Alice Eleanor Jones

Short Fiction Reviews: Alice Eleanor Jones’ “Life, Incorporated” (1955), “Miss Quatro” (1955), and “Recruiting Officer” (1955)

/ Joachim Boaz / 25 Comments

I ranked Alice Eleanor Jones’ apocalyptic slice-of-life nightmare “Created He Them” (1955) as my favorite SF short story of 2022. I also found Jones’ “The Happy Clown” (1955) a bleakly effective satire of television and consumerism. Unfortunately, Jones only published five short stories in 1955 before leaving science fiction altogether. It’s a shame she did not continue writing SF. With this post, I’ve covered her entire SF output.

Alice Eleanor Jones (1916-1981) received a PhD in English from University of Pennsylvania in 1944 on the seventeenth-century dramatist Shakerly Marmion. In the first year of her writing career, Jones “published five SF stories and two slick romance narratives.” Despite Anthony Boucher’s prediction that she’d be successful in both fields, Jones never returned to science fiction but continued to publish in the leading women’s magazines of the day and wrote a column for the trade magazine The Writer “well into the 1960s.”1 Lisa Yaszek argues that Jones’ “stories about housewife heroines and other domestic figures” do not reiterate conservative ideologues of the day but rather, through the construction of “offbeat” situations, examine how new scientific and social relations would impact women.2 Her two stories from the male perspective, “The Happy Clown” (1955) and “Life, Incorporated” (1955) are anti-consumerist satires.

This post fits–in conjunction with my earlier “Created He Them” (1955) review—in my series on the first three published short stories by female authors. So far I’ve featured Phyllis Gotlieb (1926-2009), Sydney J. Van Scyoc (1939-2023), Josephine Saxton (1935-), Carol Emshwiller (1921-2019), Wilmar H. Shiras (1908-1990), Nancy Kress (1948-), Melisa Michaels (1946-2019), Lee Killough (1942-), Betsy Curtis (1917-2002), and Eleanor Arnason (1942-).

Now let’s get to the stories!

  • Frank Kelly Freas’ cover for Fantastic Universe, ed. Leo Margulies (April 1955)
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Updates: My 2022 in Review (Best SF Novels, Best SF Short Fiction, and Bonus Categories)

/ Joachim Boaz / 28 Comments

2022 was the single best year in the history of my site for visits and unique viewers!

As I mention year after year, I find reading and writing for the site—and participating in all the SF discussions generated over the year—a necessary and greatly appreciated salve. Whether you are a lurker, occasional visitor, or a regular commenter, thank you for your continued support.

Continuing a trend from 2021, I read only a handful of novels this year. Instead, I devoted my obsessive attention to various science short story review initiatives (listed below), anthologies, and histories of the science fiction genre. Without further ado, here are my favorite novels and short stories I read in 2022 with bonus categories. Descriptions are derived from my linked reviews.

Check out last year’s rundown if you haven’t already for more spectacular reads. I have archived all my annual rundowns on my article index page if you wanted to peruse earlier years.

My Top 5 Science Fiction Novels of 2022 [TITLES LINK TO FULL REVIEWS]

  • George Underwood’s cover for the 1979 edition

1. Vonda N. McIntyre’s Dreamsnake (1978), 4.75/5 (Near Masterpiece): Won the 1979 Hugo, Locus, and Nebula Award for Best Novel. Snake journeys across the post-apocalyptic wastes of a future Earth with three serpents healing the sick and caring for the dying. She is a member of the healers, who adopt orphans and rescue the oppressed and train them how to use the serpents. Mist and Sand are genetically modified vipers of terrestrial origin. But Grass comes from another alien world. Snake uses Mist and Sand’s venom to create vaccines, treat diseases, and cure tumors. Grass, the rare dreamsnake, with its alien DNA is the most important of them all–it provides therapeutic pleasure and dreams that facilitate conquering one’s fear and healing in the ill. In Snake’s voyages, she encounters prejudice and violence. A joyous sense of sexual freedom permeates the proceedings. A powerful and different take on a post-apocalyptic worldscape in every possible way.

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Future Media Short Story Reviews: C. M. Kornbluth’s “The Advent on Channel Twelve” (1958) and Alice Eleanor Jones’ “The Happy Clown” (1955)

/ Joachim Boaz / 29 Comments

Today I’ve reviewed the eighteenth and nineteenth stories in my series on the science fictional media landscape of the future. Alice Eleanor Jones and C. M. Kornbluth conjure a media-saturated world and cartoon characters that generate cultish adoration. Both authors respond to the rapid growth of television in the United States over the 1950s and multimedia conglomerates like Disney.

Previously: John Brunner’s “Fair” (March 1956) under the pseudonym Keith Woodcott.

Up Next: Frederik Pohl’s “The Wizards of Pung’s Corners” (October 1958).

  • Richard Powers’ cover for the 1st edition

4.5/5 (Very Good)

C. M. Kornbluth’s “The Advent on Channel Twelve” first appeared in Star Science Fiction Stories No. 4, ed. Frederik Pohl (1958). You can read it online here if you have an Internet Archive account. Nominated for the 1959 Hugo for Best Short Story. Lost to Robert Bloch’s “That Hell-Bound Train” (1958).

In the short intro to the story in The Best of C. M. Kornbluth (1976), Frederik Pohl explains that Kornbluth’s two young sons (and their father) never missed an episode of the The Mikey Mouse Club (1955-1958). The iconic Disney TV show generated a “national mania” with kids everywhere singing the Mouseketeer song and wearing mouse-ear hats. In 1955, the wider Disney craze would see the creation of their first theme park–Disneyland. Expanding on earlier ruminations on media and the masses in The Space Merchants (1953), “The Advent on Channel Twelve” imagines the dystopic elevation of cartoon character to an altogether new pedestal in the American consciousness.

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Short Story Reviews: Alice Eleanor Jones’ “Created He Them” (1955) and Katherine MacLean’s “Interbalance” (1960)

/ Joachim Boaz / 12 Comments

Today I’ve selected two post-apocalyptic visions by female authors. I needed an antidote to the creepy last man/woman stories I’ve been reading recently. Alice Eleanor Jones spins a masterpiece about a housewife attempting to keep the entropy of a crumbling world and an abusive husband at bay. Katherine MacLean imagines a moment where the last representative of the American Empire, after all the rhetoric of progress and exceptionalism came crashing down in a nuclear war, interacts with a persistent and well-meaning native girl.

The links to the stories can be found in the reviews. Both are recommended reads for fans of 50s and 60s science fiction.

  • Uncredited cover for the 1968 edition of The Best from Fantasy and Science Fiction: Fifth Series, ed. Anthony Boucher (1956)

5/5 (Masterpiece)

Alice Eleanor Jones’ “Created He Them” first appeared in The Magazine of Fantasy and Science Fiction, ed. Anthony Boucher (June 1955). You can read it online here.

Sometimes there are stories that transcend their short length with lasting power. This story has resided within me as if freshly read for weeks. Like some corrosive lozenge of love and hate, “Created He Them” eats you up from the inside.

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Guest Post: From Pulp to New Wave: “Space Episode” (1941), Leslie Perri, “Recruiting Officer” (1955), Alice Eleanor Jones, “When I Was Miss Dow” (1966), Sonya Dorman

/ Joachim Boaz / 8 Comments

Ian Sales (twitter) over at It Doesn’t Have to Be Right…—BFSA-winning SF author for Adrift on the Sea of Rains (2012), reviewer, and curator of the indispensable review-collating site SF Mistressworks—provides the seventh guest post in my SF Short Stories by Women Writers pre-1969 series (original announcement and list of earlier posts).

Head over to his blog posthaste.  Although most of his more recent SF reviews are published in Interzone, his website offers older reviews and many useful resources: a list of the 100 Best SF short stories by women authors; SF Mistressworks Best Novels List; and SF women-only anthologies.

As is his wont, Ian selected two lesser-known pulp SF works by women authors—Leslie Perri and Alice Eleanor Jones—who did not have lengthy SF writing careers. His third selected story is by the masterful Sonya Dorman from one of my favorite periods of SF—the New Wave.

Thank you for contributing!

Enjoy!

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future_combined_with_science_fiction_194112

(“Space Episode” first appeared in Future Combined with Science Fiction, December 1941, cover: Hannes Bok)

Review of “Space Episode” (1941) by Leslie Perri, “Recruiting Officer” (1955) by Alice Eleanor Jones, “When I Was Miss Dow” (1966) by Sonya Dorman

By Ian Sales

“Space Episode”, Leslie Perri (1941)

Leslie Perri was the pen-name of Doris Marie Claire Baumgardt, a member of the Futurians, who was married, at different times, to two sf writers, Frederik Pohl and Continue reading →

Guest Post Series Announcement: SF Short Stories by Women Writers pre-1969

/ Joachim Boaz / 28 Comments

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(Richard Powers’ cover for the 1963 edition of A Handful of Time (1963), Rosel George Brown)

The time has come for a new Guest Post series on SF Short Stories by Women Writers pre-1969. My reasons are two-fold: 1) to showcase a deserving and fascinating topic in line with my goal to feature lesser known SF from a range of viewpoints and traditions 2) to feature posts from reviewers in the vintage SF blogsphere and beyond (in any combination of the following) that attempt to move past standard lists and grand narratives of canon, tackle fiction from evidence-based analytical and academic perspectives, or are simply darn good writers whose sites I cannot help but return to compulsively.

Why pre-1969? Although most endpoints are arbitrary in nature, 1969 saw the publication of Ursula Le Guin’s magisterial The Left Hand of Darkness. Considered a watershed moment in the history of women writers as it was the first to win a Hugo Award for best novel, Le Guin among many others were part of a rich (albeit oft suppressed and ignored) genealogy of women SF authors reaching back to Mary Shelly. My focus on short stories will allow exploration of many authors who did not write novels, whose novels overshadow their short fiction, and those whose rich body of early work focused predominately on the short form.

Thus I have rounded up my normal suspects along with new voices. The first guest post series covered the work of Michael Bishop and the second Kate Wilhelm.

Topics in the queue: Robot therapists, French and Soviet SF, a range of speculative fictions from the 19th Continue reading →