1960s

Updates: Recent Science Fiction Purchases No. CCCIII (William S. Burroughs, Chester Anderson, Pat Cadigan, Donald Kingsbury)

/ Joachim Boaz / 29 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Courtship Rite, Donald Kingsbury (1982)

  • Rowena Morrill’s cover art for the 1st edition

From the inside flap: “Gaet, Hoemei and Joesai are three clone brothers, survivors of the rigorous and deadly process of nurture and weeding that produces people of high kalothi, people worthy of surviving on the inhospitable planet of Geta. Geta was settled many thousands of years ago by human starships, but only legends of the people’s origins remain, memories that have become myths.

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Updates: Podcast Interview and Vintage Science Fiction Discussion Extravaganza

/ Joachim Boaz / 9 Comments
  • Ed Valigursky’s cover art for Amazing Science Fiction Stories (May 1958)

I appeared in my first ever podcast–Postcards from a Dying World with David Agranoff–last week. Organized around a series of interview questions, David and I ended up discussing vintage SF for a good hour. I cover how studying history has inspired my project, reasons for my focus on SF from post-WWII to the mid-1980s, favorite authors and themes, etc. Please check out his twitter and website as well. I have gathered together a list of the SF works I mention in the interview with links to my reviews when applicable.

I hate listening to myself as I am far too excited about vintage SF! (but is that a surprise?)

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Future Media Short Story Review: Walter F. Moudy’s “The Survivor” (1965)

/ Joachim Boaz / 46 Comments

Today I’ve reviewed the fourteenth story in my series on the science fictional media landscape of the future. Walter F. Moudy relays the coverage of the 2050 Olympic War Games between the United States and Russia with harrowing effect.

Previously: Barry N. Malzberg’s “The Idea” (1971) (as K. M. O’Donnell).

Up Next: Theodore Sturgeon’s “And Now the News…” (December 1956).

  • Virgil Finlay’s interior art for Moudy’s “The Survivor” in the May 1965 issue of Amazing Stories

3.5/5 (Good)

Walter F. Moudy’s “The Survivor” first appeared in the May 1965 issue of Amazing Stories, ed. Cele Lalli (Goldsmith). You can read it online here.

Recently James Harris highlighted the truncated writing career of Walter F. Moudy (1929-1973) with a focus on No Man on Earth (1964), his only science fiction novel. Inspired by his comments on “The Survivor” (1965) and relentlessly intrigued by authors who have fallen from contemporary memory, I placed the slick future televised Cold War conflict tale at the top of my media landscapes of the future review list. For those expecting a masterful Henry Kuttner tale, stay tuned! In the meantime, let’s plunge into Moudy’s coverage of the 2050 Olympic War Games between the US and Russia.

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Updates: Recent Science Fiction Purchases No. CCC (James Blish, Norman Spinrad, R. M. Meluch, Kurt Vonnegut, Jr.)

/ Joachim Boaz / 31 Comments

My 300th purchase post!

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

Preliminary Note: As I’m currently on vacation, the images in this post are photographs of my volumes rather than my normal hi-res scans. I’ll replace them when I get home.

1. Slaughterhouse-Five or The Children’s Crusade: A Duty-Dance with Death, Kurt Vonnegut, Jr. (1969)

  • Uncredited cover for the 1971 edition

From the inside page: “TAKE A TRIP WITH BILLY PILGRIM

-To the cellar of a slaughterhouse in Dresden, a city about to be destroyed by the greatest man-made catastrophe of all time.

-To happy marriage and mating with the sweet and willing daughter of one of the finest citizens of Illium, New York.

-To a luxurious zoo on the planet Tralfamadore for the public exhibition of lovemaking with the famous Earthling blue-moviestar, Montana Wildhack.

All in an amazing novel that could only have been written by Kurt Vonnegut, Jr., a writer whose wildest flights take you straight to the hear and now.“

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Updates: Recent Science Fiction Purchases No. CCXCVIII (Harlan Ellison, Edward Bryant, Murray Constantine, Sayko Komatsu, and an automobile-themed anthology)

/ Joachim Boaz / 23 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Car Sinister, ed. Robert Silverberg, Martin Harry Greenberg, and Joseph D. Olander (1979)

  • Mike Wilkes’ cover for the 1st edition

From the back cover: “MAN AND HIS MACHINE. The car is man’s most personalized machine; for teenagers it is a rite of passage and a statement of freedom; for adults it is a reflection of success, taste, and hopes; and for an entire culture it is a great and industrious mode of transportation–driving, perhaps, on the road of destruction. And the automobile–thrilling, honking, speeding, nerve-shattering–haunts us with the dark possibility that when our age of motoring innocence is over, we may no longer be the masters… CAR SINISTER–a splendid, imaginative vision of what lies down the road for all of us.”

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Book Review: The Grain Kings, Keith Roberts (1976)

/ Joachim Boaz / 34 Comments
  • Chris Foss’ cover for the 1977 edition

4/5 (collated rating: Good)

Keith Roberts (1935-2000) was an influential, if underread and underappreciated, English author (and cover artist) best known for his alternate history fix-up novel Pavane (1968) and powerful short fictions evocative of the English countryside. He won four BSFA awards in various categories (novel, short story, and artist) yet did not achieve the same critical success in the United States. According to his obituary, his difficult personality, like his common male main characters unable to form steady professional or personal relationships, and propensity to refuse to deal with major publishers impacted his popularity.

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Updates: Recent SF Purchases No. CCXCVI (Harry Harrison, Carole Nelson Douglas, Terry Bisson, Star Anthology)

/ Joachim Boaz / 29 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Planet of the Damned, Harry Harrison (serialized 1961)

  • Uncredited cover for the 1962 edition

From the back cover: “Brion Brandd of the Galactic CRF had a problem. It was the planet Dis. Brion’s assignment was to salvage it.

Dis was a harsh, inhospitable, dangerous place and the Disans made it worse. They might have been a human once–but they were something else now.

The Disans had only one desire–kill! Kill everything, themselves, their planet, the universe if they could–

BRION HAD MINUTES TO STOP THEM–IF HE COULD FIND OUT HOW!”

Initial Thoughts: Smells like a variation of Harrison’s Deathworld (1960), which I never managed to review, from a year earlier. Which isn’t a good sign… Planet of the Damned was a finalist for the 1962 Hugo for Best Novel. It lost to Robert A. Heinlein’s Stranger in a Strange Land (1961).

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Updates: Recent Science Fiction Purchases No. CCXCV (Andre Norton, Alfred Bester, Kendell Foster Crossen, Mark Clifton, Frank Riley)

/ Joachim Boaz / 47 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. They’d Rather Be Right, Mark Clifton and Frank Riley (1954)

  • Michael Carroll’s cover for the 1981 edition

Inside page blurb: “They’d rather be right!

They tried to smash ‘Bossy’ the super-computer. Joe Carter and his strange friends saved the machine–but that really wasn’t necessary. You can’t smash an idea–and the idea was bound to grow again anyway. But people can hate an idea….

They’d rather be right!

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Updates: Recent SFF Purchases No. CCXCIV (Theodore Sturgeon, Edgar Pangborn, Patricia A. McKillip, Ludovic Peters)

/ Joachim Boaz / 29 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Not Without Sorcery, Theodore Sturgeon (1961)

  • Uncredited cover for the 1st edition

Back cover blurb: “In 1948, Theodore Sturgeon published his first collection of short stories, titled, either from modesty or irony, WITHOUT SORCERY. Mr. Sturgeon’s firm conviction that, in his own world at least, absolutely anything is possible (and therefore whatever happens does so ‘without sorcery’) is an obviously specious argument and certainly no excuse. The fact is that anything which Theodore Sturgeon writes is the result of an extraordinary alchemy–the sorcery of his own talent, a talent that is peculiar to himself, unidentifiable but unmistakable, elusive yet always there. This is sorcery, and there is no point boggling it.

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