Updates: My 2021 in Review (Best SF Novels, Best SF Short Fiction, and Bonus Categories)

/ Joachim Boaz / 46 Comments

2021 was the best year in the history of my site for visits and unique viewers! I suspect this increasingly has to do with my twitter account where I actively promote my site vs. a growing interest in vintage SF. I also hit my 1000th post–on Melisa Michaels’ first three published SF short stories–in December.

As I mention year after year, I find reading and writing for the site—and participating in all the SF discussions it’s generated over the year—a necessary and greatly appreciated salve. Thank you everyone!

I read very few novels this year. Instead, I devoted my attention to various science short story reviews series and anthologies. Without further ado, here are my favorite novels and short stories I read in 2021 (with bonus categories).

Tempted to track any of them down?

And feel free to list your favorite vintage (or non-vintage) SF reads of the year. I look forward to reading your comments.

My Top 7 Science Fiction Novels of 2021 (click titles for my review)

  • Uncredited cover for the 1988 edition

1. Where Time Winds Blow (1981), Robert Holdstock, 5/5 (Masterpiece): Holdstock’s vision is a well-wrought cavalcade of my favorite SF themes–the shifting sands of time, the pernicious maw of trauma that threatens to bite down, unreliable narrators trying to trek their own paths, a profoundly alien planet that compels humanity to construct an entirely distinct society… It’s a slow novel that initially masquerades as something entirely different. Just like the planet itself.

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Short Book Reviews: Octavia E. Butler’s Dawn (1987), Robert Holdstock’s Where Time Winds Blow (1981), and Philippe Curval’s Brave Old World (1976, trans. 1981)

/ Joachim Boaz / 29 Comments

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack before the new year and my memory/will fades. Unfortunately, I left two of my favorite reads of the year for last. Stay tuned for more detailed and analytical reviews.

1. Where Time Winds Blow, Robert Holdstock (1981)

  • Mick Van Houten’s cover for the 1982 edition

5/5 (Masterpiece)

I cannot properly review Where Time Winds Blow (1981). Sometimes, while perambulating the interwebs, I encounter a singular encapsulation of a text’s brilliance that defeats all my own attempts to write constructively about a book. I blame Andrew Darlington’s brilliant review/article on Robert Holdstock contextualizing the novel within his early oeuvre. The short paragraph below–an attempt to convince you to procure a copy–is indebted to his review. Please read his review! There are fan writers and then there are fan writers. Darlington should receive a Hugo nod.

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Book Review: To Die in Italbar, Roger Zelazny (1973)

/ Joachim Boaz / 18 Comments
  • Carl Lundgren’s cover for the 1974 edition

3/5 (Average)

Roger Zelazny described To Die in Italbar (1973) as the one novel he would “kill off” if he could! Here’s a bit of context for his condemnatory statement. In early 1969, Zelazny quit his U.S. Social Security Administration job to become a full-time writer. Yes, he wrote Lord of Light (1967) and This Immortal (1966) among many others after work! He quickly wrote To Die in Italbar in May 1969 to complete a contract but the novel was rejected by the press. Years later Zelazny added new material and finally published the novel in 1973 (citation). Haste and filler characterize the final product. That said, if action-packed SF adventure with bizarre ideas is something you are looking for and you already enjoy Zelazny, pick this one up.

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Book Review: The Neon Halo, Jean-Louis Curtis (1956, trans. 1958)

/ Joachim Boaz / 7 Comments
  • A. J. Bisley’s cover for the 1958 English translation

3.5/5 (collated rating: Good)

The French novelist Jean-Louis Curtis (1917-1995), best known for his Prix Goncourt-winning The Forests of the Night (1947), crafts a linked series of short stories in The Neon Halo (1956, trans. 1958) that chart the evolution of modern society between 1995-circa 2100. While the thematic influence of George Orwell’s 1984 (1949) and Aldous Huxley’s Brave New World (1932) permeates the pages (permanent warfare, reproductive technology, psychological and pharmaceutical conditioning, etc.), The Neon Halo contains genuine vibrancy and intriguing ruminations on persecution and martyrdom. Despite the frequent references to the French literary environment of Curtis’ day, The Neon Halo pulses with wit and levity despite the dour subject matter.

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Updates: Recent Science Fiction Purchases No. CCLXXXV (Arkady and Boris Strugatsky, Lester Del Rey, Peter George, and Adrien Stoutenburg)

/ Joachim Boaz / 14 Comments

1. Nerves, Lester Del Rey (1956)

  • Dean Ellis’ cover for the 1974 edition

From the back cover: “THIS IS NO STORY OF SPACE SHIPS AND MARTIANS. THIS IS A STORY ABOUT OUR WORLD RIGHT NOW.

‘In 1942, three years before the general public had ever heard of nuclear fission. Lester del Rey wrote a brilliantly detailed novella of disaster in an atomics plant, which now appears, skillfully expanded to book length, as NERVES. A wholly admirable blend of prophetic thinking (in medicine as well as atomics), warm human values and powerful narrative suspense, this novel is strongly recommended…’ –N.Y. Herald Tribune.”

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Updates: Recent Purchases No. CCLXXXIV (Ray Bradbury, H. R. F. Keating, Judith Moffett, New Dimensions anthology)

/ Joachim Boaz / 28 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Martian Chronicles, Ray Bradbury (1950)

  • Ian Miller’s cover for the 1979 edition

From the back cover: “A MAGNIFICANCTLY ILLUSTRATED EDITION OF THE MARTIAN CHRONICLES WHICH MASTERFULLY ENHANCES THE CLASSIC WONDER AND TERROR BY THE WORLD-RENOWNED AUTHOR OF THE ILLUSTRATED MAN RAY BRADBURY.

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Short Book Reviews: Jack Vance’s The Languages of Pao (1958), Kit Reed’s Fort Privilege (1985), and John Shirley’s Transmaniacon (1979)

/ Joachim Boaz / 15 Comments

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents are a way to get through the stack before my memory and will fades. Stay tuned for more detailed and analytical reviews.

1. The Languages of Pao, Jack Vance (1958)

  • Ric Binkley’s cover for the 1958 1st edition

3.25/5 (Vaguely Good)

Since I started my site in 2011, I’ve soured a bit on Jack Vance’s brand of planetary adventure in richly realized and exotic worlds. I doubt I’d currently rate novels like Showboat World (1975) or The Blue World (1966) as highly as I did back then. One of more appealing elements of having a single project for so long is my ability to track my evolving views on genre. That said, I’d classify Wyst: Alastor 1716 (1978) and The Languages of Pao (1958) amongst his most conceptually ambitious novels I’ve read so far and worth tracking down. For a full list consult my index. Note: I read but never reviewed Dying Earth (1950).

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A SF “bande dessinée” Review: Enki Bilal’s La Foire aux immortels (trans. The Carnival of Immortals) (1980), vol. 1 of The Nikopol Trilogy (1980-2005)

/ Joachim Boaz / 27 Comments
  • Enki Bilal’s art for the 1st edition of La Foire aux immortels (1980)

Collated Rating: 4/5 (Good)

Art: 5/5 (Masterpiece) + Story: 3/5 (Average)

Enki Bilal’s La Foire aux immortels (trans. The Carnival of Immortals) (1980) is the first volume in The Nikopol Trilogy. All three bande dessinée received a 2016 single-volume English translation by Titan Comics. Due to the limited chronological reach of my site, I’ve chosen to only review the 1st volume as the sequels, Le Femme Piège (trans. The Woman Trap) and Froid Equateur  (trans. Equator Cold), were published in 2005.

Of the SF graphic novels I’ve read, The Carnival of Immortals proved by far the most successful. Bilal blends his terrifying depictions of decadence and decay with an oblique, if a bit clunky, story that hints at surrealism and otherworldliness. For what I’m comparing Bilal’s vision to, check out Howard V. Chaykin and Samuel R. Delany’s Empire (1978), Paul Gillon’s La survivante (1985), and Gene Day’s collection Future Day (1979).

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Short Story Reviews: Melisa Michaels’ “In the Country of the Blind, No One Can See” (1979), “I Have a Winter Reason” (1981), and “I Am Large, I Contain Multitudes” (1982)

/ Joachim Boaz / 42 Comments

My 1000th post!

Every morning for the last few years, I post on Twitter the birthdays (pre-1955) of artists, authors, and editors involved in some way with science fiction. In the last year, a singular compulsion has hit and I’ve started to include even more obscure figures like Gabriel Jan (1946-) and Daniel Drode (1932-1984). On May 31st, while perusing the indispensable list on The Internet Speculative Fiction Database, I came across an author unknown to me–Melisa Michaels (1946-2019) (bibliography). She’s best known for the five-volume Skyrider sequence (1985-1988) of space operas “depicting the growth into maturity of its eponymous female Starship-pilot protagonist” (SF Encyclopedia).

As I’m always willing to explore the work of authors new to me, I decided to review the first three of her six published SF short stories. Two of the three stories deal with my favorite SF topics–trauma and memory.

  • Karl Kofoed’s interior art illustrating Melisa Michaels’ “In the Country of Blind, No One Can See” in Isaac Asimov’s Science Fiction Magazine (January 1979)

“In the Country of the Blind, No One Can See” (1979), 3.5/5 (Good): First appeared in Isaac Asimov’s Marvels of Science Fiction (1979). It was reprinted in Isaac Asimov’s Science Fiction Magazine (January 1979). You can read it online here.

On a terraformed Mars, Allyson Hunter and her two clone sisters, Rebecca and Kim, are societal outcasts. They spent their lives trying to be “real people” yet were “reminded, every day in a dozen little ways, that they weren’t real people” (87). Clones retain their first usage as replacement body parts. Permitted to live only due to indications of telepathic potential (needed to guide spaceships), the sisters attempt to live meaningful lives and develop useful skills. The sisters charter two identical twins, Frank and Todd, to convey them across the Martian landscape. A horrific crash kills Kim and forces the survivors to work together and move past the deep resentment and hatred the brothers hold.

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