What pre-1985 science fiction are you reading? + Update No. XXII

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  • A selection of read volumes from my shelves

What pre-1985 science fiction are you reading or planning to read next month? Here’s the April installment of this column.

As readers of the site know, I am obsessed with the machinations of Cold War nuclear logic—historical and science fictional. In Ira Chernus’ brilliant Apocalypse Management: Eisenhower and the Discourse of National Insecurity (2008), he dives into the Manichean ideoscape that dominated Eisenhower’s thinking. In short, he posits that Eisenhower interpreted the Soviet threat as an apocalyptic struggle in which the traditional outcome, eliminating the treat, is impossible. Instead the best hope is “to contain and manage it forever” (2)–hence “apocalypse management.” This “new linguistic paradigm” profoundly influenced their policymaking process and dominated American public discourse.

According to Chernus, Eisenhower was obsessed with Americans practicing voluntary self-control in their consumption in order shoulder the taxes needed to fund the perpetual struggle. With this paradigm, Eisenhower’s gestures towards peace–for example his “The Chance for Peace” (April 16th, 1953) speech–were acts of calibrated psychological warfare designed to put the burden of action on the Soviets and score points with the American public and American allies. The United States, on the other hand, could wage the conflict with perpetual, safe, and managed inaction in which peace is never the ultimate objective.

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Short Fiction Reviews: Cherry Wilder’s “The Ark of James Carlyle” (1974), “The Phobos Transcripts” (1975), and “Way Out West” (1975)

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In the past few years, I’ve put together a series on the first three published short fictions by female authors who are completely new to me or whose most famous SF novels fall mostly outside the post-WWII to mid-1980s focus of my reading adventures. To be clear, I do not expect transformative or brilliant things from first stories. Rather, it’s a way to get a sense of subject matter and concerns that first motivated authors to put pen to paper.

Today I’ve selected the first three science fiction short stories by New Zealander author Cherry Wilder (1930-2002). Here’s her bibliography. In the past I’ve picked up her best-known novel Second Nature (1982) and gazed at the evocative Tony Roberts cover! But never managed to get past the first few pages… According to SF Encyclopedia, Wilder’s work is “notable for its narrative skill, evocative style and rounded characterization, should have long since given her a higher reputation.” My general sense from her first three stories is that they’re relatively well-told, traditional, and a bit on the slight side of things. I still look forward to reading Second Nature (1982).

So far I’ve featured Leigh Kennedy (1951-), Alice Eleanor Jones (1916-1981), Phyllis Gotlieb (1926-2009), Sydney J. Van Scyoc (1939-2023), Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), Betsy Curtis (1917-2002), and Eleanor Arnason (1942-).

Let’s get to the stories!

  • Tony Roberts’ cover for the 1975 edition of New Writings in SF-24, ed. Kenneth Bulmer (1974)

3.5/5 (Good)

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Recent Science Fiction Purchases No. CCCXLIII (Philip K. Dick, Roger Zelazny, Chuck Rothman, Philip José Farmer, and an anthology on Future Love)

/ Joachim Boaz / 18 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Deus Irae, Philip K. Dick and Roger Zelazny (1976)

  • Richard Corben’s cover for the 1980 edition

From the back cover: “One their own, they have written landmarks works that have added whole new dimensions of wonder to the field of science fiction. Now, in Deus Irae, they have created what ALA Booklist calls “the most successful collaboration in years!”–set in in bizarre world where you will encounter…

A bunch of backwoods farmers who happen to be lizards…

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Exploration Log 9: Three More Interviews with Clifford D. Simak (1904-1988)

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  • Graphic created by my father

Back in July 2024, I posted six interviews with Clifford D. Simak (1904-1988). Since then I’ve tracked down three more. As in that post, I’ll provide a rundown of each interview and provide quotes of interesting passages. In the interviews, Simak comes across as an author deeply suspicious of rigorous generic distinctions, passionate about all life, and open to science fiction as an ever-changing and evolving entity.

As readers of the site know, I have a substantial interest in Simak’s SF that culminated last year in my September article “‘We Must Start Over Again and Find Some Other Way of Life’: The Role of Organized Labor in the 1940s and ’50s Science Fiction of Clifford D. Simak” (2024) in Journey Planet . Since then I’ve posted an Exploration Log on his 1971 Worldcon speech, reviewed Best Science Fiction Stories of Clifford D. Simak (1957), and contributed to a podcast on “The Huddling Place” (1944) (the second City story).

Enjoy! And if you know of more interviews (or are able to update the Internet Speculative Fiction Database entry as it only includes five of the nine interviews I’ve covered) let me know.

THE INTERVIEWS

  • Jim Odbert’s cover for Rune # 43 (May 1975)
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What pre-1985 science fiction are you reading? + Update No. XXI

/ Joachim Boaz / 65 Comments
  • A selection of read volumes from my shelves

What pre-1985 science fiction are you reading or planning to read this month? Here’s the March installment of this column.

Recently I came across John Boston and Damien Broderick’s three-volume series examining each and every story and non-fiction article in the pre-Michael Moorcock New Worlds and Science Fantasy/SF Impulse magazines in the UK. John Boston is a valued member of my site’s community — frequently stopping by in the comment sections. I thought for this mini-editorial I’d list a handful of active community members with websites, books, and worthwhile SF-related fanzine articles. I, of course, could be missing a few. Community matters more than you might think. I enjoy the discussion. I enjoy reading reviews that others write — even if it’s on science fiction that might not be within my more narrow focus (the historian in me). I always want to learn and share what’s worth reading and/or historically interesting. Thank you one and all.

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Short Story Reviews: E. C. Tubb’s “Without Bugles” (1952), “Home is the Hero” (1952), and “Pistol Point” (1953)

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The following reviews are the 33rd, 34th, and 35th installments of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit. And that is okay. I relish the act of literary archaeology.

For this post I’ve selected three short stories about the horrific conditions on a colonized Mars by E. C. Tubb (1919-2010) that appeared in the British SF magazine New Worlds. Along with three additional tales, they were fixed-up as the novel Alien Dust (1955).1 I “blame” the “Friend of the Site” John Boston for my renewed interest in Tubb’s bleak stories. I recently acquired Boston’s three-volume commentary on pre-Moorcock New Worlds and Science Fantasy.2 Boston correctly describes Tubb’s earlier stories as preoccupied with the “domestic lives of spacefarers” in often overwritten and maudlin strokes.3 Regardless, I found the topics he explored worth my time. I’d only previously read his later short story “The Seekers” (1965) and The Space-Born (variant title: Star Ship) (1955). Considering his hard-boiled sensibilities, I imagine a substantial slice of his fiction would fit this series.4

Previously: Philip K. Dick’s “Explorers We” (1959) and James Tiptree, Jr.’s “Painwise” (1972).

Up Next: John Wyndham’s “The Man From Beyond” (variant title: “The Man from Earth”) (1934)

  • Gerard Quinn’s cover for New Worlds, # 13, ed. John Carnell (January 1952)

3.5/5 (Good)

“Without Bugles” first appeared in New Worlds, # 13, ed. John Carnell (January 1952): You can read it online here.

As with most E. C. Tubb stories, “Without Bugles” starts with a punch: “The man writhed on the narrow cot, and fought for his life” (52). The man in question is one of many colonists on Mars afflicted with a futuristic black lung–“an industrial disease. Silicosis they called it once”–caused by radioactive dust (54). The origin of the radioactivity isn’t clear. Dust cannot be avoided on Mars. It seeps through all seals. It gathers in corners. It bypasses masks. Into the colony of the dead and dying and those that tend them, Anders, the Secretary for Extra-Planetary Affairs, and Pat Easton, a vivacious and idealistic reporter for Trans-World Communications arrive on an infrequent rocket. The purpose of the commission? Anders gets straight to the point: “Congress has poured billions of dollars into this project. When are you going to start paying it back?” (56). Pat proposes the fate of the colony can be swayed by a positive depiction of the heroic colonists.

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Science Fiction in Dialogue with The Great Depression: Frank K. Kelly’s “Famine on Mars” (1934)

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  • Graphic created by my father

Sherwood Anderson (1876-1941) confides in the introduction to his travel memoir Puzzled America (1935) that the Great Depression was inescapable: “I was a writer of tales. It might be that I should have remained just that, but there is difficulty. There are, everywhere in America, these people now out of work. There are women and children hungry and others without enough clothes.”1 Edgar Albion Lyons, in the author’s note to his science fiction novel The Chosen Race: A Novel Based on the Depression and Machine Age (1936), echoes this sentiment: “The following chapters were written during the months of 1932 when the words ‘Depression’ and ‘Unemployment’ were on everyone’s lips.”2 Magazine science fiction, with its eye towards the marvelous technological future, likewise could not escape contemporary economic, political, and societal convulsions.3 Science, “in the form of a hypothesized device or theory,” enabled exciting adventures but also the exploration of “diverse and dire social implications.”4

On May 9th, 1934, a massive two-day dust storm caused by severe drought and human-made factors, removed massive amounts of Great Plains topsoil. The Dust Bowl unleashed its fury. The dust clouds reached Chicago and cities in the east, blotted out the Statue of Liberty and the United States Capitol. Red snow fell in New England.5 In the September 1934 issue of Astounding, a twenty-year-old Frank K. Kelly published “Famine on Mars” (1934) about a desperate attempt to assist Martians dying of thirst and starvation after a drought. In Kelly’s vision, The Combine, Earth’s government, deliberately caused the genocide and refuses to provide assistance.6

  • M. Marchioni’s interior art for “Famine on Mars” (1934)
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Updates: Recent Science Fiction Purchases No. CCCXLII (Robert Silverberg, C. L. Moore, Henry Kuttner, Peter Tate, and Thomas Burnett Swann)

/ Joachim Boaz / 16 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Tom O’Bedlam, Robert Silverberg (1985)

  • Jim Burns’ cover for the 1986 edition

From the back cover: “MESSIAH OR MADMAN? It is 2103 and Tom O’Bedlam, madman, prophet, and visionary, wanders through California, dwelling place of the last humans on a continent decimated by radioactive dust. Tom, caught up in a living vision of distant worlds ruled by godlike beings, is the herald of a new age, a herald no one wants to hear until others too begin to dream of salvation beyond the stars. Yet while many dream, only tom has the power to make the wondrous visions real, to give people the ultimate escape they desire. Across the universe they must go… if Tom is humanity’s last hope–and not its final destroyer.”

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What pre-1985 science fiction are you reading? + Update No. XX

/ Joachim Boaz / 53 Comments
  • A selection of read volumes from my shelves

What pre-1985 science fiction are you reading or planning to read this month? Here’s the January installment of this column (sorry I missed a month).

Before John W. Campbell, Jr. (1910-1971) attempted to raise the “standards and thinking in magazine SF,” David Lasser (1902-1996) attempted his own brief (1929-1933) program to improve science fiction as managing editor of Hugo Gernsback’s Science Wonder Stories, Wonder Stories, and Wonder Stories Quarterly. According to Mike Ashley’s The Time Machine: The Story of the Science-Fiction Pulp Magazine from the Beginning to 1950 (2000), Lasser is a “much neglected revolutionary in science fiction” and through his efforts the genre “started to mature” (66).

Ashley highlights Lasser’s letter of instruction mailed to his regular contributors on the 11th of May, 1931, in which he “exhorted them to bring some realism to their fiction” (72). He also outlawed common tropes like the giant insect story and space opera (73). He emphasized the need to focus on characters that “should really be human” — not everything needs to be a “world-sweeping epic” (73). Stories in this vein, according to Ashley, include Clifford D. Simak’s religiously themed “The Voice in the Void” (1932), P. Schuyler Miller and Walter Dennis’ “The Red Spot on Jupiter” (1931) and “The Duel on the Asteroid” (1974), which featured a grim realism and character development (74).

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