Kate Wilhelm

Book Review: Abyss, Kate Wilhelm (1971)

/ Joachim Boaz / 5 Comments

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(Lou Feck’s cover for the 1973 edition)

4/5 (collated rating: Good)

Kate Wilhem’s SF forms one of the foundational pillars propping up my fascination with the genre.  Her writing, sometimes oblique and interior, cuts to the very heart of things, exposing the hidden societal and psychological sinews that suppress and restrict.  Her 60s/70s women characters, from linguists and mathematicians to discontented housewives, subtly subvert our expectations of how genre characters should behave.  And for a few years in the early 70s, she dominated the award lists (four Nebula nominations in 1971, two in 1970, a win in 1968, and of course, her double Hugo and Nebula win in 1976 for her novel Where Late our Sweet Birds Sang).  Totals: 14 Nebula nominations Continue reading →

Updates: Recent Science Fiction Acquisitions No. CLIX (Pohl + Clarion Anthologies)

/ Joachim Boaz / 4 Comments

The Clarion Science Fiction Writers’ Workshop, started in 1968, continues to this day as one of the successful workshops for authors with instruction by the best the genre has to offer.  The alumni list is massive including Vonda N. McIntyre, Octavia Butler, Ted Chiang, Lucius Shepard, Bruce Sterling, etc.  For more on the workshop consult the SF Encyclopedia entry.  Robin Scott Wilson, the original director, published three anthologies decked out with the distinctive art of Gene Szafran.  I am now the proud owner of all three!

Stories by Ursula Le Guin, Kate Wilhelm, Octavia Butler, George Alec Effinger, Edward Bryant, among others and reflections by the greats of the day, Frederik Pohl, Joanna Russ, Harlan Ellison, etc.

And many many many less familiar authors whose stories I will be keen to explore.

And, last but not least, A Frederik Pohl collection with a stunning Richard Powers cover.  He was in fine form in the early 60s.

As always, thoughts and comments are welcome.

1. The Abominable Earthman, Frederik Pohl (1963)

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(Richard Powers cover for the 1963 edition) Continue reading →

Adventures in Science Fiction Cover Art: Interview with Emanuel Schongut and a selection of his 1970s SF covers

/ Joachim Boaz / 30 Comments

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(Cover for the 1972 edition of Recalled to Life (1958), Robert Silverberg)

“I think the 60s and 70s were probably one the most creatively interesting periods for everyone. Art, music, film all pushing the envelope. New York City was affordable and fun, fertile in its influences. Book cover art, book jacket art was fun concept art, a bit more free than other illustration work” — Emanuel Schongut

Back on May 19th, I showcased Emanuel Schongut’s 1960s SF covers [link].  His nephew found my post and put me in touch.   Over the last few weeks I have had a wonderful discussion via email about his time creating covers for Doubleday under the direction of Margo Herr (art director + cover illustrator/artist).  Emanuel graciously agreed to a short interview.  He gives a behind-the-scenes look at SF cover illustrating in the 60s/70s, reflects on his own career, and discusses his artistic process.  If you have any questions, I will be more than happy to relay them to the artist.

Also included after the interview is a delightful selection of his 1970s covers–a double post!  I also recommend visiting his online portfolio for his more recent non-SF work.

As always, thoughts and comments are welcome.

Enjoy!

Note: I have made only minor edits for clarity and inserted publication dates where necessary.

Interview

Thank you so much for agreeing to do an interview on your 60s/70s science fiction covers.  Over more than two decades  of producing SF covers for Doubleday, you put together an impressive body of work. They graced novels by some of the most esteemed authors of the genre, including Kate Wilhelm, John Brunner, Clifford D. Simak, Robert Silverberg, Keith Laumer, among others.

1) First, can you say a little about yourself.

Thank you for your interest Joachim.

Continue reading →

Updates: Recent Science Fiction Acquisitions No. CLI (Wilhelm + Oliver + Coney + Anthology)

/ Joachim Boaz / 16 Comments

Prepare for a glut of “Recent Science Fiction Acquisition” posts!

From my recent travels and a gift from a friend (@SFPotpourri)….

Michael G. Coney is an odd bird.  If you’re curious what I might mean, check out my reviews of Friends Come in Boxes (1973) and Hello Summer, Goodbye (variant title: Rax) (1975).  In short, I had to procure a short story collection!

Chad Oliver, an early proponent of anthropological SF, intrigues yet frustrates—I need to read more than The Shores of Another Sea (1971) to come to a firm conclusion about his fiction.

And Kate Wilhelm, my views are firmly established — in the spring of last year I put together a Kate Wilhelm guest post series.  Check it out!  I’ve posted reviews for the following: her early collection (for fans of 50s SF only) The Mile-Long Spaceship (1963), her spectacular collection with numerous award-winning stories (for fans of experimental SF) The Downstairs Room and Other Speculative Fiction (1968), her solid SF + psychological horror novel Margaret and I (1971), and her even better novel Juniper Time (1979).

And New Dimensions IV (1974), an anthology edited by Silverberg—with a story from one of the unsung SF greats, David R. Bunch.  I have discussed but not reviewed his collection Moderan (1972).  I placed it on my top 10 SF works (pre-1980) for inclusion in the Gollancz Masterwork series list.  And, has anyone read Felix C. Gotschalk?  It contains two stories by this unknown (at least to me) author.  An overall fantastic lineup (Malzberg, Lafferty, Dozois, Bunch, etc.)….

Thoughts? comments?

[does anyone know the artist for the Silverberg edited anthology?]

1. Monitor Found in Orbit, Michael G. Coney (1974)

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(Kelly Freas’ cover for the 1974 edition) Continue reading →

Updates: Recent Science Fiction Acquisitions No. CXLVIII (Lafferty + Shaw + Wilhelm + Thomas + Anthology)

/ Joachim Boaz / 22 Comments

A nice range of 60s/70s SF….

A wonderful Richard Powers cover and another by Don Punchatz which grows on me ever day (hauntingly surreal in its illustration of the book’s plot)….

Bob Shaw is Mr. Perpetually Average–see my reviews of Ground Zero Man (1971) and One Million Tomorrow (1971)—but MPorcius claims Night Walk (1968) is worth the read [here]—I took a peek at the first few pages and it shows promise.  But SF Potpourri’s lengthy rundown of his other work casts a shadow [here]!

Who can pass up Lafferty?  I have to admit, the premise of this particular novel does not appeal to me in the slightest.  But, I purchased the book for less than $2 and it’s a $25+ (with shipping) paperback online!

Another Ted Thomas and Kate Wilhelm collaboration—one of my Kate Wilhelm’s SF guest posts [here], by Mike White, argues convincingly that it is not one of her better novels…. alas.

And an anthology edited by Robert Hoskins.

Thoughts/comments?

Some great covers!

1. The Reefs of Earth, R. A. Lafferty (1968)

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(Richard Powers’ cover for the 1968 edition) Continue reading →

Updates: Recent Science Fiction Acquisitions No. CXLVII (Women of Wonder Anthology + Eklund + Watson + Franke)

/ Joachim Boaz / 39 Comments

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(Inside illustration by Vincent Di Fate for the 1973 edition of The Orchid Cage (1961), Herbert W. Franke)

Part II of my SF acquisitions from Dawn Treader Books in Ann Arbor, MI– Part I.  In my attempt to acquire more foreign SF (still haven’t managed to read that much of it—but the mood will strike eventually), I found a nice copy with a wonderful interior illustration and cover by Vincent Di Fate of one of Herbert W. Franke’s novels.

Also, another Ian Watson novel—I’ve read the Jonah Kit (1975) but never got around to reviewing it as well as his collection (must read for fans of 70s SF) The Very Slow Time Machine (1979).  Jesse over at Speculiction raves about his other Continue reading →

Adventures in Science Fiction Cover Art: The 1960s covers of Emanuel Schongut

/ Joachim Boaz / 36 Comments

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(Cover for the 1965 edition of All Flesh is Grass (1965), Clifford D. Simak)

On twitter I like to highlight the birthdays of often lesser known SF artists and authors—and today is Emanuel Schongut’s birthday!  The 1960s SF covers of Emanuel Schongut (b. 1936) demonstrate an eye for the simple form, the surrealist twist, the optical trick….  In 2012 I compiled a list of my favorite fifteen (as of then) SF covers [here]—although I suspect some of the list would change, his cover for the 1966 edition of Watchers of the Dark (1966) [below] by Lloyd Biggle, Jr. would retain its privileged place.

Although few of the other covers rise to the heights of Watchers of the Dark, some of his others from the 1960s still transfix and leave haunting impressions!  For example, Continue reading →

Updates: Recent Science Fiction Acquisitions No. CXLIV (Farmer + Anderson + Two Anthologies including Aldiss, Wilhelm, Priest, Disch, etc.)

/ Joachim Boaz / 19 Comments

I have been on a short story kick as of late! Three of the following volumes are short story collections (two anthologies).  I want to complete the Orbit series, ed. Damon Knight….

And, well, I have a soft spot for Philip José Farmer’s 50s/60s SF after Strange Relations (1960).

Thoughts? Comments?

  1. Orbit 12, ed. Damon Knight (1973)

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(Paul Lehr’s cover for the 1973 edition) Continue reading →

Book Review: Orbit 3, ed. Damon Knight (1968)

/ Joachim Boaz / 32 Comments

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(Paul Lehr’s cover for the 1968 edition)

3.5/5 (collated rating: Good)

Orbit 3 contains both masterpieces (by Gene Wolfe and Kate Wilhelm) and complete duds (by Doris Pitkin Buck and Philip José Farmer).  Damon Knight’s willingness to select a range of known and lesser known authors creates an enjoyable and unpredictable reading experience—but, most of the greats are on their game in this collection, other than Farmer who puts in a lazy shift…  Contains two Nebula award winners: Wilson’s problematic “Mother to the World” (novelette) and Kate Wilhem’s “The Planners” (short story).  The former was also nominated for a Hugo.

Recommended for fans of 60s SF of the experimental bent.  Do not let the collated rating sway you—there are some great stories behind the Paul Lehr Continue reading →