1. The Machine in Ward Eleven, Charles Willeford (1963)
From the back cover: “‘I tied his body to the treatment table and stuffed his mouth with wadded paper towels. Dr. Fellerman’s big brown eyes were expressive indeed, particularly when my fingers adjusted the elastic harness over his head and centered the shiny electrodes to his temples.
A simple, impersonal, uncomplicated machine. I plugged the long cord into the wall outlet, turned the two plastic knobs as far to the right as they would go and left them there…’
For some time now, Charles Willeford’s writing has been emanating from the deep South like a series of electric shocks. Millions of readers around the world delight over each new item, whether a feature in Playboy or one of his rare novels. He is ranked as an author of distinction in the Burnett-Foley Best Short Stories of 1962.
“The dead astronaut: The phrase is filled with anxiety, the words themselves evoking the tension and anguish that gripped the whole world in that fateful month of April 1970, when a technical malfunction came close to costing the lives of astronauts Lovell, Swigert and Haise” (5).
The Dead Astronaut (1971) contains a range of 50s and 60s SF stories—from Ursula K. Le Guin to J. G. Ballard—on the broad theme of astronauts, that appeared in Playboy Magazine. For a reader of genre for only the last decade (and a bit), it’s shocking to consider that Playboy, at one point, contained top-notch science fiction! That aside, The Dead Astronaut contains a range of soft and hard science fictional accounts of astronauts Continue reading →
Won the 1973 Hugo for Best Novella. Nominated for the 1973 Nebula for Best Novella.
In November 1969, word of the My Lai Massacre (March 16, 1968), where American soldiers killed (and raped and mutilated) between 347-504 unarmed South Vietnamese civilians, reached American newspapers. Ronald L. Haeberle’s iconic (and horrifying) photograph of massacred children and adults–superimposed with, “Q. And babies? A. and babies,” the chilling lines from NBC’s interview with massacre participant Paul Meadlo–was transformed into the “most successful poster” opposing the Vietnam War by the Art Workers Coalition. Ursula K. Le Guin brilliantly channels this general anti-war anger, transposed to an alien local with colonizing humans as villains, in The Word for World is Forest (1972). Continue reading →
1. I’ve acquired quite a few vintage SF novels and short story collections in translation over the last few weeks–here’s one from Paul Van Herck, a Belgian author who wrote in Dutch. Not the cheapest DAW books edition I’ve encountered….
2. I always want more Le Guin…. Here, a series of linked short stories set in a fantasy world.
3. This Analog Annual anthology contains the only publication of P. J. Plauger’s novel Fighting Madness. Plauger won the John Campbell Award for Best New Science Fiction Writer before fading from the scene.
4. I love vintage SF. I do not love Ace Doubles. Yes, they published a few PKD novels that are worth reading, but, on the whole, I find their quality quite low. This was a gift from a family friend and one of the very few Ace Doubles I’ve been looking for — mostly due to Philip E. High’s city-themed novel.
As always, enjoy the covers! (they are hi-res scans of my personal copies — click for larger image)
Are any other the works worth reading? Let me know in the comments!
EDIT: I was too harsh on my Ace Doubles comment. I realized, and mentioned in the post and comments below, that they also published early PKD, Samuel Delany, and Barry N. Malzberg novels and short story collections, etc. Due to my low tolerance of pulp, I still find the vast majority of them uninteresting.
1. Where Were You Last Pluterday?, Paul Van Herck (1968, trans. 1973)
1. Ursula K. Le Guin’s novella, The Word for World is Forest, first appeared in Harlan Ellison’s Again, Dangerous Visions (1972) anthology before a stand-alone publication. I seem to remember reading it as a kid…. But…. the memories are vague.
2. Cordwainer Smith and I have never really seen eye to eye (I wanted to rhyme). I’m all for acquiring more of his collections just in case!
3. From Wikipedia: “H. G. Wells lauded [M. P. Shiel’s] The Purple Cloud as ‘brilliant’ and H. P. Lovecraft later praised the novel as exemplary weird fiction, ‘delivered with a skill and artistry falling little short of actual majesty.'”
The Richard Powers cover is one of his best of the 60s.
4. John Varley, another author whom I’ve yet to read despite owning numerous of his collections and novels…. Millennium (1983) seems, well, suspicious? Time travel, airplanes, dystopic futures, love affairs across time. We shall see!
Post-academia depression hits hard…. While completing my PhD (defended in the summer of 2017), reading SF and writing about SF was the way I kept sane. After multiple mostly unsuccessful years on the academic market, I have changed gears career-wise (although I’m still affiliated with a university and teaching college-level history courses but without the research component) and it has been a liberating experience. My history obsessions remain, even stronger in many ways, and academic monographs on all the topics that I wanted to read about but never could—Hellenistic successor states to Alexander, Early Islam, Late Antique and Medieval Persia, etc.–have dominated my time and pocketbook 2018 (don’t ask how much I’ve spent). I have included a “Best Academic History Reads of 2018” section for the curious.
At the beginning of November, I was moments from announcing that I was on hiatus for the foreseeable future. However, I have fallen back in love with SF and writing about SF and the new year beckons!
All of this is to say, I read little SF this year–until last month. However, there were a handful of stand-out SF novels and short stories that I managed to squeeze in.
And please list your favorite vintage (or non-vintage) SF reads of the year. I look forward to reading your comments.
For an anthology, bound to contain a filler story or two, this one is spectacular. Robert Silverberg’s New Dimensions 3 (1973) lives up to his claim to contain “stories that demonstrate vigorous and original ways [often experimental] of approaching the body of ideas, images, and concepts that is science fiction” yet do not sacrifice “emotional vitality, or clarity of insight.” Ursula K. Le Guin, with her rumination on utopias, and James T. Tipree, Jr.’s proto-cyberpunk tale of commercialism and performing gender, deliver some of their best work.
Little pleases me more than reading the fascinating cross-section of the genre presented by anthologies from my favorite era of SF (1960s/70s). After the success that was World’s Best Science Fiction: 1967 (variant title: World’s Best Science Fiction: Third Series) (1967), ed. Donald A. Wollheim and Terry Carr, I decided to browse my “to post” pile of recent acquisitions and share a handful with you all. As is often the case, the collections are peppered with stories I’ve already read—I’ve linked the relevant reviews.
Filled with authors I haven’t read yet—Stephen Tall, Robin Scott, Roderick Thorp, Jean Cox, Christopher Finch, etc.
…and of course, many of my favorites including Gene Wolfe, Ursula Le Guin, Barry N. Malzberg, and Kate Wilhelm (among many many others).
Scans are from my collection.
1. The 1972 Annual World’s Best SF, ed. Donald A. Wollheim (1972)