Book Review: The Alien Way, Gordon Dickson (1965)

3.75/5 (Good)

I was pleasantly surprised by Gordon R. Dickson’s intelligent and occasionally thought-provoking The Alien Way (1965).  Considering he’s famous for his military sf Dorsai! saga, the lack of epic space battles — i.e. inter-species conflict in the traditional manner — came as a shock.  There are a few instances of violence but they’re few and far between.

The ultimate message is a cautionary one — only when the pattern of human nature (its instincts, reactions, ets) is understood can non-violent contact be made with an alien species.   We react to protect our species just as animals react to protect their young.  Of course the aliens have to come to this realization Continue reading

Book Review: A Life for the Stars, James Blish (1962)

3.25/5 (Good)

A Life for the Stars is the second novel according to internal chronology in James Blish’s famous Cities in Flight series.  Unlike the much more serious first installment, They Shall Have Stars (1956), A Life for the Stars is generally regarded as a juvenile work (i.e. science fiction for a younger audience containing a positive moral message, an intelligent but poor teen boy Continue reading

Book Review: The Unsleeping Eye (variant title: The Continuous Katherine Mortenhoe), D. G. Compton (1974)

5/5 (Masterpiece)

I’d previously read four of D. G. Compton’s lesser known works before procuring a copy of his acknowledged masterpiece, The Unsleeping Eye (variant title: The Continuous Katherine Mortenhoe) (1973).  The Unsleeping Eye far surpasses the remarkable The Steel Crocodile (1970) and Synthajoy (1968).  Many of the themes and techniques Compton uses in the other works of his I’ve read are honed to perfection and greatly expanded on:  strong intelligent female characters dominate the pages, Continue reading

Book Review: Beyond the Barrier, Damon Knight (1964)

1/5 (Bad)

Damon Knight’s dismal Beyond the Barrier (1964) is all plot, lacks even the most cursory world development, makes no attempt to construct a “character”, and contains one of the single most ludicrous scenes I’ve encountered.  Knight is considered somewhat of a “master” of sci-fi but his supposed skills are not on show here (short stories?).  Yes, there’s adventure, intrigue, action, bizarre technology, green frog aliens, time travel, Earth core traversing oscillating field machines, and time  Continue reading

Book Review: Hawksbill Station (variant title: The Anvil of Time), Robert Silverberg (1968)

5/5 (Masterpiece)

Robert Silverberg strikes gold with Hawksbill Station (1968), a dark, restrained, and powerful rumination.  I have found Silverberg’s novels, like those of one of my other sci-fi favorites John Brunner, hit or miss.  The worst of Silverberg’s novels I’ve read, for example The Time Hoppers (1967) and  Master of Life and Death (1957), are cringeworthy.  His best, Downward to the Earth (1970) and The World Inside (1971), rank among my all-time favorites.

Hawksbill Station‘s setting, Earth’s Cambrian era, Continue reading

Book Review: Star Ways (variant title: The Peregrine), Poul Anderson (1956)

2.75/5 (Average)

Poul Anderson’s third novel contains a few glimmers of his later slick storytelling but lacks developed ideas and convincing characters.  This is not entirely Anderson’s fault, as he points out in the introduction to a later edition, because the original manuscript was heavily edited without his knowledge in order to achieve a specific page Continue reading

Book Review: To Live Again, Robert Silverberg (1969)

3/5 (Average)

To Live Again (1969) is a flawed work from a very fruitful period of Robert Silverberg’s career.  The ideas are original and well-conceived but a downright disgusting strain of misogyny and sexism permeates virtually every page.  Bluntly put, I cannot recall a single instance where a female character does anything without the shape, size, and clothed or unclothed state of her breasts Continue reading

Book Review: The Last Starship From Earth, John Boyd (1968)

2.5/5 (Bad)

John Boyd’s The Last Starship from Earth (1968) is a forgettable and predictable alternative history/science fiction novel incorrectly described by some reviewers as a lost classic.  The basic divergent point in history (which is only mentioned near the end) is the only redeeming feature of the work because the society he’s created becomes slightly more cohesive and realized.  However, Boyd’s reliance on time-travel Continue reading