shall I say it, outside forces guiding my central hobby which tends to take me in a variety of directions solely on whim. But, Gollancz was nice enough to send me their new omnibus collection of 1970s Michael G. Coney novels (amazon link: US, UK). Not only did I enjoy Hello Summer, Goodbye (1975) but I recently reviewed and loved Coney’s bizarre and original Friends Come in Boxes (1973). With two out of two successes it’s hardly like I wouldn’t buy his work on sight anyway (another one of my requirements when accepting AVCs)…. I will review two or three of the novels in the omnibus one at a time over the next few months.
1. The Machine in Shaft Ten, M. John Harrison (1975)
(Chris Foss’ cover for the 1975 edition) Continue reading
(Nik Puspurica’s cover for the 1960 edition)
Frederik Pohl’s best early SF was produced with his frequent collaborator C. M. Kornbluth—the most notable of which include the masterpiece The Space Merchants (1953) and Gladiator-In-Law (1954). The solo work I have read so far from the same period does not reach the heights of his Kornbluth collaborations but rather fluctuates between downright dull satires with intelligent dogs in the vein of Slave Ship (1956) to solid but unspectacular satire about higher education, Drunkard’s Walk (1960). As of this moment in my SF reading career I place Pohl’s editorial work above his 50s/early 60s solo SF. That said, I have not read any of his short fiction.
Recommended for fans of 50s/60s Continue reading
A nice batch—some more from the $1 hardback sale at my local bookstore, one procured via abebooks, and one from a friend. I grabbed Cowper’s The Road to Corlay (1978) after seeing two solid reviews from my friends at Speculiction… [review here] and Porpourri of Science Fiction Literature [review here]. I enjoyed Cowper’s later novel Profundis (1979).
I had no idea the Pulitzer-winning writer and journalist John Hersey from dystopic SF allegories…
And, a collection of early work from the fruitful partnership of Frederik Pohl and C. M. Kornbluth… With a gorgeous Richard Powers cover!
I’ve always enjoyed really short SF stories so I look forward to devouring Asimov and Conklin collection (perhaps in stages due to its length).
Enjoy the covers!
1. The Wonder Effect, C. M. Kornbluth and Frederik Pohl (1962)
(Richard Powers’ cover for the 1962 edition) Continue reading
(Richard Powers’ cover for the 1955 edition)
In honor of Frederik Pohl, who recently passed away, I decided to pick up one of his works from the dark maw that is my extensive and overwhelming to read pile. The last Pohl novel I attempted was a complete disappointment — Slave Ship (1956) — but his collaborations with one of my favorite 50s short story authors, C. M. Kornbluth (who died in 1958 at 34), are often highly readable. Perhaps the most famous writing duo in SF history, Kornbluth and Pohl produced five novels together including the SF classic The Space Merchants (1953) and multiple short story collections. The dystopian satire Gladiator-At-Law (1954), although far from the heights of The Space Merchants, is a fine example of their fruitful collaboration.
The world they create is downright fantastic: A future where youth gangs rule the tough streets of Belle Rave (known as Belly Rave), fantastically brutal arena spectacles where old people clubbing each other draw large crowds, lavish bubble houses that supply virtually all needs and are given only Continue reading
(Paul Lehr’s cover for the 1968 edition of Conquerors from the Darkness (1965), Robert Silverberg)
A cornucopia of underwater sci-fi cover art images! As always, Paul Lehr’s covers are among my favorite for he masterfully renders the green-blue depths and textures of water inundated worlds (especially above, Conquerers from the Darkness). Watery worlds evoke unusual underwater life, a place fraught with danger where humans and aliens meet, unusual cityscapes (domes, water impervious shields, a plethora of transport craft) and of course, the vehicles for transportation (for example below, the futuristic submarine in Treasure of the Black Flacon and 21st Century Submarine, etc) evoke the same giddy sense of adventure as when first reading Jules Verne’s Twenty Thousand Leagues Under the Sea (1870) or watching Richard Fleischer’s surprisingly good 1954 film adaptation of the novel.
There are countless films, sci-fi TV shows, novels, short stories Continue reading