(Richard Powers’ cover for the 1967 edition)
3/5 (Average)
Leonard Daventry’s A Man of Double Deed (1965) is an dark and grungy tale of polyamory, telepathy, and apocalyptical violence. Swinging between philosophical and emotional introspection and awkwardly explained action sequences based on the flimsiest of plots, Daventry’s novel succeeds as a noirish character study but fails as a compelling unity of parts. Continue reading