Medicine

(Uncredited cover for the 1976 edition)

4.5/5 (Very Good)

The Lure. A nuclear powered hospital ship with a giant morgue. “THEY ARE CRUCIFYING US.” Love therapy. Will you move from your fetal position?

“1. Are you in love? [with Bax’s The Hospital Ship] (a) Yes (b) No.” (170)

Joachim Boaz scrawls…

First, musical equivalencies. Francis Dhomont, a French composer of electroacoustic / acousmatic music, stitched together the compositions of his students and friends to form the Frankenstein Symphony (1997). This act of creative compilation, compiling previously gathered and arranged found sounds, brought forth, in his words, “[a] little acousmatic monster which I hold particularly close to my heart.”

For the composer, each musical fragment indicates a personal connection, the weaving together creates a tapestry of his intellectual Continue reading →

(Uncredited cover for the 1968 edition)

2.5/5 (Bad)

Alan E. Nourse’s The Mercy Men (1955) contains all the necessary parts for a riveting 1950s SF thriller: a disturbing future America where the destitute sell their bodies for medical experimentation, a world wrecked by increasing waves of mental illness, and a hero with a manic obsession with finding the man who killed his father. However, Nourse’s strategic dousing of the characters and scenes with Extra Sensory Perception (ESP) hoopla muddles the wonder of the world and rigor of the action and leaves the reader imagining all the lost opportunities.

And of course in the best pulp tradition which Nourse so fervently adheres to, science wins out in the end and provides nicely packaged easy Continue reading →