(Don Maitz’s cover for the 1982 edition)
2.75/5 (Vaguely Average)
Hilbert Schenck’s A Rose for Armageddon (1982) postulates that in the near future a complex computer program (“Archmorph”) will be able to predict political and social trends as “conflict was [and will be] pattern-determined” (26). Filled with references to the turbulent 1970s (Vietnam protests, campus unrest, the 1979 energy crisis) and the fear the decade generated, Schenck suggests that a cataclysmic possibility looms.
A Rose for Armageddon treads intriguing grounds in part because it centers on two non-standard individuals (it’s rare to have elderly main characters!): Dr. Elsa Adams, the Louis Agassiz Professor of Analytic Zoology and Dr. Jake Stinson Continue reading
1. I seldom buy duplicate editions. I originally read Sturgeon’s masterpiece as a teen and I’m unsure where my original 70s edition with a Bob Pepper cover ran off to…. And this perfect condition 1960 edition has glorious Richard Powers art!
2. George Turner—an author I know next to nothing about. I’ve already read 75 pages of his first novel and am absolutely entranced.
3. Hilbert Schenck—another author who is new to me. He published primarily in the early 80s and snagged a few Nebula nominations for his short fiction. His second novel proved to be a dud (I’ll have a review up soon).
4. Why are you buying another Donald A. Wollheim Best Of collection when you’re firmly in the Terry Carr camp of Best Of anthologies? Good question.
That said, I recently reviewed The 1972 Annual World’s Best SF (1972) and it was solid.
Note 1: All images are hi-res scans of my personal copies — click to expand.
Note 2: A diligent Twitter follower indicated that the 1984 edition cover of the Turner novel is Tony Roberts’ work.
Thoughts? Comments? Tangents? All are welcome.
1. More than Human, Theodore Sturgeon (1953)
(Richard Powers’ cover for the 1960 edition) Continue reading