1930s

Exploration Log 15: Clifford D. Simak’s fanzine article “The Future of Science Fiction” (1941)

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  • Cover image from The FANAC Fan History Project. Clifford D. Simak is the second from the left in the back

Clifford D. Simak’s “The Future of Science Fiction” appeared in the fanzine Fantasite, No. 2, ed. Phil Bronson (February 1941). You can read it online here. As the quality of the scan at the link is quite poor and close to unreadable in spots, I’ve transcribed the entire article below. In a few instances I have guessed based on vague letter shapes. If you spot an error, let me know!

The fanzine Fantasite, comprised of twelve issues between 1940 and 1944, was the official organ of the Minneapolis Fantasy Society. For more on the fanzine and its creator, consult the Fancyclopedia entries. The MFS was formed when when Simak arrived in Minneapolis and joined with the old Minneapolis Science Fiction League (Hugo Gernsback’s SF clubs). The second meeting happened at Simak’s house. As members went off to WWII, the group became less formal and eventually dissipated. Simak helped briefly resurrect the club after WWII, joined by Poul Anderson and others. Other SF authors who were members included Theodore R. Cogswell, Noel Loomis, Oliver Saari, and Gordon R. Dickson. For a fan history of the organization, check out Jim Young’s fanzine Rune 17 issue.

This is a fascinating, if a bit vague and imprecise, look at Simak’s early views on the evolution and potentiality of science fiction. Unfortunately, as his professional life as a newspaper reporter ramped up he paired back his fan activities. These three points stood out: 1) Simak believes that the science fiction of the 1930s (in particular 1933 and 1934) transformed the genre by departing from “wooden men” who stalk through “wooden plots.” 2) he speculates that science fiction will diversify even further with “new ideas and new ways of presenting them” 3) he emphasizes the importance of “careful delineation in character” with “superb plotting.” Even from Simak’s earliest fannish writings, he shows an interest in a genre without clear boundaries — a genre that grows and expands and explores new things. For a more overt statement on his toleration for a diverse genre, check out his 1971 Worldcon Guest of Honor Speech given in the middle of the New Wave movement.

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What pre-1985 science fiction are you reading? + Update No. XXIX

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What pre-1985 science fiction adventures have you started this summer? Any great reads? Disappointing ones? Intriguing discoveries? Here’s the April installment of this column.

  • A selection of read volumes from my shelves

In a conversation on Blueksy, someone asked for my history of science fiction recommendations (including a few general surveys). I scoured my shelves and came up with an all-too-large pile (with some notable volumes I wanted to include but could not find) of favorite histories of science fiction. See photo below. I tried to include monographs that were not studies of single authors.

As I am a historian by training and trade who holds on to some of my disciplinary ticks and hangups, I also included works by trained academics with two major exceptions 1) Mike Ashley’s multi-volume study of science fiction magazines (but no other recent works exist and they’re really good for the nuts and bolts of genre magazines) and 2) Alec Nevala-Lee’s approachable and well-researched group biography  Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction (2018). Both should be read.

  • A photo of a few of my history of science fiction recommendations

I deliberately avoided works by science fiction authors like Damon Knight, Brian W. Aldiss, and Frederik Pohl. They’re great sources and I own and have read many of them but…. they are not histories by trained scholars. I do not mean for this to come off as elitist. Rather, my personal remit for my list—I needed to winnow down the hundreds and hundreds I own–was deliberately narrow! I read and use sources widely. Remember, these are my favorites — they might not be the best but they got me thinking and reading and writing. And that’s what we all should be doing, reading what makes us happy.

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Short Fiction Review: Clifford D. Simak’s “Madness from Mars” (1939) and “Hermit of Mars” (1939)

/ Joachim Boaz / 8 Comments

The following review is the 37th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit or are poor quality. And that is okay. I relish the act of literary archaeology. I’ve added an extra Simak story to round out the post.

I’m on another Clifford D. Simak binge!

Previously: John Wyndham’s “The Man From Beyond” (variant title: “The Man from Earth”) (1934)

Up Next: TBD

  • Howard V. Brown’s cover for Thrilling Wonder Stories, ed. Mort Weisinger (April 1939)

3/5 (Average)

Clifford D. Simak’s “Madness from Mars” first appeared in Thrilling Wonder Stories, ed. Mort Weisinger (April 1939). You can read it online here.

In the 1941 article “The Future of Science Fiction,” Clifford D. Simak described the transformative effect of Stanley G. Weinbaum’s “A Martian Odyssey” (1934) (and a handful of other stories) on the development of science fiction.1 He uses the story to explain how SF has achieved “realism” by moving beyond “wooden plots” plot by incorporating a “scientific basis of the story.” I’d suggest “Madness from Mars” is Simak’s attempt to craft a scientifically-grounded and truly alien alien in the Weinbaum mold. I will feature Simak’s early commentary on the genre in a future Exploration Log post. 2

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Updates: Recent Science Fiction Purchases No. CCCXLIX (Aldous Huxley, Joyce Thompson, John Collier, and an anthology of stories from The Magazine of Fantasy and Science Fiction)

/ Joachim Boaz / 15 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. The Best from Fantasy and Science Fiction, 8th Series, ed. Anthony Boucher (1959)

  • Ed Emshwiller’s cover for the 1963 edition

From the back cover: No summary blurb.

Contents: C. S. Lewis’ “Ministering Angels” (1955), Poul Anderson’s “Backwardness” (1958), Kit Reed’s “The Wait” (1958), Isaac Asimov’s “The Up-to-Date Sorcerer” (1958), Fritz Leiber’s “A Deskful of Girls” (1958), Damon Knight’s “Eripmav” (1958), Brian W. Aldiss’ “Poor Little Warrior!’ (1958), Shirley Jackson’s “The Omen” (1958), Jules Verne’s “Gilt Braltar” (1887), Avram Davidson’s “The Grantha Sighting” (1958), C. M. Kornbluth’s “Theory of Rocketry” (1958), John Shepley’s “Gorilla Suit” (1958), Zenna Henderson’s “Captivity” (1958), and Alfred Bester’s “The Men Who Murdered Mohammed” (1958)

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Short Fiction Review: John Wyndham’s “The Man From Beyond” (variant title: “The Man from Earth”) (1934)

/ Joachim Boaz / 11 Comments
  • Frank R. Paul’s cover for Wonder Stories, ed. Hugo Gernsback (September 1934)

The following review is the 36th installment of my series searching for “SF short stories that are critical in some capacity of space agencies, astronauts, and the culture which produced them.” Some stories I’ll review in this series might not fit or are poor quality. And that is okay. I relish the act of literary archaeology.

Why John Wyndham? I snagged a copy of David Seed’s new book John Wyndham (2025) out via University of Liverpool Press and realized how little I knew about his pre-War science fiction.1 This story, among a few others, jumped out to me due to its critical stance on human exploration.

Previously: E. C. Tubb’s “Without Bugles” (1952), “Home is the Hero” (1952), and “Pistol Point” (1953)

Up Next: Clifford D. Simak’s “Madness from Mars” (1939)

  • Uncredited banner for the Table of Contents in Wonder Stories, ed. Hugo Gernsback (September 1934)

3.5/5 (Good)

John Wyndham, writing as John Benyon Harris, published “The Man from Beyond” (variant title: “The Man from Earth”) in Wonder Stories, ed. Hugo Gernsback (September 1954). You can read the story online here.

The Contours of Venusian Wonder

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Exploration Log 10: Interview with Jaroslav Olša, Jr., author of Dreaming of Autonomous Vehicles: Miloslav (Miles) J. Breuer: Czech-American Writer and the Birth of Science Fiction  (2025)

/ Joachim Boaz / 7 Comments
  • Graphic created by my father

Over the last few years, I have incorporated a smattering of the vast range of spectacular scholarship on science fiction into my reviews and highlighted works with my Exploration Log series that intrigue me.1 Today I have an interview with Jaroslav Olša, Jr. about his brand-new book, Dreaming of Autonomous Vehicles: Miles (Miroslav) J. Breuer: Czech-American Writer and the Birth of Science Fiction (2025). In the book, he covers the life and career of Miles (Miroslav) J. Breuer (1889-1945), the first SF author to regularly write original stories for Hugo Gernsback’s Amazing. Breuer’s career also provides a fascinating window into the literary and cultural world of immigrants in late 19th and early 20th century America.

You can buy an inexpensive physical copy ($15.80 at last look) directly from Space Cowboy Books here (preferred) and on Amazon.

Thank you so much for agreeing to this interview. First, can you introduce yourself and your interests in science fiction?

Since childhood, I have loved reading science fiction, but — except for a short time — I have not been professionally attached to it. After studying Asian and African Studies and social sciences in Prague, Tunis and Amsterdam, I joined the Czech diplomatic three decades ago, and have served in various positions including Director of the African Dept. and the Head of the Policy Planning Dept. at the Czech Ministry of Foreign Affairs. I also served as a Czech Ambassador three times: to Zimbabwe for six years, to South Korea for another six years, and to the Philippines for four years. Since December 2020, I have served as Czech Consul General in Los Angeles in charge of the US West.

In the early 1980s, I became a part of a small but very active fandom when—in the then communist Czechoslovakia—the first science fiction club emerged. I started the SF fanzine Ikarie XB, which in 1990 turned into the first Czech-language professional SF magazine Ikarie, with monthly editions until 2024.

I have also translated many short stories and edited numerous SF anthologies, but never wrote fiction. But since the very beginning, the center of my interest in SF was to write about science fiction. I co-edited and authored entries in the only Czech SF encyclopedia, published in 1995. Thus my book about Miles (aka Miloslav) J. Breuer is somewhat of a culmination of my work on science fiction.

What drew you to the science fiction of Miles (Miloslav) J. Breuer (1889-1945)?

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Science Fiction in Dialogue with The Great Depression: Frank K. Kelly’s “Famine on Mars” (1934)

/ Joachim Boaz / 7 Comments
  • Graphic created by my father

Sherwood Anderson (1876-1941) confides in the introduction to his travel memoir Puzzled America (1935) that the Great Depression was inescapable: “I was a writer of tales. It might be that I should have remained just that, but there is difficulty. There are, everywhere in America, these people now out of work. There are women and children hungry and others without enough clothes.”1 Edgar Albion Lyons, in the author’s note to his science fiction novel The Chosen Race: A Novel Based on the Depression and Machine Age (1936), echoes this sentiment: “The following chapters were written during the months of 1932 when the words ‘Depression’ and ‘Unemployment’ were on everyone’s lips.”2 Magazine science fiction, with its eye towards the marvelous technological future, likewise could not escape contemporary economic, political, and societal convulsions.3 Science, “in the form of a hypothesized device or theory,” enabled exciting adventures but also the exploration of “diverse and dire social implications.”4

On May 9th, 1934, a massive two-day dust storm caused by severe drought and human-made factors, removed massive amounts of Great Plains topsoil. The Dust Bowl unleashed its fury. The dust clouds reached Chicago and cities in the east, blotted out the Statue of Liberty and the United States Capitol. Red snow fell in New England.5 In the September 1934 issue of Astounding, a twenty-year-old Frank K. Kelly published “Famine on Mars” (1934) about a desperate attempt to assist Martians dying of thirst and starvation after a drought. In Kelly’s vision, The Combine, Earth’s government, deliberately caused the genocide and refuses to provide assistance.6

  • M. Marchioni’s interior art for “Famine on Mars” (1934)
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Exploration Log 7: Interview with Jordan S. Carroll, author of Speculative Whiteness: Science Fiction and the Alt-Right (2024)

/ Joachim Boaz / 22 Comments
  • Graphic created by my father

Over the last few years, I have attempted to incorporate a smattering of the vast range of spectacular scholarship on science fiction into my reviews and highlight works with my Exploration Log series that speak to me.1 Today I have an interview with Jordan S. Carroll about his brand-new book, Speculative Whiteness: Science Fiction and the Alt-Right (2024). In the book, he examines the ways the alt-right uses classic science fiction imagery and authors to mainstream fascism and advocate for the overthrow of the state.

You can buy an inexpensive physical copy ($10) directly from the University of Minnesota Press website or an eBook version ($3.79) on Amazon.

Thank you so much for agreeing to this interview. First, can you introduce yourself and research interests?

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Updates: Recent Science Fiction Purchases No. CCCXXXVI (Clare Winger Harris, Frederik Pohl, Barrington J. Bayley, and Robert Asprin)

/ Joachim Boaz / 28 Comments

Which books/covers/authors in the post intrigue you? Which have you read? Disliked? Enjoyed?

1. Away From the Here and Now, Clare Winger Harris (1947)

  • Uncredited–JM initials but no known name–cover for the 1st edition

From the inside flap: “In this age of atomic bombs and radar to the moon, Mrs. Harris’ stories may prove closer to the “here and now” than the title would indicate. Mrs. Harris Proudly claims the distinction of being the first woman science-fiction writer in the country. Each of her stories is based upon a sound scientific fact, carried so plausibly to the nth degree that at no time does it overstain credulity. The stories possess the qualities of dealing with ideas of big importance to the human race, of presenting those ideas in a plausible form, and of appealing to emotions that exist deep within the heart of every human being whether he be scientific or not.

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