book reviews

Book Review: Time of the Great Freeze, Robert Silverberg (1964)

/ Joachim Boaz / 13 Comments

(Harry Schaare’s cover for the 1966 edition)

3/5 (Average)

Silverberg’s young adult (juvenile) science fiction novel Time of the Great Freeze (1964) is a by the numbers with few extra frills pulp adventure with a time-worn but still seductive premise: underground cities!  Unlike Heinlein’s best juvenile sci-fi works (Starman Jones, Citizen of the Galaxy, etc), Silverberg’s work fails to conjure the same wonder.  Silverberg’s portrayal of his youthful hero is dull even by 50s/60s juvenile standards — he fails to exude the biggest character trait of the genre, vibrant youthful vigor.  Yes he’s smart, does some judo moves, gets over friends’ deaths in a heartbeat, and is mentally tough but unfortunately is completely interchangeable with the other characters. Continue reading →

Book Review: Ossian’s Ride, Fred Hoyle (1959)

/ Joachim Boaz / 8 Comments

SSNSRDSLDK1959.jpg

(Hoffman’s cover for the 1959 edition)

2.5/5 (Bad)

Fred Hoyle’s Ossian’s Ride (1959) is a disappointing sci-fi thriller which fails to live up to its intriguing premise: why is unusual technology flowing from unknown sources from far Western Ireland (a handy map is provided) beyond the Erin Curtain?  Get it, Ireland’s IRON CURTAIN…  This wobbly little thriller conjures but little thrill, the grand mystery is all too obvious/abrupt/giggle-inducing, and, most damaging, intended or not the political message is an endorsement of a police state as long as it encourages technological advancement.

The first edition cover proclaims Ossian’s Ride Continue reading →

Book Review: Bright New Universe, Jack Williamson (1967)

/ Joachim Boaz / 4 Comments

(John Schoenherr’s cover for the 1967 edition)

3.25/5 (Average)

Jack Williamson’s Bright New Universe (1967) is one part juvenile (young man trekking into space against the wishes of his family), one part 1960s social commentary on race, and one part 30s/40s pulp (look at that beehive alien!  Look at that sexy Asian girl alien!).  The hybridity is jarring and unsuccessful but shows Williamson’s valiant attempt to modify his earlier writing styles to the increasingly prevalent social science fiction of the 60s.

Brief Plot Summary (limited spoilers)

In the middle of a gathering with his family and the family of his wealthy fiancée Kayren, Adam Cave (early 20s) calls off his wedding and declares that he will follow his father’s footsteps and Continue reading →

Book Review: Planet of the Voles, Charles Platt (1971)

/ Joachim Boaz / 4 Comments

(Paul Lehr’s cover for the 1972 edition)

1/5 (Terrible)

Charles Platt’s Planet of the Voles (1971) has a similar feel to one of the more atrocious episodes of Stargate SG-1.  In place of all the horridly butchered Egyptian mythology is a weird pseudo-mythology about the inevitability of a battle between the sexes uneasily pasted on an archetypal military sci-fi plot.  The work is filled with alien landscapes which look like Earth, soldier/scientists who can do anything and everything with anything anywhere, random bits of hokey technology appear as if by magic to facilitate the pedestrian plot (this black box will make alien birds carry us into the fortress!) etc.

Platt’s prose is lacking all ability to convey human emotions.  After our Continue reading →

Book Review: Guernica Night, Barry N. Malzberg (1975)

/ Joachim Boaz / 7 Comments

(Tim White’s cover for the 1979 edition)

4.25/5 (Good)

Nominated for the 1976 Nebula Award for Best Novel

“Here we are in Disney Land/Disney World; clutching the strange hands of those with whom we came, we move slowly through the ropes under the chanting of the attendants, swatting insects of habitation, toward the exhibit of the martyred President.  The martyred President has become a manikin activated by machinery, tubes and wiring; he delivers selected portions of his famous addresses, stumbling back and forth […] (1)”

Guernica Night (1975) is the third of Barry N. Malzberg’s books I’ve read after Conversations (1975) and In the Enclosure (1973).  Although lacking the Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXXI (Dick + Zelazny + Tucker + Smith)

/ Joachim Boaz / 10 Comments

Another wonderful assortment (some from Central Texas bookstores, some from my father as presents, some semi-forgotten works from a few months ago that I forgot to post about)…  Regardless, I’m almost finished Zelazny’s Jack of Shadows (1971) and am quite impressed (I loved This Immortal and Lord of Light).  Another PKD, Dr. Bloodmoney or How We Got Along After the Bomb (1965),  swells my already extensive collection of his novels and short story collections — again, the premise is vintage PKD surrealism (girl with twin brother growing inside of her in a post-apocalyptical wasteland).  I bought the Wilson Tucker novel, Tomorrow Plus X (1956), because of the gorgeous Richard Powers cover…  A few of his works are supposedly readable, but this one is probably justly forgotten.  The Cordwainer Smith collection, Space Lords (1965), will be my first exposure to his work — very excited!  Now that I think about it, I do have a copy of Norstrilia (1975) languishing somewhere.

Enjoy!

1. Jack of Shadows, Roger Zelazny (1971)

(Robert Pepper’s cover for the 1972 Continue reading →

Updates: Recent Science Fiction Acquisitions No. XXX (Christopher + Benford + Shaw + Frank + et al.)

/ Joachim Boaz / 16 Comments

My second batch of books from my youthful haunt (Austin, TX) is equally as varied and intriguing as the first.  I’m most interested in Pat Frank’s famous late 50s classic Alas, Babylon. Yes, a sci-fi fan like me should have read it a LONG time ago.  John Christopher’s The Long Winter (1962) should also prove a worthwhile read — an ice age hits Earth and the English main characters flee to Africa.  Shaw’s Orbitsville (1975) is the the vein of Larry Niven’s more famous Ringworld (1970) and Arthur C. Clarke’s classic Rendezvous with Rama (1972) — explorers encountering unusual alien worlds (in this case, a dyson sphere).

As always, a few stunning covers…  My favorite of the bunch is John Schoenherr’s cover for Mark Phillips’ Brain Twister (1962)…

Enjoy!  If you’ve read any of the novels few free to comment.  I’ve not read any of Benford, Frank, Mark Phillips (pseudonym for Laurence Janifer and Randall Garrett) or Platt’s works before.

1. In The Ocean of Night, Gregory Benford (1977)

(Larry Kresek’s cover for the 1977 edition) Continue reading →

Updates: Recent Acquisitions No. XXIX (Dick + White + Harrison + et al.)

/ Joachim Boaz / 24 Comments

A return to old familial haunts yields a heart warming stash of gems and a few radiating a more dubious aura…

And more Richard Powers’ covers for my growing collection….

Most importantly, I picked up my fourteenth or fifteenth Philip K. Dick novel! I will acquire ALL of them eventually.

And another Ace double — little did I know (but I should have guessed considering the egregious art and interior images) that is was sci-fi of the more comic variety.  But, I wanted at least one of Lafferty’s novels after reading a few of his impressive short stories.

Enjoy!

1. Star Surgeon, James White (1963)

(Richard Powers’ cover for the 1963 edition) Continue reading →

Book Review: The Outcasts of Heaven Belt, Joan D. Vinge (1978)

/ Joachim Boaz / 13 Comments

(Vincent Di Fate’s cover for the 1978 edition)

3.25/5 (Average)

The title of Joan D. Vinge’s first novel, The Outcasts of Heaven Belt (1978), is an homage to The Outcasts of Poker Flat (1869) by the turn of the century western writer and poet Bret Harte.  He is famous for his depictions of resourceful women in California pioneer settlements.  Vinge creates a resourceful female captain of a powerful but weaponless spaceship who finds herself beset–with only a depleted crew–by a series of challenges in the decadent, grasping, and fractured pioneer societies of Heaven Belt.  Although the often less than amicable conflict between the egalitarian society with powerful women and the male-focused pioneer cultures could be the focus of the novel, Vinge is less interested in exploring the social ramifications (à la Le Guin and other works of the previous decade — the 1960s).  Instead, this conflict provides a suitable world-building backdrop for a traditional space opera — a bedraggled but technologically Continue reading →