“To the Lukai, when a mother bore a child both the mother and child were really dead souls, locked in fake bodies. ‘The child cries,’ the Death Woman told Cooper, “because it still remembers the truth'” (28).
At first glance the mission was like so many others: negotiate with a native people, the Lukai, over a rare resource that facilitates space travel. But Jaimi Cooper is plunged into an ontological nightmare, he is branded as an alqua, “someone who suffers an illusion” (20). According to the Lukai, “you are dead. We are all dead” (27). And as the mythology and its theology come into play, Jaimi Continue reading