technology

Book Review: Of Men and Monsters, William Tenn (1968)

/ Joachim Boaz / 40 Comments

MNNDMN1968

(Stephen Miller’s cover for the 1968 edition)

4/5 (Good)

There’s a small pile of novels on my shelf that wait ever so patiently to be reviewed months and months after I’ve read them — J.G. Ballard’s The Drowned World (1962), Robert Silverberg’s The Masks of Time (1968) and Dying Inside (1972), David R. Bunch’s Moderan (1972) (among others), and, until now, William Tenn’s Of Men and Monsters (1968).  Perhaps I was put off by the three mysterious pages filled with small chicken scratch composed by some earlier reader– “224 PKNY, 248 MINCED, 219 M in OKST” — that hinted at some arcane undercurrents or masonic messages that had alluded me.  Perhaps it was my confusion over Tenn’s Heinlein-esque female character, who, in a work of satire, could indicate something so much more progressive than Continue reading →

Book Review: Armed Camps, Kit Reed (1969)

/ Joachim Boaz / 8 Comments

Screen shot 2013-08-29 at 9.24.15 AM(Bob Haberfield’s cover for the 1969 edition)

4.5/5 (Very Good)

“[…] and the men were on the way to the bar, they were talking about the performance, they had to compare it to every other performance, they had to link them all and form them into something continuous, something to keep away the dark” (19).

Kit Reed’s first SF novel Armed Camps (1969) is all about characters constructing narratives and conjuring visions in order to keep the aphotic tides of societal disintegration at bay.  The two paralleled narratives — a woman (Anne) running from her past and a man (Danny March) slowly recounting what led to his own downfall — are two different ways of fighting off what is bound to come.  An oppressive melancholy that never lifts soaks the passages, presaging the motions of the characters as if they are trapped in some Thucydidean manifestation of the cyclicality Continue reading →

Book Review: The Deep, John Crowley (1975)

/ Joachim Boaz / 36 Comments

(Richard Powers’ cover for the 1976 edition)

4.5/5 (Very Good)

The Deep (1975) was John Crowley’s first published novel and his first of three SF works from the 70s (The Deep, Beasts, Engine Summer).  He is best known for Engine Summer (1979) and his complex/literary fantasy — Little, Big (1981) and the Ægypt sequence (1987-2007).  In the two novels of his I’ve read (the other is Beasts), Crowley’s prose is characterized by an almost icy detachment, an adept construction of unusual images, and dialogue that says only what is needed.

The Deep deploys, in minimalistic fashion, the standard tropes of the fantasy genre mixed with distinctly SF elements: namely, an android visitor whose blood “was alive — it flowed  Continue reading →

Book Review: Darkover Landfall, Marion Zimmer Bradley (1972)

/ Joachim Boaz / 25 Comments

(Jack Gaughan’s cover for the 1972 edition)

3/5 (Average)

Marion Zimmer Bradley (1930-1999), most famous for her Arthurian fantasy novel Mists of Avalon (1983) from late in her career, published countless SF works starting in the late 1940s.  Her first novel The Planet Savers (1958) introduced readers to the massive and complex Darkover sequence of works — by far her most famous and iconic contribution to SF.

Darkover Landfall (1972) is a somewhat routine adventure (with a good dose of social commentary) which, according to internal chronology, is the beginning of the vast Darkover series.  Although I cannot speak for the rest of the sequence as this is the first of Bradley’s novels I’ve read, I found Darkover Landfall a problematic and Continue reading →

Adventures in Science Fiction Art: Spacewomen of the Future (flying spaceships + exploring alien landscapes + delivering galactic mail), Part II

/ Joachim Boaz / 28 Comments

1951_02_spacestories_emsh

(Ed Emshwiller’s cover for the February 1953 issue of Space Stories, ed. Samuel Mines)

Part II of my Spacewomen of the Future series — Part I.

In my first installment I discussed the stereotype of the 40s/50s SF pulp heroine — for example, she shrieks at the evil alien while the man has to rescue her or despite her education, she spends her time serving the men coffee on the spaceship (there’s a cringeworthy scene along these lines in It! The Terror From Beyond Space (1958), dir. Edward L. Cahn).  Hopefully these cover art depictions will complicate the stereotype.  Of course, I have not read all the contents of magazines/novels bellow so I can not speak for the portrayals within the texts.  In the stories they could potentially be astronauts in the service, scientists, civilian love interests, colonists, partners of the male astronauts, etc…

I have somewhat arbitrarily decided for thematic reasons that “Spacewomen”  is a woman in a space uniform of the future or Continue reading →

Updates: Recent Science Fiction Acquisitions N. LXIX (Sladek + Reed + McIntyre + Anthony)

/ Joachim Boaz / 19 Comments

Unlike other acquisition posts where I post the most palatable finds from the shelves of a local used book store, this one contains books that I have wanted to own for a long time and finally gave in and bought online — more Kit Reed (after her wonderful collection 1967 Mister Da V. which I recently reviewed), a novel by one of the great (and underread and probably underrated) SF satirists — John T. Sladek — of the 60s/70s, Piers Anthony’s early New Wave experimental work, and Vondra N. McIntrye’s first novel.

A quick non-scientific poll of my fellow reviewers on twitter (if you are so inclined, follow me!) showed that few had read Sladek’s work recently…  Is it time for a mini-Renaissance of his works?

Some fun covers, great authors — these will be read soon….  Unlike the other 300+ works in my too read pile.

1. The Reproductive System (variant title: Mechasm), John T. Sladek (1968)

(Leo and Diane Dillon’s cover for the Continue reading →

Adventures in Science Fiction Cover Art: Futuristic Telescopes and Radar Dishes

/ Joachim Boaz / 10 Comments

NEWWRJUL1960

(Brian Lewis’ cover for the July 1960 edition of New Worlds Science Fiction)

Brian Lewis’ fantastic cover for the July 1960 edition of New Worlds Science Fiction (if there’s a single magazine I desperately want to collect it’s this one…) depicts a futuristic radar dish (alien or human?) with a surrealist touch.  I’ve included a wide range of different SF takes on radar dishes and telescopes – including what I assume is a Hubble-like space telescope on A. Leslie Ross’ cover for the July 1952 issue of Future Science Fiction.  But there’s a chance that Ross’ telescope is on the Earth’s surface — the cluttered, confused, and rather hasty cover is rather hard to figure out (evil string creatures?).

The futuristic telescope (or radar dish) is a tantalizing image of humankind Continue reading →

Book Review: There Will Be Time, Poul Anderson (1972)

/ Joachim Boaz / 21 Comments

(Fernando Fernandez’s cover for the 1973 edition)

4/5 (Good)

Nominated for the 1973 Hugo Award for Best Novel

(Hugo Award related tangent: how Silverberg’s Dying Inside lost to Asimov’s The Gods Themselves is beyond me.  There Will Be Time is the lesser of the three)

Frequent readers of my reviews will have noticed my general dislike of time travel themed SF.  I have two central qualms: Firstly, I am frustrated by the tendency of authors to expound endlessly on the nuances of the particular temporal theory they have chosen to deploy;  secondly, the common obsession with “understanding how the past really was” strikes me as an incredibly superficial/fallacious analysis of the nature of history and historical thinking — individuals today cannot understand “the true nature of the present” simply by existing in it yet alone a different historical period.  Rather, perspective taking, Continue reading →

Book Review: Godling, Go Home!, Robert Silverberg (1964)

/ Joachim Boaz / 28 Comments

(Uncredited cover for the 1964 edition)

3.25/5 (Average)

Before Robert Silverberg wrote his late 60s and early 70s New Wave masterpieces (A Time of Changes, Dying Inside, The World Inside, etc), he produced a vast quantity of pulp science fiction novels and short stories.  Godling, Go Home! (1964) is a surprisingly solid collection of 50s shorts that can, at times, be surprisingly meditative (on death, exploration, civilization).  That said, expect rather naive messages — à la “we travel in space because we can!” or “Alien contact requires out-of-the-box thinking” — grafted onto a by the numbers pulp plot.

A fun collection — recommended for fans of slightly more intelligent than normal pulp SF, Silverberg completes, and 50s SF.  “Godling, Go Home!” (1957), “Why?” (1957), and Continue reading →