
(Ron Walotsky’s cover for the 1973 edition)
4.5/5 (Very Good)
Caveat: If a perverse (and Freudian) metafictional (and literary) retelling of Otto Klement and Jerome Bixby’s Fantastic Voyage replete with filmic flashbacks does not intrigue you then stay away….
There are few SF authors who utilize metafictional elements as gleefully and effectively as Barry N. Malzberg. Beyond Apollo (1972), his masterpiece, is a labyrinthine sequence of 67 short chapters of a novel written by the main character who may or may not be recounting real (imagined?) events. While in In the Enclosure (1973) the excruciating paranoia that permeates the pages and the impossible escapes that transpire, recounted as if they were entries in a diary, could indeed be generated by an external force—the exact nature of which is unknowable—implanting memories. Revelations (1972) was entirely comprised of a sequence of documents (interview transcripts, diary fragments, epistolary fragments) Continue reading







