Adventures in Science Fiction Cover Art: Spacewomen of the Future (fixing spaceships + fighting aliens + charging across barren landscapes)

(Don Sibley’s cover for the November 1950 issue of Galaxy)

When we conjure the image of a 40s/50s science fiction pulp heroine we often imagine a character who has to be rescued by men from aliens, shrieks and clings to any man nearby, and is always in a state of undress.  I’ve included one cover, for the sake of comparison, that I find to be an exemplar of this type of sexist (and racist) depiction below (Alex Schomburg’s cover for the January 1954 issue of Future Science Fiction): white woman wrapped in only a towel stalked by an evil alien obviously painted with African-American facial characteristics (heavy on the sexual predation vibe) — the reader is supposed to buy into the racial stereotypes and thus be titillated by the fear she must feel.

I’ve selected a wide range of mostly pulp magazine covers depicting spacewomen of the future (I’ve loosely decided that this means women in space, in spacesuits) that tend to buck the trend Continue reading

Updates: Recent Acquisitions N. XXXVII (del Rey + Geston + Saxton + Gunn)

A wonderful selection of Marx Book purchases….  All of them are high on my to read list!  I hadn’t heard of Josephine Saxton — she’s considered an inventive sf fabulist — until I read a review of her novel Vector for Seven (1970) on SF Mistressworks, a review collating blog which I highly recommend for any fan of science fiction.  There are so many great works by female sci-fi authors out there waiting to be rediscovered on dusty used bookstore shelves….

I enjoyed James Gunn’s Station in Space (1958), a thematically linked short story collection depicting mankind’s first steps into space, so I picked up a copy of one of his better known fix-up novels, The Joy Makers (1961).

I adore sci-fi novels on overpopulation so Lester del Rey’s The Eleventh Commandment (1962) was a given…

And, well, the incredibly alluring description on the back cover of Mark S. Geston’s Lords of the Starship (1967) speaks for itself…

1. The Hieros Gamos of Sam And An Smith, Josephine Saxton (1969) (MY REVIEW)

(Jack Fargasso’s cover for the 1969 edition) Continue reading

Book Review: Eight Against Utopia (variant title: From Carthage Then I Came), Douglas R. Mason (1966)

(Dean Ellis’ cover for the 1970 edition)

2.25/5 (Bad) 

Eight Against Utopia (1966) is the second escape from a domed city novel published by Paperback Library I’ve read — the first, Rena Vale’s Beyond the Sealed World (1965) was a truly dismal “adventure.”  Mason’s take on the theme is only marginally better.  The first half, life and escape from the domed city of Carthage, is more intriguing and engaging than the second half, an endless unexciting chase sequence along the coast of North Africa.  Mason’s novel is painfully flawed in its social theory and mechanics of delivery.  Even on the level of a future adventure tale, most of Eight Against Continue reading

Updates: Recent Acquisitions XXXVI (Malzberg + Gallun + Harrison + Silverberg)

More Marx Book purchases along with some random 99 cent thrift store finds (Raymond Z. Gallun + M. John Harrison)  that seemed intriguing enough.  I will eventually get to M. John Harrison’s magnum opus series of novels, Virconium– beginning with The Pastel City (1971) — but, as always, I approach an author’s masterpieces through an often circuitous manner.  I suspect my Malzberg find will be of a lesser quality than either Beyond Apollo (1972) or Revelations (1972).

I reviews I’ve found online of Gallun’s The Eden Cycle (1974) proclaim it an underrated masterpiece — with layers of virtual reality, etc.  I’ll read it soon…

As always, have you read any of these?  If so, what did you think?

1. The Day of the Burning, Barry N. Malzberg (1974)

(Don Ivan Punchatz’s cover Continue reading

Book Review: Three for Tomorrow, novellas by Robert Silverberg, Roger Zelazny, and James Blish, (1969)

(Uncredited cover for the 1970 edition)

3.5/5 (collated rating: Good)

Three for Tomorrow (1969) contains three novellas written specially for the volume on the following theme selected by Arthur C. Clarke: “with increasing technology goes increasing vulnerability: the more man conquers Nature, the more prone he becomes to artificial catastrophe” (foreword, 8).  In my continuing quest for Robert Silverberg’s work from his Glory Period (proclaimed by me) 1967-1976, I was delighted to come across one of his shorter works paired with two other great authors, James Blish and Roger Zelazny.  If you want to read Silverberg’s novella but not the others, it appeared in many of his later collections — Earth’s Other Shadow (1973) for example.

As with most collections, Three for Tomorrow is uneven.  Silverberg’s installment is the best due to its intriguing social analysis of a city suddenly whose inhabitants are suddenly missing Continue reading

Adventures in Science Fiction Cover Art: Inside the Skull (rats + women + sword fights + robotic circuits + space)

(Ebel’s cover for the 1953 issue of Space Science Fiction)

Previous art explorations which looked at disembodied brains and visualizations of the ultra-intelligent set the stage for this post.  Imagine skulls without brains: sometimes metaphorically, but often, literally hollow skull cavities that hold a vast array of mechanical devies and living captives.  Or, the reader is gifted a voyeuristic peek into the skulls of bodies masquerading as humans but in reality, a mesh of circuits or a metal sheen operates those beautiful limbs and terrifying weapons….

My favorite is by far the pulp goodness of Ebel’s cover (if anyone knows the full name of this artist please let me know) for the 1953 issue of Space Science Fiction.  The gorgeous heroine is held captive in gigantic stone heads with partially glass skulls — a robot that fails to conjure any menace stomps Continue reading

Book Review: Revelations, Barry N. Malzberg (1972)

(Michael Presley’s cover for the 1977 edition)

5/5 (Masterpiece)

Revelations (1972) is the second in a thematically linked group of Malzberg’s novels — published in-between its siblings, The Falling Astronauts (1971) and Beyond Apollo (1972) (from now on BA).  Each deals with insane astronauts, and in Malzberg’s own words, “sexual dysfunction as representing the necessary loss of energy of the machine age,” and each contains a character desperately attempting to speak out.  But, as with most of Malzberg’s novels, it is unclear whether there is truth in these cries.

Revelations is less rigorously structured than BA, which was characterized by 67 short tellings/retellings/scenes/dream moments all from the perspective of a single insane character.  As with BA, our anti-hero is an unreliable narrator, but due to the variety of diaristic, epistolary, and interrogatory fragments that comprise  Continue reading

Updates: Recent Science Fiction Acquisitions XXXV (Malzberg + Compton + Silverberg)

Books and short story collections from three of my favorite science fiction authors — Barry N. Malzberg, D. G. Compton, and Robert Silverberg…  A review of Malzberg’s masterpiece Revelations (1972) — almost as good as Beyond Apollo (1972) — is forthcoming.

I’ve recently discovered Marx Books — an online bookstore run by a retired professor (at Texas Tech University) and avid science fiction collector.  His collection is substantial and most importantly, he only bills you for the exact shipping (not sure if he ships internationally).  So, no $3.99 a book as Amazon does!  Instead, $3 shipping total for seven books!  Because Malzberg novels, and his short story collections, are so hard to find in used book stores it’s always nice to know I can pick up a copy quite cheaply online.

Another Richard Powers cover for my collection….

1. Revelations, Barry N. Malzberg (1972) (MY REVIEW)

(Uncredited cover for the 1972 edition)

From the back cover of the 1977 edition: “REVELATIONS is Continue reading

Adventures in Science Fiction Cover Art: Alien Friends

(H. W. Wesso’s June 1941 issue of Thrilling Wonder Stories)

In science fiction aliens are usually evil and generally end up dead — killed by our human heroes via pseudo-videogames (Ender’s Game), guns of endless variety, nuclear weapons detonated on their home worlds, horrific  diseases (Deep Space Nine), tossed into the vacuum of space, tossed into wormholes, etc etc.  They are rarely “humanized” — their families, societies, and history ignored by their human enemies — they are often depicted as “true” evil.  I’ve included the above cover, shooting aliens under the American flag (it is a wartime 40s issue so such overt jingoism is explainable), in order to highlight the attitude towards space fauna which we are all familiar with.

Sometimes “friendship” is feigned.  C. M. Kornbluth’s short story ‘Friend To Man’ (1951) (in this collection) is a disturbing example — the maternal feeling felt by the alien towards our antihero is just a ploy to lure him into her den where she implants him with eggs, which Continue reading