Short Fiction Reviews: Norman Spinrad’s “The Weed of Time” (1970) and William Morrison’s “The Addicts” (1952)

/ Joachim Boaz / 17 Comments

Today I’ve decided to do something a bit different. Over the past year or so I’ve been compiling short stories on various themes and I put three of the themes to vote on the hellscape that is Twitter (I’m @SFRuminations). And science fictional drugs won out!

If this topic is interesting, let me know. My notebook contains a substantial list of stories I haven’t yet read on the topic. If you know of other short stories from the decades of my interest (1945-1985), leave a note in the comments.

  • Charles Moll’s cover for the 1st edition of Norman Spinrad’s No Direction Home (1975)

4/5 (Good)

Norman Spinrad’s “The Weed of Time” first appeared in Alchemy and Academe, ed. Anne McCaffrey (1970). You can read it online here. I read it in his collection No Direction Home (1975) above with its striking Charles Moll cover.

As I’ve mentioned in the past, I’m relentlessly drawn to New Wave movement because there was a serious and conscience attempt to tell stories in artful ways replete with “literary” prose, radical structure/politics, non-standard SF characters/perspectives. Sometimes it’s beautiful. Sometimes it doesn’t work. But it’s all fascinating. This one works.

Now let’s enter the landscape of a transformed mind… At birth, the nameless narrator emerges “an infant-child-youth-man-ancient, in a government cell in a mental hospital dying in clean white sheets” (1979). He sees immediately the “gestalt painting of [his] lifespan, a pattern of immutable events painted on the stationary and external canvas of time….” (78). He experiences all the actions of his life simultaneously (79). No knowledge can effect any “action performed in any particular time-locus” (79). He babbles incessantly about the effects of consuming tempis ceti, an alien plant accidentally released on earth before the astronauts had even returned from their journeys. Of course, all prophesized occurs… and all businesses want to exploit prophesy even if the oracle already knows the irrelevancy of it all.

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Short Story Reviews: Harlan Ellison’s “Psycho at Mid-Point” (1956) and “The Discarded” (variant title: “The Abnormals”) (1959)

/ Joachim Boaz / 38 Comments

The following review is the 20th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. Many are far from the best. And that is okay. I relish the act of literary archaeology.

I turn now to an author, Harlan Ellison (1934-2018), whom I’ve only marginally explored considering his prodigious output. I am completely ignorant of his 50s visions. I’d previously read and reviewed his collection Approaching Oblivion (1974) and a handful of other stories including “A Boy and His Dog” (1969). The first story in this post–“Psycho at Mid-Point” (1956)–exemplifies the theme at its most brutal and nihilistic. As a bonus, I’ve paired it with one of Ellison’s better known 50s tales of mutants and prison ships–“The Discarded” (variant title: “The Abnormals”) (1959). If you know of any other Ellison stories that might fit the theme, let me know.

As always, feel free to join the conversation and read along with me on the search for the depressed astronaut.

Previously: Alfred Coppel’s “The Hunters” (1952, “The Dreamer” (1952), and “Double Standard” (1952).

Up Next: George R. R. Martin’s “The Second Kind of Loneliness” (1972) and Tom Godwin’s “The Nothing Equation” (1957)

  • Frank Kelly Freas’ cover for Super-Science Fiction, ed. W. W. Scott (December 1956)

3.25/5 (Above Average)

Harlan Ellison’s “Psycho at Mid-Point” first appeared in Super-Science Fiction, ed. W. W. Scott (December 1956). You can read it online here. It was not collected or anthologized.

Mike Ashley in Transformations: The Story of the Science Fiction Magazines from 1950 to 1970 (2005) does not have kind words for the three-year run of the magazine Super-Science Fiction (1956-1959). He describes the editor W. W. Scott as utterly out of his depth with a misguided reliance on “instant impact” without substance or cohesion or knowledge of the field. That said, Scott accidentally published a few solid short stories before the magazine’s demise in the market collapse in the late 50s even if the overall issues tended to be poor (168-169) and pandered to whatever craze filled the air (187). I’d classify Harlan Ellison’s “Psycho at Mid-Point” as a solid early work that fits the theme of this series perfectly!

“After fifteen months, Wallace went mad” (54).

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Short Story Reviews: Betsy Curtis’ “Divine Right” (1950), “The Old Ones” (1950), and “The Protector” (1951)

/ Joachim Boaz / 12 Comments

In the past year or so I’ve put together an informal series on the first three published short fictions by female authors who are new(ish) to me and/or whose most famous SF novels fall mostly outside the post-WWII to mid-1980s focus of my reading adventures. So far I’ve featured Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), and Eleanor Arnason (1942-).

I do not expect transformative or brilliant things from first stories. This is particularly relevant to keep in mind for today’s post. Rather, it’s a way to get a sense of subject matter and concerns that first motivated authors to put pen to paper and to further map the territories that fascinate me.

Today I’ve selected the first three professional science fiction stories published by Betsy Curtis (1917-2002). She is “best” known for her Hugo-nominated short story “The Steiger Effect” that appeared in Analog Science Fiction, ed. John W. Campbell, Jr. (October 1968). It lost to Harlan Ellison’s “The Beast That Shouted Love at the Heart of the World” (1968). Her short biographical blurb by Eric Leif Davin in Partners In Wonder: Women and the Birth of Science Fiction 1926-1965 (2006) indicates that she received an M.A. in English (1941) from Oberlin College, in 1966 another M.A. in Education from Allegheny College, and was active in the Society for Creative Anachronism (375). Her work is not discussed in much detail by Davin. She published 13 stories in professional magazines and two in fanzines between 1950-1973. For a bit more about her fannish activities, check out the following forum posts.

Have you read any of her work? If so, what were your thoughts?

  • George Salter’s cover for The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher and J. Francis McComas (Summer 1950)

2.75/5 (Below Average)

Betsy Curtis’ “Divine Right” first appeared in The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher and J. Francis McComas (Summer 1950). You can read it online here.

Sometime in the future a family of telepathic monarchs rule. Until the death of King Almar the Eighth, Curtis suggests the monarchy was more on the benevolent side of things–collecting a small tithe and encouraging the indoctrination of children to its glories through song and rhyme. But everything changes with the controversial ascension of King Glann. Unlike his predecessors, he squeezes the people dry for new palatial constructions. The story’s protagonist, the young Tod Winster bubbles with the capitalistic credo: “But Dad [..] When you’ve worked hard and earned something, shouldn’t it be yours to keep?” (98). He wants a bicycle. And in a confusing sequence of events his life savings are handed over as a tithe to King Glann in a ceremony to inaugurate the completion of the Winter Palace… but something is amiss. The king doesn’t seem to be a telepath at all. And Tod’s confused actions create the spark of rebellion!

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Exploration Log 2: Al Thomas’ “Sex in Space: A Brief Survey of Gay Themes in Science Fiction” (1976)

/ Joachim Boaz / 15 Comments

Today I have the second post in my new Exploration Log series. Some posts will be a brief survey of the various SF-related non-fiction I’ve read. Other posts, I hope, will be a jumping off point for my own research. In this instance, I’ll share the elements of an article that resonated with me.

Check out my previous post on publishing Ursula K. Le Guin behind the Iron Curtain here.

Al Thomas’ “Sex In Space: a Brief Survey: A Brief Survey of Gay Themes in Science Fiction” first appeared in Gay Peoples Union News, Vol. 5, N. 12 (September 1976). You can read it online here.

In 1971, inspired in part by the Stonewall Riots of 1969 that brought national attention to the gay liberation movement and Wisconsin’s earlier and lesser known LGBTQ riots, the Gay Peoples Union (GPU) was founded in Milwaukee, Wisconsin as “a social service agency dedicated to the needs of the gay community” and “concurrently dedicated to educating the community at large about gays and lesbians” (source). An offshoot of the Gay Liberation Organization at the University of Wisconsin Milwaukee, the GPU was the “‘first’ at many things” including community center, gay health clinic, and published a monthly periodical called GPU News (source). The publication soon gained national recognition for its broad coverage of topics to the gay and lesbian community. GPU News produced the “first regularly scheduled, scripted gay and lesbian [radio] program in the nation” between 1971-1972 and collaborated on multiple programs with the mainstream Milwaukee news sources. For recordings and other pieces of ephemera check out the University of Wisconsin-Madison digital collection. For a brief oral history of attending a GPU meeting, check out this fascinating interview with Don Schwamb and other early members.

The article I’ll cover today–Al Thomas’ “Sex In Space: A Brief Survey of Gay Themes in Science Fiction” (September 1976)–appeared in the publication’s heyday in the 70s before it folded due in the early 80s due to lack of volunteers (source).

Al Thomas, about whom I’ve been able to find nothing about, surveys the state of science fiction on gay (and occasionally lesbian) themes up to 1975. While the article itself is riddled with errors that impact the conclusions he reaches, “Sex In Space” is a fascinating look at how science fiction was viewed by the gay liberation movement of the day. I’ve provided each work with gay and lesbian themes covered in the article below.

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Updates: Recent Science Fiction and Fantasy Purchases No. CCCXII (J. G. Ballard, Roger Zelazny, John Wyndham, and Joel Zoss)

/ Joachim Boaz / 20 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Impossible Man and Other Stories, J. G. Ballard (1966)

  • Richard Powers’ cover for the 1st edition

From the back cover: “THE IMPOSSIBLE MAN is the eighth book by J. G. Ballard to be published in the United States. Since the publication of his famous first two novels in 1962, The Wind from Nowhere and The Drowned World, no writer in modern science fiction has received higher acclaim from the critics:

“…the freshest new talent in science fiction since Brian Aldiss.” — DAMON KNIGHT

“Ballard is one of the brightest new stars in post-war fiction… he may turn out to be one of the most imaginative of Wells’s successors.” — KINGSLEY AMIS

THE IMPOSSIBLE MAN gathers together nine of Ballard’s most recent stories. A few samples:

In “The Drowned Giant” an enigmatic visitor is subjected to the various kindnesses of man…”

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Short Story Reviews: Alfred Coppel’s “The Dreamer” (1952), “Double Standard” (1952), “The Hunters” (1952), and “Death is Never Final” (1952)

/ Joachim Boaz / 20 Comments

The following review is the 17th, 18th, and 19th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. Many are far from the best. And that is okay. I relish the act of literary archaeology.

Reinvigorated by the positive response to my last post in my series, I turn now to an author, Alfred Coppel (1921-2004), whom I’ve only infrequently explored. Track down his post-apocalyptic masterpiece, of the “realistic” variety, Dark December (1960) if you haven’t already. As I was in the Coppel reading mood, I included an extra tale on a different theme.

As always, feel free to join the conversation and read along with me on the search for the depressed astronaut.

Previously: John D. MacDonald’s “The Flaw” (1949)

Up Next: Harlan Ellison’s “Psycho at Mid-Point” (1956)

  • Ed Emshwiller’s cover art for Fantastic Story Magazine, ed. Samuel Mines (Fall 1952)

3.5/5 (Good)

Alfred Coppel’s “The Hunters” first appeared in Fantastic Story Magazine, ed. Samuel Mines (Fall 1952). You can read it online here.

“The Hunters” imagines a world after humanity has voyaged to the stars. Or rather, after humanity figured out that they were not suitable for the stars–a simulacrum of the human was required instead. Felti hides from the hunters–Grancor and Corday–on a “twisted, tortured world that had not died with dignity” (107). An archaeologist by trade who studied the culture that started the exploration of the cosmos, Felti felt the pull of this shattered place despite its “acrid tang of radiation” (107). But he was on the run! The “Psychoanalyzer” required Felti’s reconditioning (107).

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Exploration Log 1: Sonja Fritzsche’s “Publishing Ursula K. Le Guin in East Germany” (2006)

/ Joachim Boaz / 37 Comments

I devour a massive quantity of scholarship on science fiction (authors, culture, fandom, etc.) and history topics that intersect with my SF interests. Some weeks I spend more time reading historical fanzine debates and magazine articles than fiction. I thought that I would share some of what I’ve found most transfixing with you all! In the past I’ve tweeted the most intriguing bits I’ve come across (Michael Moorcock burning John Brunner novels for example) but with the impending implosion of the platform I thought it best to post more on my site which is on track for a banner year.

Thus, I inaugurate the first in what I hope are many future Exploration Logs! Some posts will be a brief survey of the various SF-related non-fiction I’ve read. Other posts, I hope, will be a jumping off point for my own research. In this instance, I’ll share the elements of an article that resonated with me.

Today I’ll cover an absolutely transfixing piece by Sonja Fritzsche on how two Ursula K. Le Guin novels went through an “elaborate approval process” before appearing print in Communist East Germany (GDR). Read more to learn more about the Stanislaw Lem Club’s stash of illegal western SF and how The Dispossessed‘s Shevek was incorporated in the East German national myth!

  • Uncredited cover for the 1979 German edition of Ursula K. Le Guin’s The Left Hand of Darkness (1969)

Sonja Fritzsche’s article “Publishing Ursula K. Le Guin in East Germany” appeared in Extrapolation, vol. 47, Iss. 3 (Winter 2006). As I could not find a copy online, I requested it through my university’s Interlibrary Loan system. If you’re desperate to get your hands on a copy, reach out!

“Publishing Ursula K. Le Guin in East Germany” reveals three fascinating intersecting threads–1) the mechanisms of the censorship program according to the “official literary policy of Socialist Realism,” 2) status of genre within the GDR and 3) how Le Guin’s complex takes were interpreted and rationalized in order to see print for the growing number of East German SF fans in the 70s and 80s.

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Book Review: Hothouse (variant title: The Long Afternoon of Earth), Brian W. Aldiss (1962)

/ Joachim Boaz / 32 Comments
  • Susan Collins’ cover for the 1984 edition

4.5/5 (Very Good)

Brian W. Aldiss’ Hugo-winning Hothouse (1962) imagines an oppressive, violent, and alien Earth transformed by “the long age of the vegetable” (187). The surviving humans live–“more by instinct than intelligence” (54)– in a continent-encompassing banyan tree in constant fear of killer flora and fauna. Aldiss succeeds in constructing a profoundly unsettling worldscape encyclopedic in its details with unusual rituals of survival. There’s the existential sense throughout that the humans, detached from any memory of their past, who attempt to survive are but frantic movements of an apocalyptic paroxysm. Inventive, relentless, hallucinogenic.

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Updates: Recent Science Fiction Purchases No. CCCXI (Phyllis Gotlieb, John D. MacDonald, Robert Onopa, and Peter George)

/ Joachim Boaz / 15 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Sunburst, Phyllis Gotlieb (1964)

  • Richard Powers’ cover for the 1st edition

From the back cover: “In the hideous aftermath of the atomic sunburst. The people of Sorrel Park had been written off. Now they were nothing but a kind of human garbage, festering and hopeless.

In the center of town lived the worst of the human garbage–and by far the most dangerous. They were a breed of terrible children, possessed by terrifying supernormal powers. They were a new race of monster bred out of the sunburst, and if they ever broke loose they would destroy the world…”

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