Book Review: A Way Home, Theodore Sturgeon (1956)

(Mel Hunter’s cover for the 1956 edition)

3/5 (collated rating: Average)

Although Theodore Sturgeon is generally considered a master of the SF short form, his collection A Way Home (1956) contains only two worthwhile stories — “Thunder and Roses” (1947) and “Bulkhead” (1955).  The rest I was either unable to finish or struggled to muddle through over the course of the last two or so weeks.  Fortunately,  the near masterpiece “Bulkhead” was almost worth the pain induced by the intelligent dog related subgenre of SF manifest in “Tiny and the Monster” (1947) or the cute accidentally destructive hurkle kittens of “The Hurkle Is a Happy Beast” (1949).

At this stage in my recent endeavor to brush up on the best of the 50s short story wordsmiths, I place Sturgeon below Robert Sheckley, Brian Aldiss, Philip K. Dick, Fritz Leiber, Miriam Allen deFord, Lester del Rey, Walter M. Miller, Jr., C. M. Kornbluth, and Frederik Pohl. (shocking to some, I know!).

However, before I make a more definitive conclusion I call on my readers to list what you consider his best short work Continue reading

Adventures in Science Fiction Cover Art: Diagrammatic Wonders (alien sand art + planning invasions + and other more mysterious formulations), Part I

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(Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe, ed. Hans Stefan Santesson)

At first glance this is a miscellaneous collection of covers on diagrammatic wonders — the aliens (or “advanced” humans) on Virgil Finlay’s cover for the April 1957 issue of Fantastic Universe conjure an image of earth with colored sand, generals plot invasions via maps and other diagrams depicting troop movements….

While some of the covers are themselves diagrams (Christopher Zacharow’s cover for the 1985 edition of Ancient of Days (1985), Michael Bishop) others place their characters in opposition to each other as pieces Continue reading

Updates: A New Classic SF Review Blog to add to your list

MPorcius, a frequent and well-read commentator on my site, has started transferring his numerous amazon reviews and writing new reviews of classic SF (a substantial portion is pre-1980s) to his blog.  Please visit him and comment on his posts!

queue rant: I’ve noticed a surprising lack of frequently updated classic SF blogs online.  Yes, many bloggers occasionally dabble in the distant era of SF glory or publish yet another review of the obligatory masterpieces because they appear on a some “best of” list (Dune, The Left Hand of Darkness, etc).  However, few are devoted to the period and make it a point to write reviews of books that very few people will ever actually read due to their obscurity i.e. blogs that don’t sell out by churning out reviews of new Tor releases (I have declined their offer) or endless 4/5 or 5/5 starred let’s pat each other on the back reviews of self-published (and generally awful) ebooks Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXVII (Cowper + Asimov + Clarke + Dickson)

Bargain bins yield some Clarke and Asimov classics I read when I was a teen but never owned….   I remember thinking at the time that Imperial Earth (1975) was one of Clarke’s best novels.  Dickson’s Dorsai! (1960) — I’ve never been a fan of military SF — is a classic I need to get around to reading.  And, my final find was Richard Cowper’s Time Out of Mind (1973).  I was surprisingly impressed with his lighthearted romp of a novel, Profundis (1979).

Thoughts on the books?

1. Time Out of Mind, Richard Cowper (1973)

(Don Maitz’s cover for the 1981 edition)

From the back cover: “As a young boy, Laurie Linton encountered a strange apparition: a ghostly man who urgently mouthed a message: KILL MAGOBION!  Years later, as members of the UN Narcotics Security Agency, Linton and the beautiful Carol Kennedy were assigned a special duty: investigation of a mysterious drug which endowed its addicts with superhuman powers. Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXVI (Effinger + Morgan + deFord + Bishop)

A nice haul from the local used book store and various internet sources….  After Effinger’s masterpiece What Entropy Means to Me (1972) I was desperate to get my hands on another one of his novels (or short story collections — Relatives is not supposed to be as good but, perhaps it will prove the critics (well, namely John Clute) wrong.

Miriam Allen deFord was a prolific 50s short story writer.  Xenogenesis (1969) is the only published collection solely of her stories — thankfully it’s graced with a wonderful Richard Powers cover.

Despite the hideous cover, Michael Bishop’s first novel A Funeral for the Eyes of Fire (1975) is generally considered quite good.  I’ve already read and reviewed Dan Morgan’s average but inventive SF thriller Inside (1971) but included it in this post anyway because I had yet to reach my four new acquisitions for a post.

Have you read any of these novels?  If so, what did you think?

1. Relatives, George Alec Effinger (1973)

(Uncredited cover for the 1976 edition) Continue reading

Adventures in Science Fiction Cover Art: Eye[s] in the Sky, Part II

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(Peter Goodfellow’s cover for the 1979 edition of The Moment of Eclipse (1970), Brian Aldiss)

Make sure to take a peek at Part I if you enjoyed this collection!

In Part I I described how I was inspired by Ed Valigursky’s stunning and powerful cover — with its giant eye, running figures, and perspective lines drawn across the artificial field heightening the tension — to look through my image collection and find similar examples.  Since I made the last post I’ve collected quite a few more examples (from my own collection and image collections online) along similar lines.

Mitchell Hooks’ cover for the 1958 edition of The Big Eye (1949) by Max Ehrlich has long been one of my favorite covers and it has cropped up in various posts over the years….  The uncredited cover for the 1969 edition of The Cosmic Eye Continue reading

Updates: Recent Science Fiction Acquisitions No. LXXV (Heinlein + Sheckley + Anderson + Zebrowski)

A fun bunch of thrift store finds and gifts….  I’m most excited about Robert Sheckley’s novel Immortality, Inc. (1958) — not only is the cover gorgeous (the initials read LSG but I can’t figure out who the artist might be) but Sheckley is fast becoming a favorite of mine (for example, the short story collections Store of Infinity and The People Trap).

I know very little about George Zebrowski’s novels.  So, I’ll approach The Omega Point (1972) with a tad bit trepidation.  Has anyone read him?  If so, what do you think?

I’ve read Heinlein’s The Man Who Sold the Moon but I have a much later edition and sort of enjoy the standard pulp cover for the 1951 edition.

And another Anderson classic….

1. Immortality, Inc., Robert Sheckley (1958) (MY REVIEW)

(Uncredited — brilliant — cover for the 1959 edition) Continue reading

Book Review: The Mercy Men (variant title: A Man Obsessed), Alan E. Nourse (1955)

(Uncredited cover for the 1968 edition)

2.5/5 (Bad)

Alan E. Nourse’s The Mercy Men (1955) contains all the necessary parts for a riveting 1950s SF thriller: a disturbing future America where the destitute sell their bodies for medical experimentation, a world wrecked by increasing waves of mental illness, and a hero with a manic obsession with finding the man who killed his father.  However, Nourse’s strategic dousing of the characters and scenes with Extra Sensory Perception (ESP) hoopla muddles the wonder of the world and rigor of the action and leaves the reader imagining all the lost opportunities.

 And of course in the best pulp tradition which Nourse so fervently adheres to, science wins out in the end and provides nicely packaged easy Continue reading

Book Review: Doomsday Morning, C. L. Moore (1957)

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(Richard Powers’ cover for the 1958 edition)

4.25/5 (Good)

C. L. Moore’s Doomsday Morning (1957) — she’s best known for her revolutionary 1930s works including “Shambleau” (1934) and the “Jirel of Joiry” sequence — is perhaps her most ruminative and traditional SF novel (she tended to write more fantastical SF and fantasy).  Unfortunately, she quit writing around the time of the death of her husband and frequent collaborator Henry Kuttner (they often published under the pseudonym Lewis Padgett).  And her second husband forbid her to write altogether…

Moore creates a finely wrought dystopic vision where an oppressive future government utilizes communication networks to spread its tentacles across the United States.  Against this backdrop intriguing characters come to life.  Her descriptions of the political backdrop remain minimalistic which is surprising for SF of the 50s which often resorts to lengthy descriptive lectures.  Instead, the true extent of the government’s Continue reading