Mariella Anderlini

Cover art detail by Allison (aka Mariella Anderlini) for the 1979 Italian edition of Roger Zelazny’s The Guns of Avalon (1972)

On twitter, I recently learned from Jay O’Connell (cover artist and author) that all of Roger Zelazny’s work will be back in print. What exactly “everything back in print” means in reality I’m not entirely sure–will it include only the best known novels? All the short stories? Are works Zelazny wanted to “kill off” like To Die in Italbar (1973) really going to get reprints? Regardless, I was inspired to look back at the non-English language covers his work has received over the years. Naturally, as I moved to the fantastic Italian presses, I re-encountered and fell in love (again) with Allison’s evocative take on Zelazny’s Chronicles of Amber (Corwin) five-novel sequence.

What are your favorites?

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(Cover for the 1973 edition of The City in the Sea (1951), Wilson Tucker)

Mariella Anderlini, under the pseudonym Allison, produced a vast number of surreal and masterful SF covers (between 1969-1988) primarily for the Italian SF publisher Libra Editrice. Apparently, she went under the pseudonym to avoid damaging her professional painting career. She was the wife of Ugo Malaguti, editor and author, who founded Libra Editrice and edited Galassia.

As I celebrate the birthdays of a range of SF authors/illustrators/editors from multiple language traditions on twitter (@SFRuminations), I came across Allison’s work while researching her husband’s untranslated SF output. However, only through the diligent research of a twitter follower, whose Italian is far better than mine, were we able to come across her real name.

A reader on twitter sent me two Italian articles for more details (they are scanty) about her life and SF art: “Libra Editrice: ascess e caduta di un impero” and “Nova SF.”

And her art is absolutely gorgeous…. Her work enters the pantheon of my favorite SF cover Continue reading →