My 2024 in Review (Best Science Fiction Novels and Short Fiction, Articles/Podcasts, Reading Initiatives, and Bonus Categories)

/ Joachim Boaz / 53 Comments
  • Graphic created by my father

Here’s to a happy reading in 2025! I hope you had a successful reading year. Whether you are a lurker, occasional visitor, a regular commenter, a follower on Bluesky or Mastodon, thank you for your continued support. It’s hard to express how important (and encouraging) the discussions that occur in the comments, social media, and via email are to me. This was the third year running of record-breaking numbers of viewers and views in the 13-year history of my site. What were your favorite vintage SF reads–published pre-1985–of 2024? Let me know in the comments.

Clifford D. Simak defined my 2024. Starting with a February review of his collection Worlds Without End (1964), I embarked on a fiction and non-fiction reading extravaganza that culminated in my article for Journey Planet, which I spent most of the summer writing, titled “‘We Must Start Over Again and Find Some Other Way of Life’”’: The Role of Organized Labor in the 1940s and ’50s Science Fiction of Clifford D. Simak.” Despite his Grand Master status, there’s little scholarship on Simak’s work and so much more to be done. As expected, there was little response to the article outside of my website. I also wrote two Exploration Logs on six of his interviews and his 1971 Worldcon speech and contributed to a podcast on “The Huddling Place” (1944) (the second City story). Sometimes you find a little niche that you never expected to inhabit which you feel there’s so much more to explore and say. I hope my Simak focus continues into 2025.

Continue reading →

Book Review: Future Power, ed. Jack Dann and Gardner Dozois (1976) (Ursula K. Le Guin, Damon Knight, James Tiptree, Jr., Gene Wolfe, etc.)

/ Joachim Boaz / 17 Comments
  • Uncredited cover for 1st edition

4/5 (collated rating: Good)

What a way to finish 2024! Future Powers, ed. Jack Dann and Gardner Dozois (1976) is a well-crafted thematic anthology with seven original stories and two older classics. Other than R. A. Lafferty’s average contribution, all the tales effectively engage with the theme of the complexities of future control both in everyday and the macropolitical contexts.

A few tantalizing fragments: Ursula K. Le Guin’s “The Diary of the Rose” (1976) explores the operations of dystopic control through the eyes of a neophyte doctor (“scopist”); Damon Knight ruminates on the nature and treatment of the psychopath in “The Country of the Kind” (1956); and A. K. Jorgensson’s “Coming-of-Age-Day” (1965) takes the reader through all the unnerving and confusing moments of a child in a strange future attempting to understand the nature of sex.

Continue reading →

Short Story Review: Poul Anderson’s “The Troublemakers” (1953)

/ Joachim Boaz / 27 Comments

This is the 20th post in my series of vintage generation ship short fiction reviews. You are welcome to read and discuss along with me as I explore humanity’s visions of generational voyage. And thanks go out to all who have joined already. I also have compiled an extensive index of generation ship SF if you wish to track down my earlier reviews on the topic and any that you might want to read on your own.

Previously: Fred Saberhagen’s “Birthdays” (1976)

Next Up: George Hay’s Flight of the “Hesper” (1952)

  • Uncredited cover for Cosmos Science Fiction and Fantasy Magazine, ed. L. B. Cole (September 1953)

3.25/5 (Above Average)

Poul Anderson’s “The Troublemakers” (1953) first appeared in Cosmos Science Fiction and Fantasy Magazine, ed. L. B. Cole (September 1953). You can read it online here.

Anderson’s tale is a fascinating collision of two of my recurring interests in post-WWII science fiction: generation ships and organized labor. Due to my love of Ursula K. Le Guin’s “Paradises Lost” (2002) and Brian W. Aldiss’ Non-Stop (variant title: Starship) (1959), I started a review series on generation ship short fiction in 2019. The series has languished recently as I am running out of pre-1985 depictions of the theme available in English to read. I read Anderson’s vision last year but could not muster a review. However, my recent focus on organized labor caused me to reread Anderson’s account of generational conflict, the working class experience, and the contours of power and government.

Continue reading →

Book Review: In the Drift, Michael Swanwick (1985)

/ Joachim Boaz / 17 Comments
  • Mark Salwowski’s cover for the 1989 edition

3.25/5 (Above Average)

In The Drift (1985), a fix-up novel comprised of two Nebula-nominated short works–“Mummer Kiss” (1981) and “Marrow Death” (1984), maps a new way forward in an ecologically and genetically ravaged post-apocalyptic age. The entire concoction decays with a sense of grim unease and cavorts around piles of dead that would make a triumvir from the Late Roman Republic proud. It’s a violent, erotic, and disquieting experience that can’t entirely hide its flaws behind the decadent panache.

Continue reading →

What pre-1985 science fiction are you reading? + Update No. XVIII

/ Joachim Boaz / 67 Comments
  • A selection of read volumes from my shelf

What pre-1985 science fiction are you reading or planning to read this month? Here’s the November installment of this column.

Last week I wrote a post about Clifford D. Simak’s delightfully inclusive 1971 speech at the height of the New Wave in which he celebrated science fiction as a “forum of ideas” open to all voices. While reviewing the various snarky comments leveled at the movement by “classic authors” like Asimov, a faint memory of James Blish’s own anti-New Wave sentiments tickled my memory. I randomly opened up a book on my desk to figure out a fascinating SF tidbit to start this post, and voilà, the James Blish story.

Jacqueline Foertsch’s Reckoning Day: Race, Place, and the Atom Bomb in Postwar America (2013) contains a sustained analysis of Samuel R. Delany’s various post-apocalyptic novels. She includes a discussion of the response to Delany’s Nebula-winning The Einstein Intersection (1967). At the 1968 Nebula Awards Banquet, moments after Delany received his prize for Einstein (and where moments later he’d collected another award for “Aye, and Gomorrah”), Blish lambasted the New Wave. Blish complained about the “loosening of the genre’s parameters” and the “re-christening of the genre” as “speculative fiction” (98). I find all of this hilarious as Blish himself wrote fantasy novels like Black Easter (1968) (that would also nab a 1969 Nebula nomination) and far earlier oblique proto-New Wave speculative fictions like “Testament of Andros” (1953). I wonder if Blish aimed such vitriol at a figure like Simak, who took the loosening of the genre’s parameters to extremes during the New Wave–i.e. novels like The Goblin Reservation (1968), Destiny Doll (1971), and Out of Their Minds (1970). Unfortunately, I don’t think it’s surprising that Blish took especial issue with one of the few black SFF authors of the day.

And let me know what pre-1985 science fiction you’ve been reading!

Continue reading →

Exploration Log 6: Clifford D. Simak’s 1971 Worldcon Guest of Honor Speech

/ Joachim Boaz / 21 Comments
  • Graphic created by my father

In an August 1967 editorial in Galaxy titled “S.F. as a Stepping Stone”, Isaac Asimov (1920-1992) voiced his extreme disapproval of the New Wave movement as “‘mainstream’ with just enough of a tang of the not-quite-now and the not-quite-here to qualify it for inclusion in the genre” (4). He concludes: “I hope that when the New Wave has deposited its forth and receded, the vast and solid shore of science fiction will appear once more and continue to serve the good of humanity” (6). The implication is clear: there is an Platonic science fiction form that exists (and that he writes) that must be rediscovered.

Fellow “classic” author Clifford D. Simak (1904-1988) offered a different, and far more inclusive, take at his Guest of Honor speech at Norescon 1 (Worldcon 1971). In an environment of “shrill” disagreement between various New Wave and anti-New Wave camps, Simak celebrated science fiction as a “forum of ideas” open to all voices (148).

Preliminary note: I read the speech in Worldcon Guest of Honor Speeches, ed. Mike Resnick and Joe Siclari (2006). You can listen to the speech (at the 28:00 min. mark) here. For a wonderful range of photographs of Simak at the convention, check out this indispensable photo archive.

As I did with six Simak interviews earlier this year, I will paraphrase his main points and offer a few thoughts of my own.

Let’s get to the speech!

  • Jay Kay Klein’s photograph of Robert Silverberg, Clifford D. Simak, and Isaac Asimov at the 1971 Worldcon
Continue reading →

Short Fiction Reviews: Leigh Kennedy’s “Salamander” (1977), “Whale Song” (1978), “Detailed Silence” (1980), and “Speaking10 to Others2; Speaking3 to Others20” (1981)

/ Joachim Boaz / 24 Comments

In the past few years, I’ve put together a series on the first three published short fictions by female authors who are completely new to me or whose most famous SF novels fall mostly outside the post-WWII to mid-1980s focus of my reading adventures.

Today I’ve selected the first four stories by an author I’ve only recently started to read–Leigh Kennedy (1951-). I’d previously reviewed “Helen, Whose Face Launched Twenty-Eight Conestoga Hovercraft” (1982) and placed her on the list for this series. According to SF Encyclopedia, Kennedy’s “writing is succinct, polished, lucent, and her stories are emotionally penetrating; it is unfortunate that she has fallen from the world of novel publishing, though continuing to work as a professional indexer.” And I can’t agree more! Her first four stories show great promise and moments of refined vision. I can’t help but think the backlash to her Nebula-nominated (and best-known work) “Her Furry Face” (1983) might have had some effect on her trajectory.

So far I’ve featured Alice Eleanor Jones (1916-1981), Phyllis Gotlieb (1926-2009), Sydney J. Van Scyoc (1939-2023), Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), Betsy Curtis (1917-2002), and Eleanor Arnason (1942-). To be clear, I do not expect transformative or brilliant things from first stories. Rather, it’s a way to get a sense of subject matter and concerns that first motivated authors to put pen to paper.

Let’s get to the stories!

  • George Schelling’s interior art for Leigh Kennedy’s “Salamander” in Analog, ed. Ben Bova (June 1977)
Continue reading →

Updates: Recent Science Fiction Purchases No. CCCXXXIX (Frank Herbert, Alan E. Nourse, Ann Maxwell, Craig Harrison)

/ Joachim Boaz / 11 Comments

Which books/covers/authors in the post intrigue you? Which have you read? Disliked? Enjoyed?

1. Frank Herbert’s Destination: Void (1966, rev. 1978)

  • Paul Alexander’s cover for the 1978 edition

From the back cover: “DESTINATION: VOID

THE COMPLETELY REVISED AUTHOR’S EDITION OF THE CLASSIC DEEP-SPACE ADVENTURE!

‘When the publishers announced that they were going to bring out a new edition of DESTINATION: VOID, they offered me the opportunity to make any changes I felt were necessary. Because of the tightly interwoven scientific premises behind this story and rapid development in the fields related to these premises, it would be extraordinary if discoveries across thirteen years did not dictate certain revisions.

Continue reading →

Short Book Reviews: Lisa Goldstein’s A Mask for the General (1987) and Philip McCutchan’s The Day of the Coastwatch (1968)

/ Joachim Boaz / 13 Comments

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents/impressions are a way to get through the stack before my memory and will fades. My website partially serves as a record of what I have read and a memory apparatus for future projects. Stay tuned for more detailed and analytical reviews.

1. A Mask for the General, Lisa Goldstein (1987)

  • Mick McGinty’s cover for the 1st edition

3/5 (Average)

One of many attempts to dispel fascist gloom novels I’ve been drawn to recently, Lisa Goldstein’s A Mask for a General: A Novel (1987) imagines a deliberate retreat into the “primitive” as a way to resist. The story follows Mary, a young naive teenager desperate to strike out on her own, and her encounter with Lisa, a master mask maker. In this future, in the wreckage of the University of California, Berkeley campus (the parallel to the historical role of the university in the 60s is deliberate), various “Tribes” attempt to escape the grip of The General by wearing masks and taking on new personas detached from the present. Apparently after a series of disasters, Japan has far surpassed the United States as a technological power. Considering how the world viewed Japan in the 80s, this is not a ridiculous assumption. The General controls media and has dismantled every semblance of democratic government. Mary gets drawn into a larger, rather bizarre, attempt to influence The General that might tear down the state.

Continue reading →