1950s

Updates: Recent Science Fiction Acquisitions No. LVII (del Rey + Knight + Pohl + Kornbluth + Weinbaum)

/ Joachim Boaz / 10 Comments

A nice collection of old, venerable, classic authors….  I’ve yet to read any of Weinbaum’s pulp — a short story collection is probably a good place to start…. I was somewhat impressed with Lester del Rey’s The Eleventh Commandment (1962) so I look forward to his short stories — and, the fantastic Richard Powers collage cover will be a welcome addition to my collection.

1. A Martian Odyssey (variant title: A Martian Odyssey and Other Classics of Science Fiction), Stanley G. Weinbaum (1962) (MY REVIEW)

(Robert E. Shultz’s cover for the 1966 edition) Continue reading →

Adventures in Science Fiction Cover Art: The Composite Cover (illustrating a multiplicity of scenes, stories, thematic elements)

/ Joachim Boaz / 24 Comments

Screen shot 2013-01-27 at 5.27.06 PM

(Ed Emshwiller’s cover for the 1954 edition of Murder in Space (1944), David V. Reed)

Ed Emshwiller’s cover for the 1954 edition of Murder in Space (1944) perfectly embodies the composite cover comprised of sequences from the narrative.  Our hero (or villain) plots the murder in the foreground (guns, books, furrowed brow), commits the murder in the background, his love interest looks over his left shoulder (she’s constantly on his mind), and some random astroids/planets (let’s call them space rocks), a spaceship, and a strange piece of technology alert us to the science fiction aspect of the narrative…  The uncredited cover for the 1955 edition of The Altered Continue reading →

Adventures in Science Fiction Cover Art: An Assortment of Mysterious Spheres, Part II

/ Joachim Boaz / 24 Comments

(David Bergen’s cover for the 1978 edition of Sea-Horse in the Sky (1969), Edmund Cooper)

Here’s Part II of my cover art series on the delightfully nebulous theme of mysterious spheres (Part I).  I’ve selected a variety of spheres: including spheres elevated in the air (balloon representations of the sun? planets? large scale planetary orbit models?), spherical eggs hatching men?, alien warships, alien (and human) transportation devices, strange atomic technology, obvious Death Star ripoffs, fields littered with the perplexing shapes….

… and even the simple unadorned sphere held aloft to indicate the pure delight of Continue reading →

Updates: Recent Science Fiction Acquisitions No. LVI (Herbert + Pohl + Kornbluth + Harrison + Wouk)

/ Joachim Boaz / 15 Comments

More Christmas gifts and winter break purchases….

Another Herbert non-Dune novel with a great vat baby fetus cover by the indomitable Lehr…

Another Pohl + Kornbluth 50s satire about worlds sunk into savage degeneration….

A lesser known illustrated utopian space fable by the Pulitzer Prize winning Herman Wouk…  I really have no idea what to expect from this one.

And an alternate history sci-fi adventure by Harry Harrison.

1.  Tunnel Through the Deeps (variant title: A Transatlantic Tunnel, Hurrah!), Harry Harrison (1972)

(Richard Powers’ cover for the 1974 edition) Continue reading →

Book Review: No Time Like Tomorrow, Brian Aldiss (1959)

/ Joachim Boaz / 6 Comments

Screen shot 2013-01-10 at 11.21.02 PM

(Richard Powers’ cover for the 1959 edition)

3.75/5 (collated rating: Good)

This collection of Brian Aldiss short stories from the mid-to-late 50s is a notch above the middling Galaxies Like Grains of Sand (1960), collated from the same period, which I reviewed a few months back.  Aldiss is definitely one of the more bizarre and original (along with Philip K. Dick) sci-fi voices of the 50s (and beyond).

Most collections are purposely comprised of a mixture of good and bad stories hence the generally low collated ratings I hand out.  Unlike Galaxies, most of the stories in this collection are worth reading and none are egregiously bad.  ‘Not for an Age,’ ‘Judas Danced’, ‘The Failed Men’, and ‘Outside’ are all highly Continue reading →

Updates: Recent Science Fiction Acquisitions No. XLVV (Herbert + Anderson + Brackett + Kornbluth)

/ Joachim Boaz / 19 Comments

More Christmas gifts + Winter break used bookstore finds….

Two more Richard Powers covers from the 50s…

A non-Dune Frank Herbert find with a wonderful Vincent Di Fate cover…  I’ve been somewhat ambivalent with Herbert’s non-Dune corpus in the last few years.  A 50s Poul Anderson adventure, a later Leigh Brackett novel, and another scathing satire from the delightful pen of C. M. Kornbluth…

1. The God Makers, Frank Herbert (1972) (MY REVIEW)

(Vincent Di Fate’s cover for the 1973 edition) Continue reading →

Book Review: Level 7, Mordecai Roshwald (1959)

/ Joachim Boaz / 36 Comments

(Sanden’s cover for the 1960 edition)

4.75/5 (Very Good)

I recently received a copy of Modecai Roshwald’s Level 7 (1959) from 2thD at Potpourri of Science Fiction Literature (his enthusiastic review of the novel here).  Roshwald’s novel should be considered along with Walter Miller, Jr.’s A Canticle for Leibowitz (1959, published 1960) as one the best nuclear disaster sci-fi novels of the late 50s (and all time).  Unlike Nevil Shute’s On the Beach (1957) or Pat Frank’s Alas, Babylon (1959) the allegiance (Soviet or American) of the protagonists of Level 7 remains Continue reading →

Updates: Recent Science Fiction Acquisitions No. XLVIV (Crowley + Strete + McAllister + Bond)

/ Joachim Boaz / 8 Comments

Christmas presents!

Intriguing literary sci-fi by Craig Strete and John Crowley…

Works of unknown quality, Bruce McAllister’s Humanity Prime (1971) and Nelson Bond’s collection No Time Like the Future (1954)…

And one of my favorite Powers’ covers.

1. Humanity Prime, Bruce McAllister (1971)

(David Meltzer’s cover for the 1971 edition) Continue reading →

Book Review: Dark Dominion, David Duncan (1954)

/ Joachim Boaz / 2 Comments

Screen shot 2012-12-22 at 9.06.53 PM(Richard Powers’ cover for the 1954 edition)

2.5/5 (Bad)

David Duncan, most famous for writing the screenplay to George Pal’s film The Time Machine (1960), produced a handful of genre and non-genre novels in the 1950s.  Bluntly put, the Dark Dominion (1954) was one of the more disappointing novels I’ve read this year.  It is worthwhile for one thing alone, Richard Powers’ gorgeous cover.  Duncan’s novel is characterized by an incredibly painful strain of melodrama even for the 50s, downright preposterous science Continue reading →