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Adventures in Science Fiction Cover Art: The Power of the Atom!

/ Joachim Boaz / 10 Comments

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(John Richards’ cover for the 1958 edition of Crisis 2000 (1955), Charles Eric Maine)

On science fiction covers from the 40s and 50s the atom is often emblematic of atomic power and all the dangers and promises that such a scientific breakthrough could (and did) yield.  In John Richards’ cover for the 1958 edition of Charles Eric Maine’s Crisis 2000 (1955) the humanoid super beings arrive from Saturn to terrorize Earthmen — and, carefully covering the private areas of one of these denizens of Saturn is the atomic symbol surrounded by blood. The cover is made even more unnerving by the multiplicity of identical Continue reading →

Adventures in Science Fiction Cover Art: The Space Station, Part II

/ Joachim Boaz / 10 Comments

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(Arthur Hawkins’ cover for the 1959 edition of Skyport (1959), Curt Siodmak)

Part II of my series on cover art depicting space stations (Part I).  Here are vast assortment of primarily Alex Schomburg and Vincent Di Fate’s artwork — they did love their space stations.  But, I think my favorite is by far Arthur Hawkins’ cover for the 1959 edition of Curt Siodmak’s Skyport (1959) — the author is of course famous for the novel Donovan’s Brain (1942).  The delightful color scheme, the 50s aesthetic, the vague indication of continents below, the cluster of Continue reading →

Adventures in Science Fiction Cover Art: On the Cross and Other Prophetic Imagery

/ Joachim Boaz / 20 Comments

Screen shot 2012-11-21 at 1.36.13 PM(Michael Whelan’s cover for the 1977 edition of The Gameplayers of Zan (1977), M. A. Foster)

On the cross, a future prophet (or false one)?  A martyr for a lost cause?  Or, some future priestly emissary of the Catholic church dispensing law on those gathered…. Perhaps some transformation of man to a godly state all hallowed and arrayed with religious accouterments of faith?  I’ve gathered a fun collection of science fiction prophets mostly decked out / depicted in distinctly Christian style.  

My favorite is Robert Foster’s cover for the 1970 edition of Behold the Man (1969) by Michael Moorcock…. And Gray Morrow’s cover for the 1970 edition of This Immortal (variant title: And Call Me Conrad) (1965) contains a fascinating color scheme — although there isn’t any mold on the figure’s face as Zelazny Continue reading →

Updates: Recent Acquisitions No. LX (Galouye 4x + Bunch)

/ Joachim Boaz / 10 Comments

What a group of novels!  Four novels by the highly underrated and underread 1960s/early 70s author Daniel F. Galouye — the only novel of his I’m missing is The Infinite Man (1973)…  I’ve previously read his most famous work Dark Universe (1961) — here’s my review (be warned, one of my first reviews on the site, I’d like to think that I’ve improved) — but copies tend to go for around $10+ online so I didn’t own a copy until I stumbled on a great lot of his novels on ebay for a few bucks…

Just read the back covers quotes (below).  They all sound disturbing and absolutely fantastic.  Rainer Werner Fassbinder — yes, you read that correctly — even made a German language miniseries adaptation, Welt Am Draht (1973) (World on a Wire), of Simulacron-3 (1964). Criterion just released a DVD….  And of course, Josef Rusnak’s more famous film The Thirteenth Floor (1999) was a lose adaptation of the same novel.

Also, I spent the most I’ve ever spend on a paperback for David R. Bunch’s near masterpiece, Moderan (1971).  I finished the novel last week (interlibrary loan) and had to find a copy…  They are usually $18 + online but again, found a copy on ebay and made an offer.  I’ll have a review of Moderan up in a few days, I promise!

1. Lords of the Psychon, Daniel F. Galouye (1963)

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(Uncredited cover Continue reading →

Adventures in Science Fiction Cover Art: The Rotating Wheel Space Station/Habitat, Part I

/ Joachim Boaz / 12 Comments

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(Dean Ellis’ cover for the 1973 edition of Operation Umanaq (1973), John Rankine)

Here are only a small portion of the cover images I’ve collected of space stations and space habitats of the rotating wheel variety — i.e. the ring (or a torus) spins creating pseudo-gravity.  As in the double-wheeled space station in 2001: A Space Odyssey (1968)…  I have always been enamored with space stations/habitats which was part of reason I adored Star Trek: Deep Space Nine as a kid (although today I prefer it over the over Star Treks due to the complicated arc Continue reading →

Adventures in Science Fiction Cover Art: The City on the Horizon

/ Joachim Boaz / 18 Comments

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(Karel Thole’s cover for the 1962 edition of Starman’s Quest (1958), Robert Silverberg)

Some of my favorite cover art posts over the last two years were on the theme of cities — Elevated Cities (Part I, Part II), Domed Cities (Part I, Part II, Part III), Doomed Cities (Part I, Part II, Part III), and Ice-Covered Cities.  I’m starting a new series on science fiction cities  — The City on the Horizon — I already have two additional posts lined up on the theme.

The City on the Horizon — a glimmer of hope for beleaguered travelers, an beacon of habitation of an unknown civilization on an alien world, an organic mass rising from the desert sands, or a refuge of the ultra wealthy rising majestic from a slum… The possibilities are Continue reading →

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds!, Part III

/ Joachim Boaz / 15 Comments

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(Richard Powers’ cover for the 1952 edition of Rat Race (1950), Jay Franklin)

Part III of my series on Nuclear Explosions + Mushroom Clouds…. Part I + Part II

As always, I’ve included a variety of novel and magazine covers on the theme from the 50s-70s.  My favorite is by far Richard Powers’ cover for the 1952 edition of Rat Race (1950) — his occasional less surreal visions from the 1950s are artistically adept and powerful (by the 60s the majority of his covers are surrealist).  I found that the uncredited cover for the 1961 edition of Dark December (1960) convincingly depicts the loneliness of the survivors in their new world…  J. F. Doeve’s cover for the 1966 Dutch edition of  The Crucified City (1962) displays the devastation Continue reading →

Updates: An Incomplete List of Worthwhile Classic Science Fiction Blogs/Resources

/ Joachim Boaz / 32 Comments

I love the idea of a community of science fiction reviewers — so I’ve put together a list of a handful of book review blogs focused on classic/slightly more esoteric science fiction.  Obviously there are plenty of great blogs I’ve omitted that have reviews of new releases or only occasional vintage science fiction….  Or, blogs that refrain from reviews of vintage science fiction unless participating in certain reading challenges….

Please visit them, comment on their reviews, and browse through their back catalogues.

1] Speculiction….: An under visited /commented on blog with quality book reviews of classic science fiction — however, the reviewer, Jesse, is limited by the lack of older science fiction available to him in Poland.  I especially enjoyed his reviews of Ballard’s “beautifully strange enigma” that is The Crystal World (1966) and of course, my favorite science fiction novel of all time, John Brunner’s magisterial Stand on Zanzibar (1968).  An index of his reviews can be found here.  He also has a good mix of newer science fiction reviews as well.

2] The PorPor Books Blog: SF and Fantasy Books 1968-1988: I find this blog Continue reading →

Adventures in Science Fiction Cover Art: Look, I’m Actually a Robot (chest flaps, faux skin, mechanical brains)

/ Joachim Boaz / 13 Comments

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(Gray Morrow’s cover for the the December 1964 issue of If)

One of Philip K. Dick’s trademark narrative devices is a character’s realization that they are not human as they previously believed but rather a robot — for example in one of my favorite sci-fi short stories, ‘Impostor’.  Generally these bewildered robots float to the ceiling and explode, which has to be one of the more terrifying and cataclysmic revelations possible (the knowledge itself and the devastation caused).

Unfortunately, cover artists don’t attempt to depict that sort of “look, I’m a robot” type Continue reading →