Updates: Recent Science Fiction Acquisitions No. CLXVI (Saxton + Harrison + Whiteley + New Worlds Anthology)

Procuring SF paperbacks never gets old! I have started scanning in the covers (two of the four below) in order to provide higher quality images (click to zoom)— especially if they are hard to find images online and/or I find them aesthetically pleasing (Powers + Lehr in this post).

Let me know if the change is worth it!

Book rundown:

Josephine Saxton: Despite reading The Hieros Gamos of Sam and An Smith (1969) years ago, my mind still traces the imprint of its strange ritualistic beauty . Her short fiction was published in a range of SF magazines and collections from 1965 to 1992.  I have tracked down a copy of her first collection. Despite its 1985 publication date, eight of the fourteen stories were published in the 60s/70s.

Harry Harrison: A “classic” author whose work I need to explore more: I’ve read Deathworld (1960), attempted to read Make Room! Make Room! (1966) and A Transatlantic Tunnel, Hurrah (1972) at least three times, and Lifeship (1976), which he co-wrote with Gordon R. Dickson. I’ve encountered his short fiction here and there and found “By The Falls” (1970) a satisfying New Wave endeavor. Time for more short fiction!

New Worlds Anthology: I want all of them, end of story.

And finally, the selection bound to surprise and confuse my regular readers…. Aliya Whiteley: Despite my various protestations, I have not stopped reading new SF entirely.  And I couldn’t resist finding a copy of Whiteley’s well-received  fungal nightmare…. If you’re curious see Jesse’s review over at Speculiction.

1. Prime Number, Harry Harrison (1970)

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(Paul Lehr’s cover for the 1970 edition) Continue reading

Guest Post: Three SF Short Stories by Soviet Women Authors Pre-1969: “The Useless Planet” (1967), Olga Larionova, “The Astronaut” (1960), Valentina Zhuravlyova, “Life Space” (1969), Marietta Chudakova

The third guest post in my series SF Short Stories by Women Writers pre-1969 (original announcement and list of earlier posts) comes via Kaggsy (you can follow her on twitter), the proprietor extraordinaire of Kaggsy’s Bookish Ramblings. A connoisseur of Russian literature (among other things) and a long-time commentator on the site, I got wind of her interest in Soviet SF reading her review of Kirill Bulychev’s collection Half a Life (1975, trans. 1977) and her acquisition posts of various Foreign Languages Publishing House, Moscow editions — Alexei Tolstoi’s Aelita (1923) and Destination: Amaltheia (1963), ed. Richard Dixon (image below).

Her post focuses on stories by three Soviet Women SF authors — Olga Larionova, Marietta Chudakova, and Valentina Zhuravlyova.  One story is from the cutoff date of 1969.

Enjoy!

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(Valentina Zhuravlyova’s “The Astronaut” can be found in Destination: Amaltheia, ed. Richard Dixon (1963), Cover: Nikolai Grishin)

Review of “The Useless Planet” (1967) by Olga Larionova, “The Astronaut” (1960) by Valentina Zhuravlyova, and “Life Space” 1969) by Marietta Chudakova

By Kaggsy

When I was approached by Joachim with a view to writing about three favourite short stories written by women writers pre-1969, I confess I did think twice. Although I’ve dipped in and out of sci fi over the years, specifically short stories and specifically written by women isn’t a demographic that necessarily fits Continue reading

Book Review: The Metallic Muse, Lloyd Biggle, Jr. (1972)

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(Ed Nuckolls’ cover for the 1972 edition)

3.5/5 (collated rating: Good)

Over the years I’ve collected quite a few of Lloyd Biggle, Jr.’s SF novels and collections but have not read any of his work since late 2011 when I reviewed The Light That Never Was (1972). Mike’s mostly positive review of his short stories in The Metallic Muse (1972) reminded me of my lack of knowledge of Biggle, Jr.’s strange brand of relatively breezy but earnest SF.  And due to an unnatural aggregation of cosmic particles, our ratings align with unnerving precision.

Many of the stories in The Metallic Muse center around the transformative power of music and art: for example, a song calls space orphans back home in “Orphan of the Void”; an artist dares to create non-commercial music in “The Tunesmith”; TV keeps the masses in line in “Well of the Deep Wish”; and a robotic violin teacher deprives a professor of his students in “Spare the Rod.”  Lloyd Biggle, Jr.’s ebullient style of telling sometimes trivializes and simplifies the heady themes, but his inventiveness Continue reading

Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969

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(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)

The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.

Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.

Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.

Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXV (Leiber + Haiblum + Scholz and Harcourt + Orbit Anthology)

Recently reminded of Fritz Leiber’s beautiful story “A Pail of Air” (1951) which I reviewed a few years ago in the eponymous collection, I was delighted to come across another one of his short story collections.  Thankfully, no Fafhrd and the Gray Mouser stories are in sight.  And of course, another Richard Powers cover…

On twitter I mentioned my ignorance regarding the work of Isidore Haiblum, the author of the “the first Yiddish SF novel” according to the blurb on The Tsaddik of the Seven Wonders (1971).  I have not come across a copy of that particular novel yet, but, another even lesser known quantity joins the books arrayed in piles across my library.

My dalliance with the 1980s continues in fits and starts: I wrote a short review of Christopher Priest’s masterpiece The Affirmation (1981) and recently reviewed Terry Carr’s edited volume Universe 10 (1980)…  As Carter Scholz’s short story “The Johann Sebastian Bach Memorial Barbecue and Nervous Breakdown” (1980) made such a positive impression on me, I decided to find a copy of his collaborative novel.

And I love Damon Knight’s Orbit series of original anthologies.  For reviews: Orbit 1 (1966), Orbit 3 (1968), and Orbit 8 (1970).

As always, thoughts/comments are welcome!

1. Fritz Leiber, The Night of the Wolf (1966)

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(Richard Powers’ cover for the 1966 edition)  Continue reading

[short] Diaristic Fragments on Japanese New Wave Film: Nagisa Ôshima’s Empire of Passion (1978), Masahiro Shinoda’s Double Suicide (1969), Shûji Terayama’s Pastoral Hide and Seek (1974), and Shôhei Imamura’s The Pornographers (1966)

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(Still from The Pornographers (1966), dir. Shôhei Imamura)

In the beginning the “Other Suspect Ruminations” part of my site’s title referred to my filmic obsessions. It’s been five years since I’ve posted along those lines. As diligent readers might be able to tell, I am fascinated by the general historical context (and earlier) of the SF decades I enjoy the most—from the Czech New Wave to the Japanese New Wave, from 60s/70s political jazz to the surrealists.

Until a few months ago my experience with Japanese New Wave film was limited to Hiroshi Teshigahara’s collaborations with the Japanese author (of SF and literature) Kôbô Abe—The Woman in the Dunes (1964), The Face of Another (1966) and Pitfall (1962)—and a few surreal Seijun Suzuki yakuza flics including Branded to Kill (1967) and Tokyo Drifter (1966) and Masahiro Shinoda’s hyper-stylized Pale Flower (1964). I highly recommend all of the above, especially The Face of Another (1966) if you’re interested in Japanese New Wave’s take on science fiction.

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(A tantalizing scene from The Face of Another)

Recently my horizons have expanded. I am in no way a scholar of Japan or claim to be knowledgeable about Japanese culture, however, the narrative experimentation Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXIV (Moorcock + Wilhelm + Schmidt + Effinger)

New books join the ranks of their happy brethren on my shelves…

Let’s start with Arno Schmidt’s 1957 SF parable (English translation 1979)–The Egghead Republic : A Short Novel from the Horse Latitudes… First, before you are tempted to buy the novel check out this fascinating series of images via Biblioklept from Schmidt’s later behemoth 1970 novel + rumination on James Joyce, Bottom’s Dream.  You must be able to tolerate this level of experimentation.  Although The Egghead Republic is far less intense and much shorter, it is not for the fainthearted (and probably not for fans of “SF only” or those who are frustrated with “artifice” or “literary” or “the author in the story”).  There is a reason he wasn’t translated into English for a long long time!  Here’s an image (with some of my notes) for demonstration purposes [click to enlarge]

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And more experimentation in the SF fold via Moorcock and his then wife Hilary Bailey.  Graced with a gorgeous Leo and Diane Dillon cover, as always.

Added to the mix is one of George Alec Effinger’s lesser known novels–I do not have high hopes despite how much I loved Heroics (1979) and his masterpiece What Entropy Means to Me (1972).

An early Kate Wilhelm novel, although I’ll be sticking to her late 60s/early 70s short stories for a while–they are that good!  See my review of Abyss (1971) and The Downstairs Room and Other Speculative Fictions (1968).

As always comments/thoughts are welcome.

Has anyone read Schmidt?  I read a review where this particular novel was compared to Lem.

Enjoy the covers!

1. The Black Corridor, Michael Moorcock and Hilary Bailey (1969)

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(Diane and Leo Dillon’s cover for the 1969 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXIII (Simak + Moore + Universe Anthology + Lewin)

I had a choice, one of the worst SF covers I have ever seen vs. a standard Richard Powers cover. Despite my undying Powers love, I chose the worst (weird white face bathed in purple/pink strangeness)…. you know…. a conversation starter? As I have read little of Simak’s non-novel SF, I was quite happy to I come across one of his collections at the local bookstore.

Ward Moore’s 1953 alt-history classic fetches quite the price online. Perhaps due to a renewed interest as it was recently published in the Gollancz Masterwork series. Regardless, I found a 70s edition (alas, a bland cover) for a few dollars. I’ve been listening to his humorous satire of salesmen Greener Than You Think (1947) as an ebook while at the gym and thought I’d give his most famous novel a go…

My Universe anthology series grows and grows–and, this one contains authors new to me, including Howard Waldrop, F. M. Busby, and Lee Killough.

Thoughts/comments welcome!  I doubt many will support my choice of picking the hideous cover over Powers, but, I can submit a picture of it to our esteemed purveyor of trash covers, Good Show, Sir!

1. Bring the Jubilee, Ward Moore (1953)

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(Jeff Jones’ cover for the 1972 edition) Continue reading

Updates: Recent Science Fiction Acquisitions No. CLXI (Ellison + Sterling + Fast + Paul)

As is my wont, a wide range of authors, SF styles, and covers…. From Harlan Ellison’s collection with the first expanded and non-magazine publication of his famous  1970 Nebula Award-winning and Hugo-nominated novella “A Boy and His Dog” (1969) to Barbara Paul’s best-known SF novel.

And, how can you resist the gorgeous Karel Thole cover for Fast’s collection?  I know little about the author….

And finally, in my youth I was a cyberpunk fanatic and I adored (perhaps I was misguided, hah) Bruce Sterling’s Islands in the Net (1988).  At last I have his first novel in my hands!

As always, thoughts and comments are welcome!

1. The General Zapped an Angel, Howard Fast (1970)

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(Karel Thole’s cover for the 1970 edition) Continue reading