Adventures in Science Fiction Cover Art: Domed Cities of the Future, Part III

(Kelly Freas’ cover for the 1955 edition of City of Glass (1942 magazine), Noel Loomis)

Part I, Part II of my series on domed cities of the future.

Bob Watkin’s cover for the 1955 issue of If Magazine depicts an old man regaling stories of futuristic domed cities.  His fantastic visions are reduced to their key elements in sketch form — a translucent dome, buildings.  I’ve selected a variety of images from pulp 50s works until the late 70s depicting more fantastic/futuristic domed cities than the old man’s imagination conjures.  Ed Emshwiller’s cover for the  1953 edition of City at World’s End (1950) depicts two futuristic metropoli — a trend in future city development?  The first is a planned circular city spreading horizontally across the plain.  The other, an incredibly stylized “futuristic complex” Continue reading

Adventures in Science Fiction Cover Art: Nuclear Explosions + Mushroom Clouds, Part II

(Pattee’s cover for the November 1950 issue of Astounding Science Fiction)

In case you missed Part I.

Pattee’s cover for the Astounding Science Fiction November 1950 issue is visually stunning.  A transparent man (his arteries + brain showing) holds the atomic symbol aloft.  On the horizon a gigantic mushroom cloud is transposed with a spaceship.  Does man use atomic power for science and the good of mankind or evil and the destruction of mankind?  The message is made even more abundantly clear by the title of the piece of art — “Choice.”  Although this rhetoric might seem somewhat ham-fisted to modern post-Cold War readers, it produced some remarkable works of science fiction and science fiction art.  (If anyone knows the full name of the artist, I’d be grateful).

As with Part I, I’ve included some covers from the notorious hackwork spewing conveyor belt publisher Badger Books for giggles and Continue reading

Book Review: The Eleventh Commandment, Lester del Rey (1962, revised: 1970)

(Dean Ellis’ cover for the 1970 edition)

3.5/5 (Good)

Lester del Rey’s The Eleventh Commandment, originally published in 1962, was revised by the author in 1970. I’ve reviewed the 1970 edition — I do not know to what extent the original was changed.

My first exposure to Lester del Rey’s sci-fi bucks the impression of general averageness conveyed by my fellow reviewers.  This work strikes me as a product of the more mature side of del Rey, a move away from his normal space opera YA fare.  In The Eleventh Commandment del Rey explores the religious ramification of overpopulation (see list) concerns of the 50s/60s.  Due to the fact that overpopulation fears gained a lot of currency after the publication of the 1968 bestselling non-fiction work The Population Bomb,  I suspect it provided the impulse for del Rey to rewrite the novel.  Despite the involving premise, the plot is often a Continue reading

Adventures in Science Fiction Cover Art: Visualizing Time

(Hubert Rogers’ cover for the January 1951 issue of Astounding Science Fiction)

In Hubert Rogers’ fascinating cover (titled ‘Achievement’) for the January 1951 issue of Astounding Science Fiction, mankind appears pulled upward, as if against their will, towards an undefined future goal.  Rogers’ cover encapsulates David Hume’s notion of historical time relentlessly moving towards improvement — improvement as something measurable and observable by the historian, and anyone who studies history.  Obviously, this historiographical framework has long been debunked (although it crops up in virtually all of my undergraduate students’ work in intro level courses) — it favors Western conceptions of progress, dismisses the achievements of non-European Continue reading

Updates: Recent Science Fiction Acquisitions N. XL (Miller, Jr + Cogswell + Pohl/del Rey + Kornbluth/Merril)

A couple from my father + a few left over Marx Book purchases….

Three delightfully gorgeous Powers covers.  And one stunning John Schoenherr cover despite the unknown quality of the short stories within….

A short story collection and a three novella collection by Walter M. Miller, Jr., the author of A Canticle for Leibowitz (1959)…  A scathing, and hilarious satire by Frederik Pohl and Lester del Rey…  Among others.

1.  The View from the Stars, Walter M. Miller, Jr. (1965) (MY REVIEW)

(Richard Powers’ cover for the 1965 edition) Continue reading

Adventures in Science Fiction Cover Art: The Statue of Liberty on Pre-1968 Magazine and Novel Covers

pota-statue-of-liberty-2.jpeg

(Still from the 1968 film Planet of the Apes, dir. Franklin J. Schaffner)

For more covers on the same theme see Part II

I suspect that virtually all science fiction fans and film cineastes recall the vivid sequence near the end of the 1968 film Planet of the Apes where the Statue of Liberty lies half-buried in the sands.  Franklin J. Schaffner’s film draws on a rich tradition in pulp science fiction cover art.  I’ve included six cover from 1941-1965, all before the film was released, that depict the Statue of Liberty submerged by apocalyptical floods and excavated by future spacemen.  I have a large catalogue of covers that show various landmarks destroyed by mechanical monsters, ogled at by aliens, and wrecked by a variety of world ending disasters.  The Hollywood penchant for destroying as many national landmarks as possible in movies is deeply rooted in existing visual traditions.

My favorite is by far Blanchard’s (does anyone know his full name) cover for the 1959 edition of John Bowen’s After The Rain (1958).  The dark skies, the stormy waters reaching up to her nose, the survivors of the flood perched near the flame, the boats and roofs of houses floating about, perfectly evoke the extent of the disaster — and, “elements gone wild!”

Enjoy!

(if I’ve missed any pre-1968 covers please let me know.  I know that there are multiple later covers but they might be purposefully referencing Planet of the Apes)

(Blanchard’s cover for the 1959 edition of After The Rain (1958), John Bowen) Continue reading

Updates: Recent Science Fiction Acquisitions N. XXXIX (Priest + Brunner + Crowley + Wallace + Duncan)

Ah, what a delightful group! A few from my father, a few from Marx books which I hadn’t posted yet….  Priest and Crowley’s novels involve fascinating worldscapes — a world winched across the horizon, a world at the top of a pillar…  Both are considered among the better stylists in science fiction and fantasy.

And, my 22nd (?) Brunner novel!  The Stone That Never Came Down (1973) — from his glory period of the late 60s-early 70s (this period produced Stand on Zanzibar, The Sheep Look Up, Shockwave Rider, The Jagged Orbit).

And two more impulsive finds — Ian Wallace’s Croyd (1967) — a reader claimed it was one of the best sci-fi novels of the 60s, and thus due to my intense curiosity, I had to find a copy.  And Dark Dominion (1954), I know little about David Duncan — he wrote only three sci-fi novels in the 50s.  His work is described by SF encyclopedia as “quietly eloquent, inherently memorable, worth remarking upon.”

And the covers!

1. The Inverted World, Christopher Priest (1974)

(Jack Fargasso’s cover for the 1975 edition) Continue reading

Updates: Recent Science Fiction Acquisitions N. XXXVIII (Spinrad + Harrison + Kavan + Effinger)

Ah, when I have access to a massive inexpensive catalogue (Marx Books) the quality of my finds goes up and up…..  Finally a copy of Norman Spinrad’s metafictional The Iron Dream (1972) (if Hitler lived in America and wrote a sci-fi novel AND a commentary on said piece of science fiction).  Unfortunately, I own a later edition (with a hideous cover) than the one below.  Geo. Alec Effinger’s bizarre What Entropy Means to Me (1972) — again, about writing, and interpreting writing, and inventing interpretation…  Anna Kavan’s drug inspired underrated and underread sci-fi parable Ice (1976).  AND, a futuristic fantasy of the highest caliber, M. John Harrison’s The Pastel City (1971) — yes, I could have purchased the multi-novel sequence (and related short stories) in one volume but I like having the original paperbacks.

1. The Iron Dream, Norman Spinrad (1972)

(Uncredited cover for the 1972 edition) Continue reading

Adventures in Science Fiction Cover Art: Spacewomen of the Future (fixing spaceships + fighting aliens + charging across barren landscapes)

(Don Sibley’s cover for the November 1950 issue of Galaxy)

When we conjure the image of a 40s/50s science fiction pulp heroine we often imagine a character who has to be rescued by men from aliens, shrieks and clings to any man nearby, and is always in a state of undress.  I’ve included one cover, for the sake of comparison, that I find to be an exemplar of this type of sexist (and racist) depiction below (Alex Schomburg’s cover for the January 1954 issue of Future Science Fiction): white woman wrapped in only a towel stalked by an evil alien obviously painted with African-American facial characteristics (heavy on the sexual predation vibe) — the reader is supposed to buy into the racial stereotypes and thus be titillated by the fear she must feel.

I’ve selected a wide range of mostly pulp magazine covers depicting spacewomen of the future (I’ve loosely decided that this means women in space, in spacesuits) that tend to buck the trend Continue reading